The Man Who Laughs by Victor Hugo (mobile ebook reader .txt) 📕

your own. Holding himself aloof, and without appearing to mix himself up in the matter, it was he who arranged that Josiana should go to the Green Box and see Gwynplaine. It could do no harm. The appearance of the mountebank, in his low estate, would be a good ingredient in the combination; later on it would season it.

He had quietly prepared everything beforehand. What he most desired was something unspeakably abrupt. The work on which he was engaged could only be expressed in these strange words—the construction of a thunderbolt.

All preliminaries being complete, he had watched till all the necessary legal formalities had been accomplished. The secret had not oozed out, silence being an element of law.

The confrontation of Hardquanonne with Gwynplaine had taken place. Barkilphedro had been present. We have seen the result.

The same day a post-chaise belonging to the royal household was suddenly sent by her Majesty to fetch Lady Josiana from London to Windsor, where the queen was at the time residing.

Josiana, for reasons of her own, would have been very glad to disobey, or at least to delay obedience, and put off her departure till next day; but court life does not permit of these objections. She was obliged to set out at once, and to leave her residence in London, Hunkerville House, for her residence at Windsor, Corleone Lodge.

The Duchess Josiana left London at the very moment that the wapentake appeared at the Tadcaster Inn to arrest Gwynplaine and take him to the torture cell of Southwark.

When she arrived at Windsor, the Usher of the Black Rod, who guards the door of the presence chamber, informed her that her Majesty was in audience with the Lord Chancellor, and could not receive her until the next day; that, consequently, she was to remain at Corleone Lodge, at the orders of her Majesty; and that she should receive the queen's commands direct, when her Majesty awoke the next morning. Josiana entered her house feeling very spiteful, supped in a bad humour, had the spleen, dismissed every one except her page, then dismissed him, and went to bed while it was yet daylight.

When she arrived she had learned that Lord David Dirry-Moir was expected at Windsor the next day, owing to his having, whilst at sea, received orders to return immediately and receive her Majesty's commands.

 

 

 

CHAPTER III. AN AWAKENING.

 

"No man could pass suddenly from Siberia into Senegal without losing consciousness."—HUMBOLDT.

The swoon of a man, even of one the most firm and energetic, under the sudden shock of an unexpected stroke of good fortune, is nothing wonderful. A man is knocked down by the unforeseen blow, like an ox by the poleaxe. Francis d'Albescola, he who tore from the Turkish ports their iron chains, remained a whole day without consciousness when they made him pope. Now the stride from a cardinal to a pope is less than that from a mountebank to a peer of England.

No shock is so violent as a loss of equilibrium.

When Gwynplaine came to himself and opened his eyes it was night. He was in an armchair, in the midst of a large chamber lined throughout with purple velvet, over walls, ceiling, and floor. The carpet was velvet. Standing near him, with uncovered head, was the fat man in the travelling cloak, who had emerged from behind the pillar in the cell at Southwark. Gwynplaine was alone in the chamber with him. From the chair, by extending his arms, he could reach two tables, each bearing a branch of six lighted wax candles. On one of these tables there were papers and a casket, on the other refreshments; a cold fowl, wine, and brandy, served on a silver-gilt salver.

Through the panes of a high window, reaching from the ceiling to the floor, a semicircle of pillars was to be seen, in the clear April night, encircling a courtyard with three gates, one very wide, and the other two low. The carriage gate, of great size, was in the middle; on the right, that for equestrians, smaller; on the left, that for foot passengers, still less. These gates were formed of iron railings, with glittering points. A tall piece of sculpture surmounted the central one. The columns were probably in white marble, as well as the pavement of the court, thus producing an effect like snow; and framed in its sheet of flat flags was a mosaic, the pattern of which was vaguely marked in the shadow. This mosaic, when seen by daylight, would no doubt have disclosed to the sight, with much emblazonry and many colours, a gigantic coat-of-arms, in the Florentine fashion. Zigzags of balustrades rose and fell, indicating stairs of terraces. Over the court frowned an immense pile of architecture, now shadowy and vague in the starlight. Intervals of sky, full of stars, marked out clearly the outline of the palace. An enormous roof could be seen, with the gable ends vaulted; garret windows, roofed over like visors; chimneys like towers; and entablatures covered with motionless gods and goddesses.

Beyond the colonnade there played in the shadow one of those fairy fountains in which, as the water falls from basin to basin, it combines the beauty of rain with that of the cascade, and as if scattering the contents of a jewel box, flings to the wind its diamonds and its pearls as though to divert the statues around. Long rows of windows ranged away, separated by panoplies, in relievo, and by busts on small pedestals. On the pinnacles, trophies and morions with plumes cut in stone alternated with statues of heathen deities.

In the chamber where Gwynplaine was, on the side opposite the window, was a fireplace as high as the ceiling, and on another, under a dais, one of those old spacious feudal beds which were reached by a ladder, and where you might sleep lying across; the joint-stool of the bed was at its side; a row of armchairs by the walls, and a row of ordinary chairs, in front of them, completed the furniture. The ceiling was domed. A great wood fire in the French fashion blazed in the fireplace; by the richness of the flames, variegated of rose colour and green, a judge of such things would have seen that the wood was ash—a great luxury. The room was so large that the branches of candles failed to light it up. Here and there curtains over doors, falling and swaying, indicated communications with other rooms. The style of the room was altogether that of the reign of James I.—a style square and massive, antiquated and magnificent. Like the carpet and the lining of the chamber, the dais, the baldaquin, the bed, the stool, the curtains, the mantelpiece, the coverings of the table, the sofas, the chairs, were all of purple velvet.

There was no gilding, except on the ceiling. Laid on it, at equal distance from the four angles, was a huge round shield of embossed metal, on which sparkled, in dazzling relief, various coats of arms. Amongst the devices, on two blazons, side by side, were to be distinguished the cap of a baron and the coronet of a marquis. Were they of brass or of silver-gilt? You could not tell. They seemed to be of gold. And in the centre of this lordly ceiling, like a gloomy and magnificent sky, the gleaming escutcheon was as the dark splendour of a sun shining in the night.

The savage, in whom is embodied the free man, is nearly as restless in a palace as in a prison. This magnificent chamber was depressing. So much splendour produces fear. Who could be the inhabitant of this stately palace? To what colossus did all this grandeur appertain? Of what lion is this the lair? Gwynplaine, as yet but half awake, was heavy at heart.

"Where am I?" he said.

The man who was standing before him answered,—"You are in your own house, my lord."

 

 

 

CHAPTER IV. FASCINATION.

 

It takes time to rise to the surface. And Gwynplaine had been thrown into an abyss of stupefaction.

We do not gain our footing at once in unknown depths.

There are routs of ideas, as there are routs of armies. The rally is not immediate.

We feel as it were scattered—as though some strange evaporation of self were taking place.

God is the arm, chance is the sling, man is the pebble. How are you to resist, once flung?

Gwynplaine, if we may coin the expression, ricocheted from one surprise to another. After the love letter of the duchess came the revelation in the Southwark dungeon.

In destiny, when wonders begin, prepare yourself for blow upon blow. The gloomy portals once open, prodigies pour in. A breach once made in the wall, and events rush upon us pell-mell. The marvellous never comes singly.

The marvellous is an obscurity. The shadow of this obscurity was over Gwynplaine. What was happening to him seemed unintelligible. He saw everything through the mist which a deep commotion leaves in the mind, like the dust caused by a falling ruin. The shock had been from top to bottom. Nothing was clear to him. However, light always returns by degrees. The dust settles. Moment by moment the density of astonishment decreases. Gwynplaine was like a man with his eyes open and fixed in a dream, as if trying to see what may be within it. He dispersed the mist. Then he reshaped it. He had intermittances of wandering. He underwent that oscillation of the mind in the unforeseen which alternately pushes us in the direction in which we understand, and then throws us back in that which is incomprehensible. Who has not at some time felt this pendulum in his brain?

By degrees his thoughts dilated in the darkness of the event, as the pupil of his eye had done in the underground shadows at Southwark. The difficulty was to succeed in putting a certain space between accumulated sensations. Before that combustion of hazy ideas called comprehension can take place, air must be admitted between the emotions. There air was wanting. The event, so to speak, could not be breathed.

In entering that terrible cell at Southwark, Gwynplaine had expected the iron collar of a felon; they had placed on his head the coronet of a peer. How could this be? There had not been space of time enough between what Gwynplaine had feared and what had really occurred; it had succeeded too quickly—his terror changing into other feelings too abruptly for comprehension. The contrasts were too tightly packed one against the other. Gwynplaine made an effort to withdraw his mind from the vice.

He was silent. This is the instinct of great stupefaction, which is more on the defensive than it is thought to be. Who says nothing is prepared for everything. A word of yours allowed to drop may be seized in some unknown system of wheels, and your utter destruction be compassed in its complex machinery.

The poor and weak live in terror of being crushed. The crowd ever expect to be trodden down. Gwynplaine had long been one of the crowd.

A singular state of human uneasiness can be expressed by the words: Let us see what will happen. Gwynplaine was in this state. You feel that you have not gained your equilibrium when an unexpected situation surges up under your feet. You watch for something which must produce a result. You are vaguely attentive. We will see what happens. What? You do not know. Whom? You watch.

The man with the paunch repeated, "You are in your own house, my lord."

Gwynplaine felt himself. In surprises, we first look to make sure that things exist; then we feel ourselves, to make sure that we exist ourselves. It was certainly to him that the words were spoken; but he himself was somebody else. He no longer had his jacket on, or his esclavine of leather. He had a waistcoat of cloth of silver; and a satin coat, which he touched and found to be embroidered. He felt a heavy