A Daughter of the Snows by Jack London (feel good fiction books .TXT) 📕

played large with destiny, who could buy body and soul a thousand painters and versifiers, was baffled by a few paltry cents' worth of printed paper!"

He spilled her hair for a moment's silence.

"To come back. I had attempted the impossible, gambled against the inevitable. I had sent you from me to get that which I had not, dreaming that we would still be one. As though two could be added to two and still remain two. So, to sum up, the breed still holds, but you have learned an alien tongue. When you speak it I am deaf. And bitterest of all, I know that the new tongue is the greater. I do not know why I have said all this, made my confession of weakness--"

"Oh, father mine, greatest of men!" She raised her head and laughed into his eyes, the while brushing back the thick iron-gray hair which thatched the dome of his forehead. "You, who have wrestled more mightily, done greater things than these painters and versifiers. You who know so well the law of change. Might not the same plaint fall from your father's lips were he to sit now beside you and look upon your work and you?"

"Yes, yes. I have said that I understand. Do not let us discuss it . . . a moment's weakness. My father was a great man."

"And so mine."

"A struggler to the end of his days. He fought the great lone fight--"

"And so mine."

"And died fighting."

"And so shall mine. So shall we all, we Welses."

He shook her playfully, in token of returning spirits. "But I intend to sell out,--mines, Company, everything,--and study Browning."

"Still the fight. You can't discount the blood, father."

"Why were you not a boy?" he demanded, abruptly. "You would have been a splendid one. As it is, a woman, made to be the delight of some man, you must pass from me--to-morrow, next day, this time next year, who knows how soon? Ah? now I know the direction my thought has been trending. Just as I know you do, so do I recognize the inevitableness of it and the justness. But the man, Frona, the man?"

"Don't," she demurred. "Tell me of your father's fight, the last fight, the great lone fight at Treasure City. Ten to one it was, and well fought. Tell me."

"No, Frona. Do you realize that for the first time in our lives we talk together seriously, as father and daughter,--for the first time? You have had no mother to advise; no father, for I trusted the blood, and wisely, and let you go. But there comes a time when the mother's counsel is needed, and you, you who never knew one?"

Frona yielded, in instant recognition, and waiting, snuggled more closely to him.

"This man, St. Vincent--how is it between you?"

"I . . . I do not know. How do you mean?"

"Remember always, Frona, that you have free choice, yours is the last word. Still, I would like to understand. I could . . . perhaps . . . I might be able to suggest. But nothing more. Still, a suggestion . . ."

There was something inexpressibly sacred about it, yet she found herself tongue-tied. Instead of the one definite thing to say, a muddle of ideas fluttered in her brain. After all, could he understand? Was there not a difference which prevented him from comprehending the motives which, for her, were impelling? For all her harking back to the primitive and stout defence of its sanity and truth, did his native philosophy give him the same code which she drew from her acquired philosophy? Then she stood aside and regarded herself and the queries she put, and drew apart from them, for they breathed of treason.

"There is nothing between us, father," she spoke up resolutely. "Mr. St. Vincent has said nothing, nothing. We are good friends, we like each other, we are very good friends. I think that is all."

"But you like each other; you like him. Is it in the way a woman must like a man before she can honestly share her life with him, lose herself in him? Do you feel with Ruth, so that when the time comes you can say, 'Thy people are my people, and thy God my God'?"

"N---o. It may be; but I cannot, dare not face it, say it or not say it, think it or not think it--now. It is the great affirmation. When it comes it must come, no one may know how or why, in a great white flash, like a revelation, hiding nothing, revealing everything in dazzling, blinding truth. At least I so imagine."

Jacob Welse nodded his head with the slow meditation of one who understands, yet stops to ponder and weigh again.

"But why have you asked, father? Why has Mr. St. Vincent been raised? I have been friends with other men."

"But I have not felt about other men as I do of St. Vincent. We may be truthful, you and I, and forgive the pain we give each other. My opinion counts for no more than another's. Fallibility is the commonest of curses. Nor can I explain why I feel as I do--I oppose much in the way you expect to when your great white flash sears your eyes. But, in a word, I do not like St. Vincent."

"A very common judgment of him among the men," Frona interposed, driven irresistibly to the defensive.

"Such consensus of opinion only makes my position stronger," he returned, but not disputatively. "Yet I must remember that I look upon him as men look. His popularity with women must proceed from the fact that women look differently than men, just as women do differ physically and spiritually from men. It is deep, too deep for me to explain. I but follow my nature and try to be just."

"But have you nothing more definite?" she asked, groping for better comprehension of his attitude. "Can you not put into some sort of coherence some one certain thing of the things you feel?"

"I hardly dare. Intuitions can rarely be expressed in terms of thought. But let me try. We Welses have never known a coward. And where cowardice is, nothing can endure. It is like building on sand, or like a vile disease which rots and rots and we know not when it may break forth."

"But it seems to me that Mr. St. Vincent is the last man in the world with whom cowardice may be associated. I cannot conceive of him in that light."

The distress in her face hurt him. "I know nothing against St. Vincent. There is no evidence to show that he is anything but what he appears. Still, I cannot help feeling it, in my fallible human way. Yet there is one thing I have heard, a sordid pot-house brawl in the Opera House. Mind you, Frona, I say nothing against the brawl or the place,--men are men, but it is said that he did not act as a man ought that night."

"But as you say, father, men are men. We would like to have them other than they are, for the world surely would be better; but we must take them as they are. Lucile--"

"No, no; you misunderstand. I did not refer to her, but to the fight. He did not . . . he was cowardly."

"But as you say, it is said . He told me about it, not long afterwards, and I do not think he would have dared had there been anything--"

"But I do not make it as a charge," Jacob Welse hastily broke in. "Merely hearsay, and the prejudice of the men would be sufficient to account for the tale. And it has no bearing, anyway. I should not have brought it up, for I have known good men funk in my time--buck fever, as it were. And now let us dismiss it all from our minds. I merely wished to suggest, and I suppose I have bungled. But understand this, Frona," turning her face up to his, "understand above all things and in spite of them, first, last, and always, that you are my daughter, and that I believe your life is sacredly yours, not mine, yours to deal with and to make or mar. Your life is yours to live, and in so far that I influence it you will not have lived your life, nor would your life have been yours. Nor would you have been a Welse, for there was never a Welse yet who suffered dictation. They died first, or went away to pioneer on the edge of things.

"Why, if you thought the dance house the proper or natural medium for self-expression, I might be sad, but to-morrow I would sanction your going down to the Opera House. It would be unwise to stop you, and, further, it is not our way. The Welses have ever stood by, in many a lost cause and forlorn hope, knee to knee and shoulder to shoulder. Conventions are worthless for such as we. They are for the swine who without them would wallow deeper. The weak must obey or be crushed; not so with the strong. The mass is nothing; the individual everything; and it is the individual, always, that rules the mass and gives the law. A fig for what the world says! If the Welse should procreate a bastard line this day, it would be the way of the Welse, and you would be a daughter of the Welse, and in the face of hell and heaven, of God himself, we would stand together, we of the one blood, Frona, you and I."

"You are larger than I," she whispered, kissing his forehead, and the caress of her lips seemed to him the soft impact of a leaf falling through the still autumn air.

And as the heat of the room ebbed away, he told of her foremother and of his, and of the sturdy Welse who fought the great lone fight, and died, fighting, at Treasure City.


CHAPTER XVIII

The "Doll's House" was a success. Mrs. Schoville ecstasized over it in terms so immeasurable, so unqualifiable, that Jacob Welse, standing near, bent a glittering gaze upon her plump white throat and unconsciously clutched and closed his hand on an invisible windpipe. Dave Harney proclaimed its excellence effusively, though he questioned the soundness of Nora's philosophy and swore by his Puritan gods that Torvald was the longest-eared Jack in two hemispheres. Even Miss Mortimer, antagonistic as she was to the whole school, conceded that the players had redeemed it; while Matt McCarthy announced that he didn't blame Nora darlin' the least bit, though he told the Gold Commissioner privately that a song or so and a skirt dance wouldn't have hurt the performance.

"Iv course the Nora girl was right," he insisted to Harney, both of whom were walking on the heels of Frona and St. Vincent. "I'd be seein'--"

"Rubber--"

"Rubber yer