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feel how right this change is that I—that Sir James wishes for," said Dorothea to Will, as soon as her uncle was gone.

"I do, now I have heard you speak about it. I shall not forget what you have said. But can you think of something else at this moment? I may not have another opportunity of speaking to you about what has occurred," said Will, rising with a movement of impatience, and holding the back of his chair with both hands.

"Pray tell me what it is," said Dorothea, anxiously, also rising and going to the open window, where Monk was looking in, panting and wagging his tail. She leaned her back against the window-frame, and laid her hand on the dog's head; for though, as we know, she was not fond of pets that must be held in the hands or trodden on, she was always attentive to the feelings of dogs, and very polite if she had to decline their advances.

Will followed her only with his eyes and said, "I presume you know that Mr. Casaubon has forbidden me to go to his house."

"No, I did not," said Dorothea, after a moment's pause. She was evidently much moved. "I am very, very sorry," she added, mournfully. She was thinking of what Will had no knowledge of—the conversation between her and her husband in the darkness; and she was anew smitten with hopelessness that she could influence Mr. Casaubon's action. But the marked expression of her sorrow convinced Will that it was not all given to him personally, and that Dorothea had not been visited by the idea that Mr. Casaubon's dislike and jealousy of him turned upon herself. He felt an odd mixture of delight and vexation: of delight that he could dwell and be cherished in her thought as in a pure home, without suspicion and without stint—of vexation because he was of too little account with her, was not formidable enough, was treated with an unhesitating benevolence which did not flatter him. But his dread of any change in Dorothea was stronger than his discontent, and he began to speak again in a tone of mere explanation.

"Mr. Casaubon's reason is, his displeasure at my taking a position here which he considers unsuited to my rank as his cousin. I have told him that I cannot give way on this point. It is a little too hard on me to expect that my course in life is to be hampered by prejudices which I think ridiculous. Obligation may be stretched till it is no better than a brand of slavery stamped on us when we were too young to know its meaning. I would not have accepted the position if I had not meant to make it useful and honorable. I am not bound to regard family dignity in any other light."

Dorothea felt wretched. She thought her husband altogether in the wrong, on more grounds than Will had mentioned.

"It is better for us not to speak on the subject," she said, with a tremulousness not common in her voice, "since you and Mr. Casaubon disagree. You intend to remain?" She was looking out on the lawn, with melancholy meditation.

"Yes; but I shall hardly ever see you now," said Will, in a tone of almost boyish complaint.

"No," said Dorothea, turning her eyes full upon him, "hardly ever. But I shall hear of you. I shall know what you are doing for my uncle."

"I shall know hardly anything about you," said Will. "No one will tell me anything."

"Oh, my life is very simple," said Dorothea, her lips curling with an exquisite smile, which irradiated her melancholy. "I am always at Lowick."

"That is a dreadful imprisonment," said Will, impetuously.

"No, don't think that," said Dorothea. "I have no longings."

He did not speak, but she replied to some change in his expression. "I mean, for myself. Except that I should like not to have so much more than my share without doing anything for others. But I have a belief of my own, and it comforts me."

"What is that?" said Will, rather jealous of the belief.

"That by desiring what is perfectly good, even when we don't quite know what it is and cannot do what we would, we are part of the divine power against evil—widening the skirts of light and making the struggle with darkness narrower."

"That is a beautiful mysticism—it is a—"

"Please not to call it by any name," said Dorothea, putting out her hands entreatingly. "You will say it is Persian, or something else geographical. It is my life. I have found it out, and cannot part with it. I have always been finding out my religion since I was a little girl. I used to pray so much—now I hardly ever pray. I try not to have desires merely for myself, because they may not be good for others, and I have too much already. I only told you, that you might know quite well how my days go at Lowick."

"God bless you for telling me!" said Will, ardently, and rather wondering at himself. They were looking at each other like two fond children who were talking confidentially of birds.

"What is your religion?" said Dorothea. "I mean—not what you know about religion, but the belief that helps you most?"

"To love what is good and beautiful when I see it," said Will. "But I am a rebel: I don't feel bound, as you do, to submit to what I don't like."

"But if you like what is good, that comes to the same thing," said Dorothea, smiling.

"Now you are subtle," said Will.

"Yes; Mr. Casaubon often says I am too subtle. I don't feel as if I were subtle," said Dorothea, playfully. "But how long my uncle is! I must go and look for him. I must really go on to the Hall. Celia is expecting me."

Will offered to tell Mr. Brooke, who presently came and said that he would step into the carriage and go with Dorothea as far as Dagley's, to speak about the small delinquent who had been caught with the leveret. Dorothea renewed the subject of the estate as they drove along, but Mr. Brooke, not being taken unawares, got the talk under his own control.

"Chettam, now," he replied; "he finds fault with me, my dear; but I should not preserve my game if it were not for Chettam, and he can't say that that expense is for the sake of the tenants, you know. It's a little against my feeling:—poaching, now, if you come to look into it—I have often thought of getting up the subject. Not long ago, Flavell, the Methodist preacher, was brought up for knocking down a hare that came across his path when he and his wife were walking out together. He was pretty quick, and knocked it on the neck."

"That was very brutal, I think," said Dorothea

"Well, now, it seemed rather black to me, I confess, in a Methodist preacher, you know. And Johnson said, 'You may judge what a hypocrite he is.' And upon my word, I thought Flavell looked very little like 'the highest style of man'—as somebody calls the Christian—Young, the poet Young, I think—you know Young? Well, now, Flavell in his shabby black gaiters, pleading that he thought the Lord had sent him and his wife a good dinner, and he had a right to knock it down, though not a mighty hunter before the Lord, as Nimrod was—I assure you it was rather comic: Fielding would have made something of it—or Scott, now—Scott might have worked it up. But really, when I came to think of it, I couldn't help liking that the fellow should have a bit of hare to say grace over. It's all a matter of prejudice—prejudice with the law on its side, you know—about the stick and the gaiters, and so on. However, it doesn't do to reason about things; and law is law. But I got Johnson to be quiet, and I hushed the matter up. I doubt whether Chettam would not have been more severe, and yet he comes down on me as if I were the hardest man in the county. But here we are at Dagley's."

Mr. Brooke got down at a farmyard-gate, and Dorothea drove on. It is wonderful how much uglier things will look when we only suspect that we are blamed for them. Even our own persons in the glass are apt to change their aspect for us after we have heard some frank remark on their less admirable points; and on the other hand it is astonishing how pleasantly conscience takes our encroachments on those who never complain or have nobody to complain for them. Dagley's homestead never before looked so dismal to Mr. Brooke as it did today, with his mind thus sore about the fault-finding of the "Trumpet," echoed by Sir James.

It is true that an observer, under that softening influence of the fine arts which makes other people's hardships picturesque, might have been delighted with this homestead called Freeman's End: the old house had dormer-windows in the dark red roof, two of the chimneys were choked with ivy, the large porch was blocked up with bundles of sticks, and half the windows were closed with gray worm-eaten shutters about which the jasmine-boughs grew in wild luxuriance; the mouldering garden wall with hollyhocks peeping over it was a perfect study of highly mingled subdued color, and there was an aged goat (kept doubtless on interesting superstitious grounds) lying against the open back-kitchen door. The mossy thatch of the cow-shed, the broken gray barn-doors, the pauper laborers in ragged breeches who had nearly finished unloading a wagon of corn into the barn ready for early thrashing; the scanty dairy of cows being tethered for milking and leaving one half of the shed in brown emptiness; the very pigs and white ducks seeming to wander about the uneven neglected yard as if in low spirits from feeding on a too meagre quality of rinsings,—all these objects under the quiet light of a sky marbled with high clouds would have made a sort of picture which we have all paused over as a "charming bit," touching other sensibilities than those which are stirred by the depression of the agricultural interest, with the sad lack of farming capital, as seen constantly in the newspapers of that time. But these troublesome associations were just now strongly present to Mr. Brooke, and spoiled the scene for him. Mr. Dagley himself made a figure in the landscape, carrying a pitchfork and wearing his milking-hat—a very old beaver flattened in front. His coat and breeches were the best he had, and he would not have been wearing them on this weekday occasion if he had not been to market and returned later than usual, having given himself the rare treat of dining at the public table of the Blue Bull. How he came to fall into this extravagance would perhaps be matter of wonderment to himself on the morrow; but before dinner something in the state of the country, a slight pause in the harvest before the Far Dips were cut, the stories about the new King and the numerous handbills on the walls, had seemed to warrant a little recklessness. It was a maxim about Middlemarch, and regarded as self-evident, that good meat should have good drink, which last Dagley interpreted as plenty of table ale well followed up by rum-and-water. These liquors have so far truth in them that they were not false enough to make poor Dagley seem merry: they only made his discontent less tongue-tied than usual. He had also taken too much in the shape of muddy political talk, a stimulant dangerously disturbing to his farming conservatism, which consisted in holding that whatever is, is bad, and any change is likely to be worse. He was flushed, and his eyes had a decidedly quarrelsome stare as he stood still grasping his pitchfork, while the landlord approached with

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