Middlemarch by George Eliot (fb2 epub reader .txt) 📕

The transactions referred to by Caleb Garth as having gone forward between Mr. Bulstrode and Mr. Joshua Rigg Featherstone concerning the land attached to Stone Court, had occasioned the interchange of a letter or two between these personages.

Who shall tell what may be the effect of writing? If it happens to have been cut in stone, though it lie face down-most for ages on a forsaken beach, or "rest quietly under the drums and tramplings of many conquests," it may end by letting us into the secret of usurpations and other scandals gossiped about long empires ago:—this world being apparently a huge whispering-gallery. Such conditions are often minutely represented in our petty lifetimes. As the stone which has been kicked by generations of clowns may come by curious little links of effect under the eyes of a scholar, through whose labors it may at last fix the date of invasions and unlock religions, so a bit of ink and paper which has long been an innocent wrapping or stop-gap may at last be laid open under the one pair of eyes which have knowledge enough to turn it into the opening of a catastrophe. To Uriel watching the progress of planetary history from the sun, the one result would be just as much of a coincidence as the other.

Having made this rather lofty comparison I am less uneasy in calling attention to the existence of low people by whose interference, however little we may like it, the course of the world is very much determined. It would be well, certainly, if we could help to reduce their number, and something might perhaps be done by not lightly giving occasion to their existence. Socially speaking, Joshua Rigg would have been generally pronounced a superfluity. But those who like Peter Featherstone never had a copy of themselves demanded, are the very last to wait for such a request either in prose or verse. The copy in this case bore more of outside resemblance to the mother, in whose sex frog-features, accompanied with fresh-colored cheeks and a well-rounded figure, are compatible with much charm for a certain order of admirers. The result is sometimes a frog-faced male, desirable, surely, to no order of intelligent beings. Especially when he is suddenly brought into evidence to frustrate other people's expectations—the very lowest aspect in which a social superfluity can present himself.

But Mr. Rigg Featherstone's low characteristics were all of the sober, water-drinking kind. From the earliest to the latest hour of the day he was always as sleek, neat, and cool as the frog he resembled, and old Peter had secretly chuckled over an offshoot almost more calculating, and far more imperturbable, than himself. I will add that his finger-nails were scrupulously attended to, and that he meant to marry a well-educated young lady (as yet unspecified) whose person was good, and whose connections, in a solid middle-class way, were undeniable. Thus his nails and modesty were comparable to those of most gentlemen; though his ambition had been educated only by the opportunities of a clerk and accountant in the smaller commercial houses of a seaport. He thought the rural Featherstones very simple absurd people, and they in their turn regarded his "bringing up" in a seaport town as an exaggeration of the monstrosity that their brother Peter, and still more Peter's property, should have had such belongings.

The garden and gravel approach, as seen from the two windows of the wainscoted parlor at Stone Court, were never in better trim than now, when Mr. Rigg Featherstone stood, with his hands behind him, looking out on these grounds as their master. But it seemed doubtful whether he looked out for the sake of contemplation or of turning his back to a person who stood in the middle of the room, with his legs considerably apart and his hands in his trouser-pockets: a person in all respects a contrast to the sleek and cool Rigg. He was a man obviously on the way towards sixty, very florid and hairy, with much gray in his bushy whiskers and thick curly hair, a stoutish body which showed to disadvantage the somewhat worn joinings of his clothes, and the air of a swaggerer, who would aim at being noticeable even at a show of fireworks, regarding his own remarks on any other person's performance as likely to be more interesting than the performance itself.

His name was John Raffles, and he sometimes wrote jocosely W.A.G. after his signature, observing when he did so, that he was once taught by Leonard Lamb of Finsbury who wrote B.A. after his name, and that he, Raffles, originated the witticism of calling that celebrated principal Ba-Lamb. Such were the appearance and mental flavor of Mr. Raffles, both of which seemed to have a stale odor of travellers' rooms in the commercial hotels of that period.

"Come, now, Josh," he was saying, in a full rumbling tone, "look at it in this light: here is your poor mother going into the vale of years, and you could afford something handsome now to make her comfortable."

"Not while you live. Nothing would make her comfortable while you live," returned Rigg, in his cool high voice. "What I give her, you'll take."

"You bear me a grudge, Josh, that I know. But come, now—as between man and man—without humbug—a little capital might enable me to make a first-rate thing of the shop. The tobacco trade is growing. I should cut my own nose off in not doing the best I could at it. I should stick to it like a flea to a fleece for my own sake. I should always be on the spot. And nothing would make your poor mother so happy. I've pretty well done with my wild oats—turned fifty-five. I want to settle down in my chimney-corner. And if I once buckled to the tobacco trade, I could bring an amount of brains and experience to bear on it that would not be found elsewhere in a hurry. I don't want to be bothering you one time after another, but to get things once for all into the right channel. Consider that, Josh—as between man and man—and with your poor mother to be made easy for her life. I was always fond of the old woman, by Jove!"

"Have you done?" said Mr. Rigg, quietly, without looking away from the window.

"Yes, I've done," said Raffles, taking hold of his hat which stood before him on the table, and giving it a sort of oratorical push.

"Then just listen to me. The more you say anything, the less I shall believe it. The more you want me to do a thing, the more reason I shall have for never doing it. Do you think I mean to forget your kicking me when I was a lad, and eating all the best victual away from me and my mother? Do you think I forget your always coming home to sell and pocket everything, and going off again leaving us in the lurch? I should be glad to see you whipped at the cart-tail. My mother was a fool to you: she'd no right to give me a father-in-law, and she's been punished for it. She shall have her weekly allowance paid and no more: and that shall be stopped if you dare to come on to these premises again, or to come into this country after me again. The next time you show yourself inside the gates here, you shall be driven off with the dogs and the wagoner's whip."

As Rigg pronounced the last words he turned round and looked at Raffles with his prominent frozen eyes. The contrast was as striking as it could have been eighteen years before, when Rigg was a most unengaging kickable boy, and Raffles was the rather thick-set Adonis of bar-rooms and back-parlors. But the advantage now was on the side of Rigg, and auditors of this conversation might probably have expected that Raffles would retire with the air of a defeated dog. Not at all. He made a grimace which was habitual with him whenever he was "out" in a game; then subsided into a laugh, and drew a brandy-flask from his pocket.

"Come, Josh," he said, in a cajoling tone, "give us a spoonful of brandy, and a sovereign to pay the way back, and I'll go. Honor bright! I'll go like a bullet, by Jove!"

"Mind," said Rigg, drawing out a bunch of keys, "if I ever see you again, I shan't speak to you. I don't own you any more than if I saw a crow; and if you want to own me you'll get nothing by it but a character for being what you are—a spiteful, brassy, bullying rogue."

"That's a pity, now, Josh," said Raffles, affecting to scratch his head and wrinkle his brows