The Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton (best book reader .txt) 📕

And wounds are healed more slowly. And Memory's vow To lost ones now, Makes joys too bright, unholy. And ever fled the Iris bow That smiled when clouds were o'er us. If storms should burst, uncheered we go, A drearier waste before us— And with the toys Of childish joys, We've broke the staff that bore us!

Wisely and delicately had Ione chosen that song, sad though its burthen seemed; for when we are deeply mournful, discordant above all others is the voice of mirth: the fittest spell is that borrowed from melancholy itself, for dark thoughts can be softened down when they cannot be brightened; and so they lose the precise and rigid outline of their truth, and their colors melt into the ideal. As the leech applies in remedy to the internal sore some outward irritation, which, by a gentler wound, draws away the venom of that which is more deadly, thus, in the rankling festers of the mind, our art is to divert to a milder sadness on the surface the pain that gnaweth at the core. And so with Apaecides, yielding to the influence of the silver voice that reminded him of the past, and told but of half the sorrow born to the present, he forgot his more immediate and fiery sources of anxious thought. He spent hours in making Ione alternately sing to, and converse with him; and when he rose to leave her, it was with a calmed and lulled mind.

'Ione,' said he, as he pressed her hand, 'should you hear my name blackened and maligned, will you credit the aspersion?'

'Never, my brother, never!'

'Dost thou not imagine, according to thy belief, that the evil-doer is punished hereafter, and the good rewarded?'

'Can you doubt it?'

'Dost thou think, then, that he who is truly good should sacrifice every selfish interest in his zeal for virtue?'

'He who doth so is the equal of the gods.'

'And thou believest that, according to the purity and courage with which he thus acts, shall be his portion of bliss beyond the grave?'

'So we are taught to hope.'

'Kiss me, my sister. One question more. Thou art to be wedded to Glaucus: perchance that marriage may separate us more hopelessly—but not of this speak I now—thou art to be married to Glaucus—dost thou love him? Nay, my sister, answer me by words.'

'Yes!' murmured Ione, blushing.

'Dost thou feel that, for his sake, thou couldst renounce pride, brave dishonour, and incur death? I have heard that when women really love, it is to that excess.'

'My brother, all this could I do for Glaucus, and feel that it were not a sacrifice. There is no sacrifice to those who love, in what is borne for the one we love.'

'Enough! shall woman feel thus for man, and man feel less devotion to his God?'

He spoke no more. His whole countenance seemed instinct and inspired with a divine life: his chest swelled proudly; his eyes glowed: on his forehead was writ the majesty of a man who can dare to be noble! He turned to meet the eyes of Ione—earnest, wistful, fearful—he kissed her fondly, strained her warmly to his breast, and in a moment more he had left the house.

Long did Ione remain in the same place, mute and thoughtful. The maidens again and again came to warn her of the deepening noon, and her engagement to Diomed's banquet. At length she woke from her reverie, and prepared, not with the pride of beauty, but listless and melancholy, for the festival: one thought alone reconciled her to the promised visit—she should meet Glaucus—she could confide to him her alarm and uneasiness for her brother.