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him as if he hardly realised what was happening.

"Are these two raving maniacs?" he asked at last, "or what do they mean by this nonsensical gibberish about Antonio Herrera?"

The constable laid his hand on the prisoner's shoulder.

"It's all right, my man," he said. "We've got warrants out against you. I arrest you, Edward Polperro, alias the Reverend Richard Peploe Brabazon, on a charge of obtaining money under false pretences from Sir Charles Vandrift, K.C.M.G., M.P., on his sworn information, now here subscribed to." For Charles had had the thing drawn out in readiness beforehand.

Our prisoner drew himself up. "Look here, officer," he said, in an offended tone, "there's some mistake here in this matter. I have never given an alias at any time in my life. How do you know this is really Sir Charles Vandrift? It may be a case of bullying personation. My belief is, though, they're a pair of escaped lunatics."

"We'll see about that to-morrow," the constable said, collaring him. "At present you've got to go off with me quietly to the station, where these gentlemen will enter up the charge against you."

They carried him off, protesting. Charles and I signed the charge-sheet; and the officer locked him up to await his examination next day before the magistrate.

We were half afraid even now the fellow would manage somehow to get out on bail and give us the slip in spite of everything; and, indeed, he protested in the most violent manner against the treatment to which we were subjecting "a gentleman in his position." But Charles took care to tell the police it was all right; that he was a dangerous and peculiarly slippery criminal, and that on no account must they let him go on any pretext whatever, till he had been properly examined before the magistrates.

We learned at the hotel that night, curiously enough, that there really was a Dr. Polperro, a distinguished art critic, whose name, we didn't doubt, our impostor had been assuming.

Next morning, when we reached the court, an inspector met us with a very long face. "Look here, gentlemen," he said, "I'm afraid you've committed a very serious blunder. You've made a precious bad mess of it. You've got yourselves into a scrape; and, what's worse, you've got us into one also. You were a deal too smart with your sworn information. We've made inquiries about this gentleman, and we find the account he gives of himself is perfectly correct. His name is Polperro; he's a well-known art critic and collector of pictures, employed abroad by the National Gallery. He was formerly an official in the South Kensington Museum, and he's a C.B. and LL.D., very highly respected. You've made a sad mistake, that's where it is; and you'll probably have to answer a charge of false imprisonment, in which I'm afraid you have also involved our own department."

Charles gasped with horror. "You haven't let him out," he cried, "on those absurd representations? You haven't let him slip through your hands as you did that murderer fellow?"

"Let him slip through our hands?" the inspector cried. "I only wish he would. There's no chance of that, unfortunately. He's in the court there, this moment, breathing out fire and slaughter against you both; and we're here to protect you if he should happen to fall upon you. He's been locked up all night on your mistaken affidavits, and, naturally enough, he's mad with anger."

"If you haven't let him go, I'm satisfied," Charles answered. "He's a fox for cunning. Where is he? Let me see him."

We went into the court. There we saw our prisoner conversing amicably, in the most excited way, with the magistrate (who, it seems, was a personal friend of his); and Charles at once went up and spoke to them. Dr. Polperro turned round and glared at him through his pince-nez.

"The only possible explanation of this person's extraordinary and incredible conduct," he said, "is, that he must be mad—and his secretary equally so. He made my acquaintance, unasked, on a glass seat on the King's Road; invited me to go on his coach to Lewes; volunteered to buy a valuable picture of me; and then, at the last moment, unaccountably gave me in charge on this silly and preposterous trumped-up accusation. I demand a summons for false imprisonment."

Suddenly it began to dawn upon us that the tables were turned. By degrees it came out that we had made a mistake. Dr. Polperro was really the person he represented himself to be, and had been always. His picture, we found out, was the real Maria Vanrenen, and a genuine Rembrandt, which he had merely deposited for cleaning and restoring at the suspicious dealer's. Sir J. H. Tomlinson had been imposed upon and cheated by a cunning Dutchman; his picture, though also an undoubted Rembrandt, was not the Maria, and was an inferior specimen in bad preservation. The authority we had consulted turned out to be an ignorant, self-sufficient quack. The Maria, moreover, was valued by other experts at no more than five or six thousand guineas. Charles wanted to cry off his bargain, but Dr. Polperro naturally wouldn't hear of it. The agreement was a legally binding instrument, and what passed in Charles's mind at the moment had nothing to do with the written contract. Our adversary only consented to forego the action for false imprisonment on condition that Charles inserted a printed apology in the Times, and paid him five hundred pounds compensation for damage to character. So that was the end of our well-planned attempt to arrest the swindler.

Not quite the end, however; for, of course, after this, the whole affair got by degrees into the papers. Dr. Polperro, who was a familiar person in literary and artistic society, as it turned out, brought an action against the so-called expert who had declared against the genuineness of his alleged Rembrandt, and convicted him of the grossest ignorance and misstatement. Then paragraphs got about. The World showed us up in a sarcastic article; and Truth, which has always been terribly severe upon Sir Charles and all the other South Africans, had a pungent set of verses on "High Art in Kimberley." By this means, as we suppose, the affair became known to Colonel Clay himself; for a week or two later my brother-in-law received a cheerful little note on scented paper from our persistent sharper. It was couched in these terms:—


"Oh, you innocent infant!

"Bless your ingenuous little heart! And did it believe, then, it had positively caught the redoubtable colonel? And had it ready a nice little pinch of salt to put upon his tail? And is it true its respected name is Sir Simple Simon? How heartily we have laughed, White Heather and I, at your neat little ruses! It would pay you, by the way, to take White Heather into your house for six months to instruct you in the agreeable sport of amateur detectives. Your charming naivete quite moves our envy. So you actually imagined a man of my brains would condescend to anything so flat and stale as the silly and threadbare Old Master deception! And this in the so-called nineteenth century! O sancta simplicitas! When again shall such infantile transparency be mine? When, ah, when? But never mind, dear friend. Though you didn't catch me, we shall meet before long at some delightful Philippi.

"Yours, with the profoundest respect and gratitude,

"ANTONIO HERRERA,

"Otherwise RICHARD PEPLOE BRABAZON."


Charles laid down the letter with a deep-drawn sigh. "Sey, my boy," he mused aloud, "no fortune on earth—not even mine—can go on standing it. These perpetual drains begin really to terrify me. I foresee the end. I shall die in a workhouse. What with the money he robs me of when he is Colonel Clay, and the money I waste upon him when he isn't Colonel Clay, the man is beginning to tell upon my nervous system. I shall withdraw altogether from this worrying life. I shall retire from a scheming and polluted world to some untainted spot in the fresh, pure mountains."

"You must need rest and change," I said, "when you talk like that. Let us try the Tyrol."




IV THE EPISODE OF THE TYROLEAN CASTLE

We went to Meran. The place was practically decided for us by Amelia's French maid, who really acts on such occasions as our guide and courier.

She is such a clever girl, is Amelia's French maid. Whenever we are going anywhere, Amelia generally asks (and accepts) her advice as to choice of hotels and furnished villas. C�sarine has been all over the Continent in her time; and, being Alsatian by birth, she of course speaks German as well as she speaks French, while her long residence with Amelia has made her at last almost equally at home in our native English. She is a treasure, that girl; so neat and dexterous, and not above dabbling in anything on earth she may be asked to turn her hand to. She walks the world with a needle-case in one hand and an etna in the other. She can cook an omelette on occasion, or drive a Norwegian cariole; she can sew, and knit, and make dresses, and cure a cold, and do anything else on earth you ask her. Her salads are the most savoury I ever tasted; while as for her coffee (which she prepares for us in the train on long journeys), there isn't a chef de cuisine at a West-end club to be named in the same day with her.

So, when Amelia said, in her imperious way, "C�sarine, we want to go to the Tyrol—now—at once—in mid-October; where do you advise us to put up?"—C�sarine answered, like a shot, "The Erzherzog Johann, of course, at Meran, for the autumn, madame."

"Is he ... an archduke?" Amelia asked, a little staggered at such apparent familiarity with Imperial personages.

"Ma foi! no, madame. He is an hotel—as you would say in England, the 'Victoria' or the 'Prince of Wales's'—the most comfortable hotel in all South Tyrol; and at this time of year, naturally, you must go beyond the Alps; it begins already to be cold at Innsbruck."

So to Meran we went; and a prettier or more picturesque place, I confess, I have seldom set eyes on. A rushing torrent; high hills and mountain peaks; terraced vineyard slopes; old walls and towers; quaint, arcaded streets; a craggy waterfall; a promenade after the fashion of a German Spa; and when you lift your eyes from the ground, jagged summits of Dolomites: it was a combination such as I had never before beheld; a Rhine town plumped down among green Alpine heights, and threaded by the cool colonnades of Italy.

I approved C�sarine's choice; and I was particularly glad she had pronounced for an hotel, where all is plain sailing, instead of advising a furnished villa, the arrangements for which would naturally have fallen in large part upon the shoulders of the wretched secretary. As in any case I have to do three hours' work a day, I feel that such additions to my normal burden may well be spared me. I tipped C�sarine half a sovereign, in fact, for her judicious choice. C�sarine glanced at it on her palm in her mysterious, curious, half-smiling way, and pocketed it at once with a "Merci, monsieur!" that had a touch of contempt in it. I always fancy C�sarine has large ideas of her own on the subject of tipping, and thinks very small beer of the modest sums a mere secretary can alone afford to bestow upon her.

The great peculiarity of Meran is the number of schlosses (I believe my plural is strictly irregular, but very convenient to English ears) which you can see in every direction from its outskirts. A statistical eye, it is supposed, can count no fewer than forty of these picturesque, ramshackled old castles from a point on the K�chelberg. For myself, I hate statistics (except as an element in financial prospectuses), and I really don't know how many ruinous piles Isabel and Amelia counted under C�sarine's guidance; but I remember that most of them were quaint and beautiful, and that their variety of architecture seemed positively bewildering. One would be square, with funny little turrets stuck out at each angle; while another would rejoice in a big round keep, and spread on either side long, ivy-clad walls and delightful bastions. Charles was immensely taken with them. He loves the picturesque, and has a poet hidden in that financial soul of his. (Very effectually hidden, though, I am ready to grant you.) From the moment he came he felt at once he would love to possess a castle of his own among these romantic mountains. "Seldon!" he exclaimed contemptuously. "They call Seldon a castle! But you and I know very well, Sey, it was built in 1860, with sham antique stones, for Macpherson of Seldon, at market rates, by Cubitt and Co., worshipful contractors of London. Macpherson charged me for that sham antiquity a preposterous

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