Lysbeth, a Tale of the Dutch by H. Rider Haggard (fantasy books to read txt) 📕

There were three persons in Leyden whose reflections when they awoke on the morning after the sledge race are not without interest, at any rate to the student of their history. First there was Dirk van Goorl, whose work made an early riser of him—to say nothing of a splitting headache which on this morning called him into consciousness just as the clock in the bell tower was chiming half-past four. Now there are few things more depressing than to be awakened by a bad headache at half-past four in the black frost of a winter dawn. Yet as Dirk lay and thought a conviction took hold of him that his depression was not due entirely to the headache or to the cold.

One by one he recalled the events of yesterday. First he had been late for his appointment with Lysbeth, which evidently vexed her. Then the Captain Montalvo had swooped down and carried her away, as a hawk bears off a chicken under the very eyes of the hen-wife, while he—donkey that he was—could find no words in which to protest. Next, thinking it his duty to back the sledge wherein Lysbeth rode, although it was driven by a Spaniard, he had lost ten florins on that event, which, being a thrifty young man, did not at all please him. The rest of the fete he had spent hunting for Lysbeth, who mysteriously vanished with the Spaniard, an unentertaining and even an anxious pastime. Then came the supper, when once more the Count swooped down on Lysbeth, leaving him to escort his Cousin Clara, whom he considered an old fool and disliked, and who, having spoilt his new jacket by spilling wine over it, ended by abusing his taste in dress. Nor was that all—he had drunk a great deal more strong wine than was wise, for to this his head certified. Lastly he had walked home arm in arm with his lady-snatching Spaniard, and by Heaven! yes, he had sworn eternal friendship with him on the doorstep.

Well, there was no doubt that the Count was an uncommonly good fellow—for a Spaniard. As for that story of the foul he had explained it quite satisfactorily, and he had taken his beating like a gentleman. Could anything be nicer or in better feeling than his allusions to Cousin Pieter in his after-supper speech? Also, and this was a graver matter, the man had shown that he was tolerant and kindly by the way in which he dealt with the poor creature called the Mare, a woman whose history Dirk knew well; one whose sufferings had made of her a crazy and rash-tongued wanderer, who, so it was rumoured, could use a knife.

In fact, for the truth may as well be told at once, Dirk was a Lutheran, having been admitted to that community two years before. To be a Lutheran in those days, that is in the Netherlands, meant, it need scarcely be explained, that you walked the world with a halter round your neck and a vision of the rack and the stake before your eyes; circumstances under which religion became a more earnest and serious thing than most people find it in this century. Still even at that date the dreadful penalties attaching to the crime did not prevent many of the burgher and lower classes from worshipping God in their own fashion. Indeed, if the truth had been known, of those who were present at Lysbeth’s supper on the previous night more than half, including Pieter van de Werff, were adherents of the New Faith.

To dismiss religious considerations, however, Dirk could have wished that this kindly natured Spaniard was not quite so good-looking or quite so appreciative of the excellent points of the young Leyden ladies, and especially of Lysbeth’s, with whose sterling character, he now remembered, Montalvo had assured him he was much impressed. What he feared was that this regard might be reciprocal. After all a Spanish hidalgo in command of the garrison was a distinguished person, and, alas! Lysbeth also was a Catholic. Dirk loved Lysbeth; he loved her with that patient sincerity which was characteristic of his race and his own temperament, but in addition to and above the reasons that have been given already it was this fact of the difference of religion which hitherto had built a wall between them. Of course she was unaware of anything of the sort. She did not know even that he belonged to the New Faith, and without the permission of the elders of his sect, he would not dare to tell her, for the lives of men and of their families could not be confided lightly to the hazard of a girl’s discretion.

Herein lay the real reason why, although Dirk was so devoted to Lysbeth, and although he imagined that she was not indifferent to him, as yet no word had passed between them of love or marriage. How could he who was a Lutheran ask a Catholic to become his wife without telling her the truth? And if he told her the truth, and she consented to take the risk, how could he drag her into that dreadful net? Supposing even that she kept to her own faith, which of course she would be at liberty to do, although equally, of course, he was bound to try to convert her, their children, if they had any, must be brought up in his beliefs. Then, sooner or later, might come the informer, that dreadful informer whose shadow already lay heavy upon thousands of homes in the Netherlands, and after the informer the officer, and after the officer the priest, and after the priest the judge, and after the judge—the executioner and the stake.

In this case, what would happen to Lysbeth? She might prove herself innocent of the horrible crime of heresy, if by that time she was innocent, but what would life become to the loving young woman whose husband and children, perhaps, had been haled off to the slaughter chambers of the Papal Inquisition? This was the true first cause why Dirk had remained silent, even when he was sorely tempted to speak; yes, although his instinct told him that his silence had been misinterpreted and set down to over-caution, or indifference, or to unnecessary scruples.

The next to wake up that morning was Lysbeth, who, if she was not troubled with headache resulting from indulgence—and in that day women of her class sometimes suffered from it—had pains of her own to overcome. When sifted and classified these pains resolved themselves into a sense of fiery indignation against Dirk van Goorl. Dirk had been late for his appointment, alleging some ridiculous excuse about the cooling of a bell, as though she cared whether the bell were hot or cold, with the result that she had been thrown into the company of that dreadful Martha the Mare. After the Mare—aggravated by Black Meg—came the Spaniard. Here again Dirk had shown contemptible indifference and insufficiency, for he allowed her to be forced into the Wolf sledge against her will. Nay, he had actually consented to the thing. Next, in a fateful sequence followed all the other incidents of that hideous carnival; the race, the foul, if it was a foul; the dreadful nightmare vision called into her mind by the look upon Montalvo’s face; the trial of the Mare, her own unpremeditated but indelible perjury; the lonely drive with the man who compelled her to it; the exhibition of herself before all the world as his willing companion; and the feast in which he appeared as her cavalier, and was accepted of the simple company almost as an angel entertained by chance.

What did he mean? Doubtless, for on that point she could scarcely be mistaken, he meant to make love to her, for had he not in practice said as much? And now—this was the terrible thing—she was in his power, since if he chose to do so, without doubt he could prove that she had sworn a false oath for her own purposes. Also that lie weighed upon her mind, although it had been spoken in a good cause; if it was good to save a wretched fanatic from the fate which, were the truth known, without doubt her crime deserved.

Of course, the Spaniard was a bad man, if an attractive one, and he had behaved wickedly, if with grace and breeding; but who expected anything else from a Spaniard, who only acted after his kind and for his own ends? It was Dirk—Dirk—that was to blame, not so much—and here again came the rub—for his awkwardness and mistakes of yesterday, as for his general conduct. Why had he not spoken to her before, and put her beyond the reach of such accidents as these to which a woman of her position and substance must necessarily be exposed? The saints knew that she had given him opportunity enough. She had gone as far as a maiden might, and not for all the Dirks on earth would she go one inch further. Why had she ever come to care for his foolish face? Why had she refused So-and-so, and So-and-so and So-and-so—all of them honourable men—with the result that now no other bachelor ever came near her, comprehending that she was under bond to her cousin? In the past she had persuaded herself that it was because of something she felt but could not see, of a hidden nobility of character which after all was not very evident upon the surface, that she loved Dirk van Goorl. But where was this something, this nobility? Surely a man who was a man ought to play his part, and not leave her in this false position, especially as there could be no question of means. She would not have come to him empty-handed, very far from it, indeed. Oh! were it not for the unlucky fact that she still happened to care about him—to her sorrow—never, never would she speak to him again.

The last of our three friends to awake on this particular morning, between nine and ten o’clock, indeed, when Dirk had been already two hours at his factory and Lysbeth was buying provisions in the market place, was that accomplished and excellent officer, Captain the Count Juan de Montalvo. For a few seconds after his dark eyes opened he stared at the ceiling collecting his thoughts. Then, sitting up in bed, he burst into a prolonged roar of laughter. Really the whole thing was too funny for any man of humour to contemplate without being moved to merriment. That gaby, Dirk van Goorl; the furiously indignant but helpless Lysbeth; the solemn, fat-headed fools of Netherlanders at the supper, and the fashion in which he had played his own tune on the whole pack of them as though they were the strings of a fiddle—oh! it was delicious.

As the reader by this time may have guessed, Montalvo was not the typical Spaniard of romance, and, indeed, of history. He was not gloomy and stern; he was not even particularly vengeful or bloodthirsty. On the contrary, he was a clever and utterly unprincipled man with a sense of humour and a gift of bonhomie which made him popular in all places. Moreover, he was brave, a good soldier; in a certain sense sympathetic, and, strange to say, no bigot. Indeed, which seems to have been a rare thing in those days, his religious views were so enlarged that he had none at all. His conduct, therefore, if from time to time it was affected by passing spasms of acute superstition, was totally uninfluenced by any settled spiritual hopes or fears, a condition which, he found, gave him great advantages in life. In fact, had it suited his purpose, Montalvo was prepared, at a moment’s notice, to become Lutheran or Calvinist, or Mahomedan, or Mystic, or even Anabaptist; on the principle, he would explain, that it is easy for the artist to paint any picture he likes upon a blank canvas.

And yet this curious pliancy of mind, this lack of conviction, this absolute want of moral sense, which ought to have given the Count such great