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staff,” said she quickly.

Every one of the handmaids, blithe for excuse to quit a task which seemed recently commenced, and was certainly not endeared to them by the knowledge of its purpose communicated to them by the lady, rose to obey.

Unheeding the hands that vied with each other, Hilda took the hood, and drew it partially over her brow. Leaning lightly on a long staff, the head of which formed a raven, carved from some wood stained black, she passed into the hall, and thence through the desecrated tablinum, into the mighty court formed by the shattered peristyle; there she stopped, mused a moment, and called on Edith. The girl was soon by her side.

“Come with me.—There is a face you shall see but twice in life;—this day,”—and Hilda paused, and the rigid and almost colossal beauty of her countenance softened.

“And when again, my grandmother?”

“Child, put thy warm hand in mine. So! the vision darkens from me.—when again, saidst thou, Edith?—alas, I know not.”

While thus speaking, Hilda passed slowly by the Roman fountain and the heathen fane, and ascended the little hillock. There on the opposite side of the summit, backed by the Druid crommel and the Teuton altar, she seated herself deliberately on the sward.

A few daisies, primroses, and cowslips, grew around; these Edith began to pluck. Singing, as she wove, a simple song, that, not more by the dialect than the sentiment, betrayed its origin in the ballad of the Norse 11, which had, in its more careless composition, a character quite distinct from the artificial poetry of the Saxons. The song may be thus imperfectly rendered:

“Merrily the throstle sings Amid the merry May; The throstle signs but to my ear; My heart is far away! Blithely bloometh mead and bank; And blithely buds the tree; And hark!—they bring the Summer home; It has no home with me! They have outlawed him—my Summer! An outlaw far away! The birds may sing, the flowers may bloom, O, give me back my May!”

As she came to the last line, her soft low voice seemed to awaken a chorus of sprightly horns and trumpets, and certain other wind instruments peculiar to the music of that day. The hillock bordered the high road to London—which then wound through wastes of forest land—and now emerging from the trees to the left appeared a goodly company. First came two riders abreast, each holding a banner. On the one was depicted the cross and five martlets, the device of Edward, afterwards surnamed the Confessor: on the other, a plain broad cross with a deep border round it, and the streamer shaped into sharp points.

The first was familiar to Edith, who dropped her garland to gaze on the approaching pageant; the last was strange to her. She had been accustomed to see the banner of the great Earl Godwin by the side of the Saxon king; and she said, almost indignantly,—

“Who dares, sweet grandam, to place banner or pennon where Earl Godwin’s ought to float?”

“Peace,” said Hilda, “peace and look.”

Immediately behind the standard-bearers came two figures—strangely dissimilar indeed in mien, in years, in bearing: each bore on his left wrist a hawk. The one was mounted on a milk-white palfrey, with housings inlaid with gold and uncut jewels. Though not really old—for he was much on this side of sixty—both his countenance and carriage evinced age. His complexion, indeed, was extremely fair, and his cheeks ruddy; but the visage was long and deeply furrowed, and from beneath a bonnet not dissimilar to those in use among the Scotch, streamed hair long and white as snow, mingling with a large and forked beard. White seemed his chosen colour. White was the upper tunic clasped on his shoulder with a broad ouche or brooch; white the woollen leggings fitted to somewhat emaciated limbs; and white the mantle, though broidered with a broad hem of gold and purple. The fashion of his dress was that which well became a noble person, but it suited ill the somewhat frail and graceless figure of the rider. Nevertheless, as Edith saw him, she rose, with an expression of deep reverence on her countenance, and saying, “it is our lord the King,” advanced some steps down the hillock, and there stood, her arms folded on her breast, and quite forgetful, in her innocence and youth, that she had left the house without the cloak and coverchief which were deemed indispensable to the fitting appearance of maid and matron when they were seen abroad.

“Fair sir, and brother mine,” said the deep voice of the younger rider, in the Romance or Norman tongue, “I have heard that the small people of whom my neighbours, the Breton tell us much, abound greatly in this fair land of yours; and if I were not by the side of one whom no creature unassoilzed and unbaptised dare approach, by sweet St. Valery I should say—yonder stands one of those same gentilles fees!”

King Edward’s eye followed the direction of his companion’s outstretched hand, and his quiet brow slightly contracted as he beheld the young form of Edith standing motionless a few yards before him, with the warm May wind lifting and playing with her long golden locks. He checked his palfrey, and murmured some Latin words which the knight beside him recognised as a prayer, and to which, doffing his cap, he added an Amen, in a tone of such unctuous gravity, that the royal saint rewarded him with a faint approving smile, and an affectionate “Bene vene, Piosissime.”

Then inclining his palfrey’s head towards the knoll, he motioned to the girl to approach him. Edith, with a heightened colour, obeyed, and came to the roadside. The standard-bearers halted, as did the king and his comrade—the procession behind halted—thirty knights, two bishops, eight abbots, all on fiery steeds and in Norman garb—squires and attendants on foot—a long and pompous retinue—they halted all. Only a stray hound or two broke from the rest, and wandered into the forest land with heads trailing.

“Edith, my child,” said Edward, still in Norman-French, for he spoke his own language with hesitation, and the Romance tongue, which had long been familiar to the higher classes in England, had, since his accession, become the only language in use at court, and as such every one of ‘Eorl-kind’ was supposed to speak it;—“Edith, my child, thou hast not forgotten my lessons, I trow; thou singest the hymns I gave thee, and neglectest not to wear the relic round thy neck.”

The girl hung her head, and spoke not.

“How comes it, then,” continued the King, with a voice to which he in vain endeavoured to impart an accent of severity, “how comes it, O little one, that thou, whose thoughts should be lifted already above this carnal world, and eager for the service of Mary the chaste and blessed, standest thus hoodless and alone on the waysides, a mark for the eyes of men? go to, it is naught.”

Thus reproved, and in presence of so large and brilliant a company, the girl’s colour went and came, her breast heaved high, but with an effort beyond her age she checked her tears, and said meekly, “My grandmother, Hilda, bade me come with her, and I came.”

“Hilda!” said the King, backing his palfrey with apparent perturbation, “but Hilda is not with thee;

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