Treasure and Trouble Therewith by Geraldine Bonner (top e book reader .txt) 📕

and still reading, and then: "You pet, you precious pet!"

She finished on a little cry and cast the paper to the floor.

"Oh, Charlie, oh, my good, _dear_ Charlie!" Her face was suddenly stirred with an upswelling of emotion. No other man in her hard and sordid experience had been to her what Charlie Crowder had, never a lover, always a friend.

"Now, Pancha," he said pleadingly, "don't look at me like that or I'll burst into sobs."

She rose and, putting her hands on his shoulders, kissed him on the forehead with a sexless tenderness. Her eyes were wet and to hide it she turned to where her costume lay on the chair. Crowder had nothing to say; these bursts of gratitude from his friend made him embarrassed.

"Look," she cried suddenly and snatched up the box of roses, "even a Johnny at the stage door. That's going some," and thrusting her hand into the box, she plucked up by their heads a handful of blossoms. Their pure sweet breath flowed out on the coarse scents with which the small place reeked.

Crowder affected a shocked surprise.

"What's this? A lover at last and I kept in ignorance."

"This is his first appearance, not a yap till tonight. And look at the yap." She dropped the box and took out from under the paper a card which she held toward him, "Some style about _that_ yap."

It was the square of pasteboard furnished by the florist. On it was written in a small, upright hand, "Let me offer you these roses, sweet as your voice, delicate as your art, and lovely as yourself. An admirer."

Crowder raised his eyebrows and widened his eyes in exaggerated amazement.

"Well, well, well! I must look into this. Who _is_ the gentleman ?"

"I haven't a guess." She took the card and dwelt on it delightedly. "Ain't it stylish writing--scratchy and yet you can read it? And the words, they're almost poetry. I never got flowers before with a sentiment as swell as that."

"Don't you honest know who it is?" said Crowder, impressed by the flowery profusion of "the sentiment."

"Not me. Jake brought 'em in after the second curtain. They were left by a messenger boy. Whoever he is he certainly does things in a classy way. Maybe he's a newspaper man to write like that."

Crowder opined he was not. He could hardly imagine one of his fellows--even secure in his anonymity--permitting his pen such florid license.

"When you break through the dark secret let me know. Then I'll come round and cast my searchlight eye over him and see if he's a proper companion for little Panchita."

"No fear," she cried, throwing the card back in the box. "Little Panchita's got a searchlight eye of her own. Believe _me_, it's a good, trained, old eye. Now skiddoo. I've got to slip into my togs and then me for home and a glass of milk. If he comes to the surface with another gasp I'll tell you."

When he had gone she dropped the kimono and put on a blouse and skirt, both old and shabby. Her actions were quick and harmonious, no unnecessary moves made, the actions of one trained to an economy of time and labor. On a wall hook behind a curtain she hung her gypsy dress, touching it lightly, flicking off dust, settling the folds. Poverty had taught her this care, as ambition was teaching her a thrift that made her associates call her mean.

What they thought was a matter of indifference to her. Before she had reached the Albion she knew herself superior and had plans that stretched far. About these she was secret. Not one, not even her father, knew the amount of money she had saved, or that, when she had accumulated enough, she intended going East and to Europe. She felt her powers and dreamed of a future on stages far finer than the Albion's. Once she had thought her father could help her. Two years ago he _had_ sold a prospect for four thousand dollars, but he had lost the money in an unlucky mining venture in Oregon. That ended all hopes of his assistance. Even if he did make another strike he needed what he got for himself; he was getting on, he wanted to buy a ranch and settle down. If she was to reach the summit of her desire--and she would reach it or die--she must do it herself. So she worked doggedly, nursed her voice, hoarded her earnings and said nothing.

She was ready to leave, her hat, a little black velvet toque, pulled down over her hair, a long shaggy ulster clothing her to the ankles. As she went to the dressing table to put out the light she saw her image in the glass and paused, eyeing it. So far her appearance had had no value for her save as a stage asset. Now she looked at herself with a new, critical interest. Behind the footlights she was another person, blossomed into an exotic brilliance, took on fire and beauty with the music and excitement. Might not a man seeing her there be disappointed when he met her as she really was? She studied her face intently, viewing it at different angles, judging it by the standards of her world. By these she found it wanting, and with a wistful sigh she stretched out her hand and turned off the light.

It was nearly midnight when she walked down the side streets that led to the car line which took her home. Overhead the fog hung, covering the city with a luminous rack which here and there parted, showing segments of dark, star-dotted sky. Passing men looked at her, some meeting a defiant stare, others a face so chastely unresponsive that they averted their eyes as if rebuked. On the car she took an outside seat, for she loved the swift passage through the night with the chill air on her face. The grip man knew her and smiled a greeting, and as she mounted the step she answered cheerily. Now and then as the car stopped he spoke to her, leaning over his lever, and she twisted round to reply, friendly, frank, intimate. Until she came to San Francisco his class was the best she had ever known.

It was part of her economy to live in the Mission. She had two rooms there in the old Vallejo Hotel, a hostelry once fashionable, now fallen on dreary days. It fronted on a wide street where new business buildings rose beside gabled houses, detached and disconsolate in the midst of withered lawns. The Vallejo was a connecting link between these samples of the new and the old. It belonged to the ornate bay-windowed period of the seventies. Each of its "front suites" had the same proud bulge, and its entrance steps were flanked by two pillars holding aloft ground glass globes upon which its name was painted in black. Tall buildings were unknown in those days; the Vallejo boasted only three stories and its architect had never dreamed of such an effete luxury as an elevator. Built on the filled-in ground of Mission Creek, it had developed a tendency to sag in the back, and when you walked down the oil-clothed hall to the baths, you were conscious of a list to starboard.

The Vallejo patrons did not mind these drawbacks, or if they did, thought of the low rates and were uncomplaining. All things considered, you got a good deal for your money. The place was quiet and respectable; even in its downfall it clung desperately to its traditions. It took no transients, required a certain standard of conduct in its lodgers, and still maintained a night clerk in the office of its musty front hall.

Pancha thought it quite regal. If it was a proud elevation for her to reign at the Albion, it was a corresponding one for her to have two rooms to herself in a real hotel. As she ascended the stairs--her apartment was on the second floor--she looked about her, taking in satisfactory details, the worn moquette carpet, the artificial palm on a pedestal in the corner, the high, gilt-topped mirror at the turn on the stairs. It all seemed to her what she would have called "refined"; she need never be ashamed to have a visitor come there.

In her parlor she lit the light and surveyed her surroundings with an increasing satisfaction. It was a startlingly ugly room, but she thought it a bower of elegance. What gave her authority on the stage, what had already lifted her above the mass, seemed to fall from her with her costume. That unwavering sense of beauty and grace, that instinctive taste which lent her performance poetry and distinction, left her at the wings. Now her eye dwelt, complacent, on the red plush chairs, the coarse lace curtains, the sofa pillows of etched leather and dissonant colors, the long mirror between the windows, and each and all received her approval. As she had thought on the stairs, she thought again--no one would be ashamed to receive a visitor, no matter how stylish, in such a room.

She put her roses in a vase and then fetched a bottle of milk from the window sill and a box of crackers from the bureau drawer. Setting these on the marble-topped table beside the droplight she sat and ate. It was too cold to take off her coat and from its pocket she drew the card that had come with the flowers. As she sipped and munched, the shadows of the room hovering on the light's circular edge, she read over the words, murmuring them low, her voice lingering on them caressingly.

It was the first knock at the door of her dreams, the first prismatic ray of romance that had penetrated the penumbra of brutal realities in which she had lived.


CHAPTER VII


THE PICAROON

The Argonaut Hotel--all San Franciscans will remember it--had, like the Vallejo, started life with high expectations and then declined. But not to so complete a downfall. Fashion had left it, but it still did a good business, was patronized by commercial travelers and old customers from the interior, and had a solid foundation of residentials, married couples beaten by the servant question and elderly men with no ties. Its position had been against it--on that end of Montgomery Street where the land begins to rise toward Telegraph Hill, with the city's made ground behind, and in front "the gore" where Dr. Coggeswell's statue used to stand. People who lived there were very loyal to it--not much style, but comfort, quiet and independence.

Three days before the events in the last chapter a man entered its office and asked for rooms. He was an impressive person, of the kind who usually went to the Palace or the St. Francis. Ned Murphy, the clerk, sized him up as an Easterner or maybe a foreigner. There was something foreign-looking about him--you couldn't just tell what; it might be the way he wore his hair, brushed back straight from his forehead, or an undemocratic haughtiness of bearing. He looked as if he was used to the best, and he acted that way; had to be shown four suites before he was satisfied and then took the most expensive, second floor front, two rooms and bath, and you could see he didn't think much of it. Ned Murphy lived up to him with an unbroken spirit, languidly whistled as he slid the register across the counter, looked up the hall with a bored air, and then winked at the bell boy holding the bags. But when