Sketches by Boz, illustrative of everyday life and every-day people by Charles Dickens (books for 20 year olds TXT) 📕

agitated (applause)—I mean, Mr. Wilson, who was to have played _Iago_, is—that is, has been—or, in other words, Ladies and Gentlemen, the fact is, that I have just received a note, in which I am informed that _Iago_ is unavoidably detained at the Post-office this evening. Under these circumstances, I trust—a—a—amateur performance—a—another gentleman undertaken to read the part—request indulgence for a short time—courtesy and kindness of a British audience.’ Overwhelming applause. Exit Mr. Sempronius Gattleton, and curtain falls.

The audience were, of course, exceedingly good-humoured; the whole business was a joke; and accordingly they waited for an hour with the utmost patience, being enlivened by an interlude of rout-cakes and lemonade. It appeared by Mr. Sempronius’s subsequent explanation, that the delay would not have been so great, had it not so happened that when the substitute _Iago_ had finished dressing, and just as the play was on the point of commencing, the original _Iago_ unexpectedly arrived. The former was therefore compelled to undress, and the latter to dress for his part; which, as he found some difficulty in getting into his clothes, occupied no inconsiderable time. At last, the tragedy began in real earnest. It went off well enough, until the third scene of the first act, in which _Othello_ addresses the Senate: the only remarkable circumstance being, that as _Iago_ could not get on any of the stage boots, in consequence of his feet being violently swelled with the heat and excitement, he was under the necessity of playing the part in a pair of Wellingtons, which contrasted rather oddly with his richly embroidered pantaloons. When _Othello_ started with his address to the Senate (whose dignity was represented by, the _Duke_, _a_ carpenter, two men engaged on the recommendation of the gardener, and a boy), Mrs. Porter found the opportunity she so anxiously sought.

Mr. Sempronius proceeded:


‘“Most potent, grave, and reverend signiors,
My very noble and approv’d good masters,
That I have ta’en away this old man’s daughter,
It is most true;—rude am I in my speech—”’


‘Is that right?’ whispered Mrs. Porter to Uncle Tom.

‘No.’

‘Tell him so, then.’

‘I will. Sem!’ called out Uncle Tom, ‘that’s wrong, my boy.’

‘What’s wrong, uncle?’ demanded _Othello_, quite forgetting the dignity of his situation.

‘You’ve left out something. “True I have married—”’

‘Oh, ah!’ said Mr. Sempronius, endeavouring to hide his confusion as much and as ineffectually as the audience attempted to conceal their half-suppressed tittering, by coughing with extraordinary violence—


—‘“true I have married her;—
The very head and front of my offending
Hath this extent; no more.”


(_Aside_) Why don’t you prompt, father?’

‘Because I’ve mislaid my spectacles,’ said poor Mr. Gattleton, almost dead with the heat and bustle.

‘There, now it’s “rude am I,”’ said Uncle Tom.

‘Yes, I know it is,’ returned the unfortunate manager, proceeding with his part.

It would be useless and tiresome to quote the number of instances in which Uncle Tom, now completely in his element, and instigated by the mischievous Mrs. Porter, corrected the mistakes of the performers; suffice it to say, that having mounted his hobby, nothing could induce him to dismount; so, during the whole remainder of the play, he performed a kind of running accompaniment, by muttering everybody’s part as it was being delivered, in an under-tone. The audience were highly amused, Mrs. Porter delighted, the performers embarrassed; Uncle Tom never was better pleased in all his life; and Uncle Tom’s nephews and nieces had never, although the declared heirs to his large property, so heartily wished him gathered to his fathers as on that memorable occasion.

Several other minor causes, too, united to damp the ardour of the _dramatis personae_. None of the performers could walk in their tights, or move their arms in their jackets; the pantaloons were too small, the boots too large, and the swords of all shapes and sizes. Mr. Evans, naturally too tall for the scenery, wore a black velvet hat with immense white plumes, the glory of which was lost in ‘the flies;’ and the only other inconvenience of which was, that when it was off his head he could not put it on, and when it was on he could not take it off. Notwithstanding all his practice, too, he fell with his head and shoulders as neatly through one of the side scenes, as a harlequin would jump through a panel in a Christmas pantomime. The pianoforte player, overpowered by the extreme heat of the room, fainted away at the commencement of the entertainments, leaving the music of ‘Masaniello’ to the flute and violoncello. The orchestra complained that Mr. Harleigh put them out, and Mr. Harleigh declared that the orchestra prevented his singing a note. The fishermen, who were hired for the occasion, revolted to the very life, positively refusing to play without an increased allowance of spirits; and, their demand being complied with, getting drunk in the eruption-scene as naturally as possible. The red fire, which was burnt at the conclusion of the second act, not only nearly suffocated the audience, but nearly set the house on fire into the bargain; and, as it was, the remainder of the piece was acted in a thick fog.

In short, the whole affair was, as Mrs. Joseph Porter triumphantly told everybody, ‘a complete failure.’ The audience went home at four o’clock in the morning, exhausted with laughter, suffering from severe headaches, and smelling terribly of brimstone and gunpowder. The Messrs. Gattleton, senior and junior, retired to rest, with the vague idea of emigrating to Swan River early in the ensuing week.

Rose Villa has once again resumed its wonted appearance; the dining-room furniture has been replaced; the tables are as nicely polished as formerly; the horsehair chairs are ranged against the wall, as regularly as ever; Venetian blinds have been fitted to every window in the house to intercept the prying gaze of Mrs. Joseph Porter. The subject of theatricals is never mentioned in the Gattleton family, unless, indeed, by Uncle Tom, who cannot refrain from sometimes expressing his surprise and regret at finding that his nephews and nieces appear to have lost the relish they once possessed for the beauties of Shakspeare, and quotations from the works of that immortal bard.


CHAPTER X—A PASSAGE IN THE LIFE OF MR. WATKINS TOTTLE

CHAPTER THE FIRST

Matrimony is proverbially a serious undertaking. Like an over-weening predilection for brandy-and-water, it is a misfortune into which a man easily falls, and from which he finds it remarkably difficult to extricate himself. It is of no use telling a man who is timorous on these points, that it is but one plunge, and all is over. They say the same thing at the Old Bailey, and the unfortunate victims derive as much comfort from the assurance in the one case as in the other.

Mr. Watkins Tottle was a rather uncommon compound of strong uxorious inclinations, and an unparalleled degree of anti-connubial timidity. He was about fifty years of age; stood four feet six inches and three-quarters in his socks—for he never stood in stockings at all—plump, clean, and rosy. He looked something like a vignette to one of Richardson’s novels, and had a clean-cravatish formality of manner, and kitchen-pokerness of carriage, which Sir Charles Grandison himself might have envied. He lived on an annuity, which was well adapted to the individual who received it, in one respect—it was rather small. He received it in periodical payments on every alternate Monday; but he ran himself out, about a day after the expiration of the first week, as regularly as an eight-day clock; and then, to make the comparison complete, his landlady wound him up, and he went on with a regular tick.

Mr. Watkins Tottle had long lived in a state of single blessedness, as bachelors say, or single cursedness, as spinsters think; but the idea of matrimony had never ceased to haunt him. Wrapt in profound reveries on this never-failing theme, fancy transformed his small parlour in Cecil-street, Strand, into a neat house in the suburbs; the half-hundredweight of coals under the kitchen-stairs suddenly sprang up into three tons of the best Walls-end; his small French bedstead was converted into a regular matrimonial four-poster; and in the empty chair on the opposite side of the fireplace, imagination seated a beautiful young lady, with a very little independence or will of her own, and a very large independence under a will of her father’s.

‘Who’s there?’ inquired Mr. Watkins Tottle, as a gentle tap at his room-door disturbed these meditations one evening.

‘Tottle, my dear fellow, how _do_ you do?’ said a short elderly gentleman with a gruffish voice, bursting into the room, and replying to the question by asking another.

‘Told you I should drop in some evening,’ said the short gentleman, as he delivered his hat into Tottle’s hand, after a little struggling and dodging.

‘Delighted to see you, I’m sure,’ said Mr. Watkins Tottle, wishing internally that his visitor had ‘dropped in’ to the Thames at the bottom of the street, instead of dropping into his parlour. The fortnight was nearly up, and Watkins was hard up.

‘How is Mrs. Gabriel Parsons?’ inquired Tottle.

‘Quite well, thank you,’ replied Mr. Gabriel Parsons, for that was the name the short gentleman revelled in. Here there was a pause; the short gentleman looked at the left hob of the fireplace; Mr. Watkins Tottle stared vacancy out of countenance.

‘Quite well,’ repeated the short gentleman, when five minutes had expired. ‘I may say remarkably well.’ And he rubbed the palms of his hands as hard as if he were going to strike a light by friction.

‘What will you take?’ inquired Tottle, with the desperate suddenness of a man who knew that unless the visitor took his leave, he stood very little chance of taking anything else.

‘Oh, I don’t know—have you any whiskey?’

‘Why,’ replied Tottle, very slowly, for all this was gaining time, ‘I _had_ some capital, and remarkably strong whiskey last week; but it’s all gone—and therefore its strength—’

‘Is much beyond proof; or, in other words, impossible to be proved,’ said the short gentleman; and he laughed very heartily, and seemed quite glad the whiskey had been drunk. Mr. Tottle smiled—but it was the smile of despair. When Mr. Gabriel Parsons had done laughing, he delicately insinuated that, in the absence of whiskey, he would not be averse to brandy. And Mr. Watkins Tottle, lighting a flat candle very ostentatiously; and displaying an immense key, which belonged to the street-door, but which, for the sake of appearances, occasionally did duty in an imaginary wine-cellar; left the room to entreat his landlady to charge their glasses, and charge them in the bill. The application was successful; the spirits were speedily called—not from the vasty deep, but the adjacent wine-vaults. The two short gentlemen mixed their grog; and then sat cosily down before the fire—a pair of shorts, airing themselves.

‘Tottle,’ said Mr. Gabriel Parsons, ‘you know my way—off-hand, open, say what I mean, mean what I say, hate reserve, and can’t bear affectation. One, is a bad domino which only hides what good people have about ’em, without making the bad look better; and the other is much about the same thing as pinking a white cotton stocking to make it look like a silk one. Now listen to what I’m going to say.’

Here, the little gentleman paused,