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he has held communication, and on this basis alleges a "wide-spreading dissatisfaction" with the present editorial policy. We have ourselves received numerous and enthusiastic assurances of an opposite nature, especially since the Fritter attack, so that we must rebut at least his charge that we are ignoring the membership's wishes and "trying to conform them to a mould we have arbitrarily cast according to ideas of our own." To adopt a lower standard would, indeed, be affronting a more influential element than that which may at present be dissatisfied; an element which has possibly gained higher claims to consideration through the continuous nature of its services to the Association during trying times when others were silent and inactive.

But in determining the question of editorial policy, the abstract merits of the case are more important than the act of pleasing this or that person or group. Were we convinced that the existing order hampered the sincere novice, we would abandon it without pride or ceremony. That we do not, is because we are certain that retrogression and decadence would constitute a fatal mistake. The public we serve is assumed to be a genuinely progressive one, a group bent upon attaining some measure of proficiency in that sincere self-expression which is art. If it were not, it would have joined some other association of different purposesβ€”the defiantly crude Erford pseudo-United or the complacently social and stationary National. What justifies the separate existence and support of the United is its higher aesthetic and intellectual cast; its demand for the unqualified best as a goalβ€”which demand, by the way, must not be construed as discriminating against even the crudest beginner who honestly cherishes that goal. With these objects in mind, it will be seen that the self-satisfied exultation of the superficial, the obvious, the commonplace, and the conventional, would form the greatest possible tactical error. The goal would be unjustifiably obscured, and the aspiration of the membership stunted, through the enshrining of a false and inferior goalβ€”a literary Golden Calf. We must envisage a genuine scale of values, and possess a model of genuine excellence toward which to strive. It would pay better to work toward a high standard oneself, than to seek to drag the standard down to fit whatever particular grade of ignorance one may happen to have at a given moment. With proper effort any member may eventually produce work of the United Amateur grade, and such work will be certain of a cordial welcome in this office. The official organ is not so narrow as it seems; if more of our capable members would favour it with their literary contributions, the range of authors represented would not be so restricted. It is not the editor but the body of our literati who must bear responsibility for the constant reappearance of certain names. This issue is headed by the same poet who headed the last twoβ€”but only because another eminent amateur, so far unrepresented during the present regime, utterly ignored our repeated requests for a contribution.

Mr. Fritterβ€”who, I fear, wrongs etymology in his acceptance of the word amateur as meaning a tyro rather than a genuine and disinterested artistβ€”forgets that a relapse to cruder standards would totally unfit the United for serving that staunch element which has contributed most to its present welfare. Many would find a society of the lower grade intolerable; certainly it could not hope to hold the very ones who have given this organization its existing distinctiveness and pre-eminence.

Yet in the arguments of Mr. Fritter there is an underlying soundness which misapplication should not obscure to the analytical reader. He is right in lamenting, as we believe he does, the absence of a suitable publishing medium for the work of our younger writers. It is not in a spirit of affront to him that we give preference to the plan of President Haughton, as outlined in her opening message, for the re-establishment of a special magazine for credentials. We should be glad to curtail the official organ in the interest of such a magazine, as indeed we offered to do at the beginning of the term.

Frustra laborat, says the old proverb, qui omnibus placere studet. We regret that any one policy must of necessity displease a few members, yet do not see how any improvement could be effected by making a change which would merely shift the displeasure to another and even more continuously industrious group. It is significant that the Gothic party have no editorial candidate of their own to offer, so that the thankless and toilsome office has been forced upon one whose indifferent health[137] makes it an almost unbearable burden to him. The question is one which should ultimately be decided at the polls, each party putting forward a nominee who can be depended upon to fulfil its mandates. Meanwhile the present editor, whose sincere beliefs and policies were fully known long before his unopposed election, stands ready to resign most cheerfully whenever a suitable successor can be found. Bitterness, division and personalities must be avoided at any cost, and we may be reckoned as a supporter of The United Amateur under any editor and policy.

[138]

THE UNITED AMATEUR NOVEMBER 1921 THE UNITED AMATEUR

Official Organ
of the
United Amateur Press Association

H. P. Lovecraft
E. Edward Ericson
Official Editor
Official Publisher

Issued bi-monthly by the United Amateur Press Association.

Subscription Price, 50 cents per year.

Published at Elroy, Wisconsin.

Entered as second-class mail matter at the post office at Elroy, Wis.

Members who criticised the present editor for severity during the chairmanship of the critical department are invited to take a vicarious revenge this month, observing the uncensored remarks of the present juvenile chairman concerning our pathetic ignorance. Of us Master Galpin says: "when the author approaches involved or technical subjects, he shows clearly the unfortunate circumstance that he has never profited by an advanced education." This certainly should purge us of all suspicion of conducting The United Amateur on too Olympian a level, although the critic qualifies his dictum by conceding that we realise our own crudity and are striving in our old age to acquire at least the rudiments of an elementary education. In the course of a few years we hope to guarantee our readers an official organ practically free from the grosser errors of spelling and grammar: meanwhile, vivat Galpinius parvulus!

Myrta Alice Little, Eugene B. Kuntz, Leo G. Schussman, Margaret Richard, Daisy Crump Whitehead, Clara L. Bell, John O. Baldwin, and the Editor.

The Tryout. October 1921. Uniform size. Contributions by H. P. Lovecraft, Margaret Richard, Beth Cheney Nichols, Arthur Goodenough, K. Leyson Brown, Horace L. Lawson, John Milton Samples, Washington Van Dusen, Leo G. Schussman, Lilian Middleton, Anita Roberta Kirksey, and the Editor.

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