Vittoria — Complete by George Meredith (e novels for free .TXT) 📕

men were pursuing, Colonel Zofel said that he was sparing no efforts to come on his traces; he supposed, from what he had heard in the Ultenthal, that Guidascarpi was on his back somewhere within a short range of Meran. Vittoria strained her ears to the colonel's German; she fancied his communication to be that he suspected Angelo's presence in Meran.

The official part of his visit being terminated, the colonel addressed some questions to the duchess concerning the night of the famous Fifteenth at La Scala. He was an amateur, and spoke with enthusiasm of the reports of the new prima donna. The duchess perceived that he was asking for an introduction to the heroine of the night, and graciously said that perhaps that very prima donna would make amends, to him for his absence on the occasion. Vittoria checked a movement of revolt in her frame. She cast an involuntary look at Wilfrid. “Now it begins,” she thought, and went to the piano: she had previously refused to sing. Wilfrid had to bend his head over his betrothed and listen to her whisperings. He did so, carelessly swaying his hand to the measure of the aria, with an increasing bitter comparison of the two voices. Lena persisted in talking; she was indignant at his abandonment of the journey to Venice; she reproached him as feeble, inconsiderate, indifferent. Then for an instant she would pause to hear the voice, and renew her assault. “We ought to be thankful that she is not singing a song of death and destruction to us! The archduchess is coming to Venice. If you are presented to her and please her, and get the writs of naturalization prepared, you will be one of us completely, and your fortune is made. If you stay here—why should you stay? It is nothing but your uncle's caprice. I am too angry to care for music. If you stay, you will earn my contempt. I will not be buried another week in such a place. I am tired of weeping. We all go to Venice: Captain Weisspriess follows us. We are to have endless Balls, an opera, a Court there—with whom am I to dance, pray, when I am out of mourning? Am I to sit and govern my feet under a chair, and gaze like an imbecile nun? It is too preposterous. I am betrothed to you; I wish, I wish to behave like a betrothed. The archduchess herself will laugh to see me chained to a chair. I shall have to reply a thousand times to 'Where is he?' What can I answer? 'Wouldn't come,' will be the only true reply.”

During this tirade, Vittoria was singing one of her old songs, well known to Wilfrid, which brought the vision of a foaming weir, and moonlight between the branches of a great cedar-tree, and the lost love of his heart sitting by his side in the noising stillness. He was sure that she could be singing it for no one but for him. The leap taken by his spirit from this time to that, was shorter than from the past back to the present.

“You do not applaud,” said Lena, when the song had ceased.

He murmured: “I never do, in drawing-rooms.”

“A cantatrice expects it everywhere; these creatures live on it.”

“I'll tell her, if you like, what we thought of it, when I take her down to my sister, presently.”

“Are you not to take me down?”

“The etiquette is to hand her up to you.”

“No, no!” Lena insisted, in abhorrence of etiquette; but Wilfrid said pointedly that his sister's feelings must be spared. “Her husband is an animal: he is a millionaire city-of-London merchant; conceive him! He has drunk himself gouty on Port wine, and here he is for the grape-cure.”

“Ah! in that England of yours, women marry for wealth,” said Lena.

“Yes, in your Austria they have a better motive” he interpreted her sentiment.

“Say, in our Austria.”

“In our Austria, certainly.”

“And with our holy religion?”

“It is not yet mine.”

“It will be?” She put the question eagerly.

Wilfrid hesitated, and by his adept hesitation succeeded in throwing her off the jealous scent.

“Say that it will be, my Wilfrid!”

“You must give me time”

“This subject always makes you cold.”

“My own Lena!”

“Can I be, if we are doomed to be parted when we die?”

There is small space for compunction in a man's heart when he is in Wilfrid's state, burning with the revival of what seemed to him a superhuman attachment. He had no design to break his acknowledged bondage to Countess Lena, and answered her tender speech almost as tenderly.

It never occurred to him, as he was walking down to Meran with Vittoria, that she could suppose him to be bartering to help rescue the life of a wretched man in return for soft confidential looks of entreaty; nor did he reflect, that when cast on him, they might mean no more than the wish to move him for a charitable purpose. The completeness of her fascination was shown by his reading her entirely by his own emotions, so that a lowly-uttered word, or a wavering unwilling glance, made him think that she was subdued by the charm of the old days.

“Is it here?” she said, stopping under the first Italian name she saw in the arcade of shops.

“How on earth have you guessed it?” he asked, astonished.

She told him to wait at the end of the arcade, and passed in. When she joined him again, she was downcast. They went straight to Adela's hotel, where the one thing which gave her animation was the hearing that Mr. Sedley had met an English doctor there, and had placed himself in his hands. Adela dressed splendidly for her presentation to the duchess. Having done so, she noticed Vittoria's depressed countenance and difficult breathing. She commanded her to see the doctor. Vittoria consented, and made use of him. She could tell Laura confidently at night that Wilfrid would not betray Angelo, though she had not spoken one direct word to him on the subject.

Wilfrid was peculiarly adept in the idle game he played. One who is intent upon an evil end is open to expose his plan. But he had none in view; he lived for the luxurious sensation of being near the woman who fascinated him, and who was now positively abashed when by his side. Adela suggested to him faintly—she believed it was her spontaneous idea—that he might be making his countess jealous. He assured her that the fancy sprang from scenes which she remembered, and that she could have no idea of the pride of a highborn Austrian girl, who was incapable of conceiving jealousy of a person below her class. Adela replied that it was not his manner so much as Emilia's which might arouse the suspicion; but she immediately affected to appreciate the sentiments of a highborn Austrian girl toward a cantatrice, whose gifts we regard simply as an aristocratic entertainment. Wilfrid induced his sister to relate Vittoria's early history to Countess Lena; and himself almost wondered, when he heard it in bare words, at that haunting vision of the glory of Vittoria at La Scala—where, as he remembered, he