The Old Wives' Tale by Arnold Bennett (carter reed txt) 📕

enterprise of days, for, save by a minister during the sittings of the Wesleyan Methodist Conference at Bursley, it had never been occupied since the era when Maria Insull used occasionally to sleep in the house. Cyril clung to his old room on his visits. Constance had an ample supply of solid and stately furniture, and the chamber destined for Sophia was lightened in every corner by the reflections of polished mahogany. It was also fairly impregnated with the odour of furniture paste—an odour of which no housewife need be ashamed. Further, it had been repapered in a delicate blue, with one of the new ‘art’ patterns. It was a ‘Baines’ room. And Constance did not care where Sophia came from, nor what Sophia had been accustomed to, nor into what limited company Sophia had been transformed—that room was adequate! It could not have been improved upon. You had only to look at the crocheted mats—even those on the washstand under the white-and-gold ewer and other utensils. It was folly to expose such mats to the splashings of a washstand, but it was sublime folly. Sophia might remove them if she cared. Constance was house-proud; house-pride had slumbered within her; now it blazed forth.

A fire brightened the drawingroom, which was a truly magnificent apartment, a museum of valuables collected by the Baines and the Maddack families since the year 1840, tempered by the latest novelties in antimacassars and cloths. In all Bursley there could have been few drawingrooms to compare with Constance’s. Constance knew it. She was not afraid of her drawingroom being seen by anybody.

She passed for an instant into her own bedroom, where Amy was patiently picking balls of paper from the bed.

“Now you quite understand about tea?” Constance asked.

“Oh yes, ‘m,” said Amy, as if to say: “How much oftener are you going to ask me that question?” “Are you off now, ‘m?”

“Yes,” said Constance. “Come and fasten the frontdoor after me.”

They descended together to the parlour. A white cloth for tea lay folded on the table. It was of the finest damask that skill could choose and money buy. It was fifteen years old, and had never been spread. Constance would not have produced it for the first meal, had she not possessed two other of equal eminence. On the harmonium were ranged several jams and cakes, a Bursley pork-pie, and some pickled salmon; with the necessary silver. All was there. Amy could not go wrong. And crocuses were in the vases on the mantelpiece. Her ‘garden,’ in the phrase which used to cause Samuel to think how extraordinarily feminine she was! It was a long time since she had had a ‘garden’ on the mantelpiece. Her interest in her chronic sciatica and in her palpitations had grown at the expense of her interest in gardens. Often, when she had finished the complicated processes by which her furniture and other goods were kept in order, she had strength only to ‘rest.’ She was rather a fragile, small, fat woman, soon out of breath, easily marred. This business of preparing for the advent of Sophia had appeared to her genuinely colossal. However, she had come through it very well. She was in pretty good health; only a little tired, and more than a little anxious and nervous, as she gave the last glance.

“Take away that apron, do!” she said to Amy, pointing to the rough apron in the corner of the sofa. “By the way, where is Spot?”

“Spot, m’m?” Amy ejaculated.

Both their hearts jumped. Amy instinctively looked out of the window. He was there, sure enough, in the gutter, studying the indescribabilities of King Street. He had obviously escaped when Amy came in from buying the time-table. The woman’s face was guilty.

“Amy, I wonder AT you!” exclaimed Constance, tragically. She opened the door.

“Well, I never did see the like of that dog!” murmured Amy.

“Spot!” his mistress commanded. “Come here at once. Do you hear me?”

Spot turned sharply and gazed motionless at Constance. Then with a toss of the head he dashed off to the corner of the Square, and gazed motionless again. Amy went forth to catch him. After an age she brought him in, squealing. He was in a state exceedingly offensive to the eye and to the nose. He had effectively got rid of the smell of soap, which he loathed. Constance could have wept. It did really appear to her that nothing had gone right that day. And Spot had the most innocent, trustful air. Impossible to make him realize that his aunt Sophia was coming. He would have sold his entire family into servitude in order to buy ten yards of King Street gutter.

“You must wash him in the scullery, that’s all there is for it,” said Constance, controlling herself. “Put that apron on, and don’t forget one of your new aprons when you open the door. Better shut him up in Mr. Cyril’s bedroom when you’ve dried him.”

And she went, charged with worries, clasping her bag and her umbrella and smoothing her gloves, and spying downwards at the folds of her mantle.

“That’s a funny way to go to Bursley Station, that is,” said Amy, observing that Constance was descending King Street instead of crossing it into Wedgwood Street. And she caught Spot ‘a fair clout on the head,’ to indicate to him that she had him alone in the house now.

Constance was taking a roundabout route to the station, so that, if stopped by acquaintances, she should not be too obviously going to the station. Her feelings concerning the arrival of Sophia, and concerning the town’s attitude towards it, were very complex.

She was forced to hurry. And she had risen that morning with plans perfectly contrived for the avoidance of hurry. She disliked hurry because it always ‘put her about.’

II

The express from London was late, so that Constance had three-quarters of an hour of the stony calmness of Knype platform when it is waiting for a great train. At last the porters began to cry, “Macclesfield, Stockport, and Manchester train;” the immense engine glided round the curve, dwarfing the carriages behind it, and Constance had a supreme tremor. The calmness of the platform was transformed into a melee. Little Constance found herself left on the fringe of a physically agitated crowd which was apparently trying to scale a precipice surmounted by windows and doors from whose apertures looked forth defenders of the train. Knype platform seemed as if it would never be reduced to order again. And Constance did not estimate highly the chances of picking out an unknown Sophia from that welter. She was very seriously perturbed. All the muscles of her face were drawn as her gaze wandered anxiously from end to end of the train.

Presently she saw a singular dog. Other people also saw it. It was of the colour of chocolate; it had a head and shoulders richly covered with hair that hung down in thousands of tufts like the tufts of a modern mop such as is bought in shops. This hair stopped suddenly rather less than halfway along the length of the dog’s body, the remainder of which was naked and as smooth as marble. The effect was to give to the inhabitants of the Five Towns the impression that the dog had forgotten an essential part of its attire and was outraging decency. The ball of hair which had been allowed to grow on the dog’s tail, and the circles of hair which ornamented its ankles, only served to intensify the impression of indecency. A pink ribbon round its neck completed the outrage. The animal had absolutely the air of a decked trollop. A chain ran taut from the creature’s neck into the middle of a small crowd of persons gesticulating over trunks, and Constance traced it to a tall and distinguished woman in a coat and skirt with a rather striking hat. A beautiful and aristocratic woman, Constance thought, at a distance! Then the strange idea came to her: “That’s Sophia!” She was sure. … She was not sure. … She was sure. The woman emerged from the crowd. Her eye fell on Constance. They both hesitated, and, as it were, wavered uncertainly towards each other.

“I should have known you anywhere,” said Sophia, with apparently careless tranquillity, as she stooped to kiss Constance, raising her veil.

Constance saw that this marvellous tranquillity must be imitated, and she imitated it very well. It was a ‘Baines’ tranquillity. But she noticed a twitching of her sister’s lips. The twitching comforted Constance, proving to her that she was not alone in foolishness. There was also something queer about the permanent lines of Sophia’s mouth. That must be due to the ‘attack’ about which Sophia had written.

“Did Cyril meet you?” asked Constance. It was all that she could think of to say.

“Oh yes!” said Sophia, eagerly. “And I went to his studio, and he saw me off at Euston. He is a VERY nice boy. I love him.”

She said ‘I love him’ with the intonation of Sophia aged fifteen. Her tone and imperious gesture sent Constance flying back to the ‘sixties. “She hasn’t altered one bit,” Constance thought with joy. “Nothing could change Sophia.” And at the back of that notion was a more general notion: “Nothing could change a Baines.” It was true that Constance’s Sophia had not changed. Powerful individualities remain undisfigured by no matter what vicissitudes. After this revelation of the original Sophia, arising as it did out of praise of Cyril, Constance felt easier, felt reassured.

“This is Fossette,” said Sophia, pulling at the chain.

Constance knew not what to reply. Surely Sophia could not be aware what she did in bringing such a dog to a place where people were so particular as they are in the Five Towns.

“Fossette!” She repeated the name in an endearing accent, half stooping towards the dog. After all, it was not the dog’s fault. Sophia had certainly mentioned a dog in her letters, but she had not prepared Constance for the spectacle of Fossette.

All that happened in a moment. A porter appeared with two trunks belonging to Sophia. Constance observed that they were superlatively ‘good’ trunks; also that Sophia’s clothes, though ‘on the showy side,’ were superlatively ‘good.’ The getting of Sophia’s ticket to Bursley occupied them next, and soon the first shock of meeting had worn off.

In a second-class compartment of the Loop Line train, with Sophia and Fossette opposite to her, Constance had leisure to ‘take in’ Sophia. She came to the conclusion that, despite her slenderness and straightness and the general effect of the long oval of her face under the hat, Sophia looked her age. She saw that Sophia must have been through a great deal; her experiences were damagingly printed in the details of feature. Seen at a distance, she might have passed for a woman of thirty, even for a girl, but seen across a narrow railway carriage she was a woman whom suffering had aged. Yet obviously her spirit was unbroken. Hear her tell a doubtful porter that of course she should take Fossette with her into the carriage! See her shut the carriage door with the expressed intention of keeping other people out! She was accustomed to command. At the same time her face had an almost set smile, as though she had said to herself: “I will die smiling.” Constance felt sorry for her. While recognizing in Sophia a superior in charm, in experience, in knowledge of the world and in force of personality, she yet with a kind of undisturbed, fundamental superiority felt sorry for Sophia.

“What do you think?” said Sophia, absently fingering Fossette. “A man came up to me at Euston, while Cyril was getting my ticket, and said, ‘Eh, Miss Baines, I haven’t seen ye for