Nightmare Abbey by Thomas Love Peacock (feel good books TXT) 📕

it were, the half-way house between respect and terror, according to Mr Burke's graduated scale of the sublime.[7]

'You are surprised,' said the lady; 'yet why should you be surprised? If you had met me in a drawing-room, and I had been introduced to you by an old woman, it would have been a matter of course: can the division of two or three walls, and the absence of an unimportant personage, make the same object essentially different in the perception of a philosopher?'

'Certainly not,' said Scythrop; 'but when any class of objects has habitually presented itself to our perceptions in invariable conjunction with particular relations, then, on the sudden appearance of one object of the class divested of those accompaniments, the essential difference of the relation is, by an involuntary process, transferred to the object itself, which thus offers itself to our perceptions with all the strangeness of novelty.'

'You are a philosopher,' said the lady, 'and a lover of liberty. You are the author of a treatise, called "Philosophical Gas; or, a Project for a General Illumination of the Human Mind."'

'I am,' said Scythrop, delighted at this first blossom of his renown.

'I am a stranger in this country,' said the lady; 'I have been but a few days in it, yet I find myself immediately under the necessity of seeking refuge from an atrocious persecution. I had no friend to whom I could apply; and, in the midst of my difficulties, accident threw your pamphlet in my way. I saw that I had, at least, one kindred mind in this nation, and determined to apply to you.'

'And what would you have me do?' said Scythrop, more and more amazed, and not a little perplexed.

'I would have you,' said the young lady, 'assist me in finding some place of retreat, where I can remain concealed from the indefatigable search that is being made for me. I have been so nearly caught once or twice already, that I cannot confide any longer in my own ingenuity.'

Doubtless, thought Scythrop, this is one of my golden candle-sticks. 'I have constructed,' said he, 'in this tower, an entrance to a small suite of unknown apartments in the main building, which I defy any creature living to detect. If you would like to remain there a day or two, till I can find you a more suitable concealment, you may rely on the honour of a transcendental eleutherarch.'

'I rely on myself,' said the lady. 'I act as I please, go where I please, and let the world say what it will. I am rich enough to set it at defiance. It is the tyrant of the poor and the feeble, but the slave of those who are above the reach of its injury.'

Scythrop ventured to inquire the name of his fair protégée. 'What is a name?' said the lady: 'any name will serve the purpose of distinction. Call me Stella. I see by your looks,' she added, 'that you think all this very strange. When you know me better, your surprise will cease. I submit not to be an accomplice in my sex's slavery. I am, like yourself, a lover of freedom, and I carry my theory into practice. They alone are subject to blind authority who have no reliance on their own strength.'

Stella took possession of the recondite apartments. Scythrop intended to find her another asylum; but from day to day he postponed his intention, and by degrees forgot it. The young lady reminded him of it from day to day, till she also forgot it. Scythrop was anxious to learn her history; but she would add nothing to what she had already communicated, that she was shunning an atrocious persecution. Scythrop thought of Lord C. and the Alien Act, and said, 'As you will not tell your name, I suppose it is in the green bag.' Stella, not understanding what he meant, was silent; and Scythrop, translating silence into acquiescence, concluded that he was sheltering an illuminée whom Lord S. suspected of an intention to take the Tower, and set fire to the Bank: exploits, at least, as likely to be accomplished by the hands and eyes of a young beauty, as by a drunken cobbler and doctor, armed with a pamphlet and an old stocking.

Stella, in her conversations with Scythrop, displayed a highly cultivated and energetic mind, full of impassioned schemes of liberty, and impatience of masculine usurpation. She had a lively sense of all the oppressions that are done under the sun; and the vivid pictures which her imagination presented to her of the numberless scenes of injustice and misery which are being acted at every moment in every part of the inhabited world, gave an habitual seriousness to her physiognomy, that made it seem as if a smile had never once hovered on her lips. She was intimately conversant with the German language and literature; and Scythrop listened with delight to her repetitions of her favourite passages from Schiller and Goethe, and to her encomiums on the sublime Spartacus Weishaupt, the immortal founder of the sect of the Illuminati. Scythrop found that his soul had a greater capacity of love than the image of Marionetta had filled. The form of Stella took possession of every vacant corner of the cavity, and by degrees displaced that of Marionetta from many of the outworks of the citadel; though the latter still held possession of the keep. He judged, from his new friend calling herself Stella, that, if it were not her real name, she was an admirer of the principles of the German play from which she had taken it, and took an opportunity of leading the conversation to that subject; but to his great surprise, the lady spoke very ardently of the singleness and exclusiveness of love, and declared that the reign of affection was one and indivisible; that it might be transferred, but could not be participated. 'If I ever love,' said she, 'I shall do so without limit or restriction. I shall hold all difficulties light, all sacrifices cheap, all obstacles gossamer. But for love so total, I shall claim a return as absolute. I will have no rival: whether more or less favoured will be of little moment. I will be neither first nor second—I will be alone. The heart which I shall possess I will possess entirely, or entirely renounce.'

Scythrop did not dare to mention the name of Marionetta; he trembled lest some unlucky accident should reveal it to Stella, though he scarcely knew what result to wish or anticipate, and lived in the double fever of a perpetual dilemma. He could not dissemble to himself that he was in love, at the same time, with two damsels of minds and habits as remote as the antipodes. The scale of predilection always inclined to the fair one who happened to be present; but the absent was never effectually outweighed, though the degrees of exaltation and depression varied according to accidental variations in the outward and visible signs of the inward and spiritual graces of his respective charmers. Passing and repassing several times a day from the company of the one to that of the other, he was like a shuttlecock between two battledores, changing its direction as rapidly as the oscillations of a pendulum, receiving many a hard knock on the cork of a sensitive heart, and flying from point to point on the feathers of a super-sublimated head. This was an awful state of things. He had now as much mystery about him as any romantic transcendentalist or transcendental romancer could desire. He had his esoterical and his exoterical love. He could not endure the thought of losing either of them, but he trembled when he imagined the possibility that some fatal discovery might deprive him of both. The old proverb concerning two strings to a bow gave him some gleams of comfort; but that concerning two stools occurred to him more frequently, and covered his forehead with a cold perspiration. With Stella, he could indulge freely in all his romantic and philosophical visions. He could build castles in the air, and she would pile towers and turrets on the imaginary edifices. With Marionetta it was otherwise: she knew nothing of the world and society beyond the sphere of her own experience. Her life was all music and sunshine, and she wondered what any one could see to complain of in such a pleasant state of things. She loved Scythrop, she hardly knew why; indeed she was not always sure that she loved him at all: she felt her fondness increase or diminish in an inverse ratio to his. When she had manoeuvred him into a fever of passionate love, she often felt and always assumed indifference: if she found that her coldness was contagious, and that Scythrop either was, or pretended to be, as indifferent as herself, she would become doubly kind, and raise him again to that elevation from which she had previously thrown him down. Thus, when his love was flowing, hers was ebbing: when his was ebbing, hers was flowing. Now and then there were moments of level tide, when reciprocal affection seemed to promise imperturbable harmony; but Scythrop could scarcely resign his spirit to the pleasing illusion, before the pinnace of the lover's affections was caught in some eddy of the lady's caprice, and he was whirled away from the shore of his hopes, without rudder or compass, into an ocean of mists and storms. It resulted, from this system of conduct, that all that passed between Scythrop and Marionetta, consisted in making and unmaking love. He had no opportunity to take measure of her understanding by conversations on general subjects, and on his favourite designs; and, being left in this respect to the exercise of indefinite conjecture, he took it for granted, as most lovers would do in similar circumstances, that she had great natural talents, which she wasted at present on trifles: but coquetry would end with marriage, and leave room for philosophy to exert its influence on her mind. Stella had no coquetry, no disguise: she was an enthusiast in subjects of general interest; and her conduct to Scythrop was always uniform, or rather showed a regular progression of partiality which seemed fast ripening into love.

* * * * *

CHAPTER XI

Scythrop, attending one day the summons to dinner, found in the drawing-room his friend Mr Cypress the poet, whom he had known at college, and who was a great favourite of Mr Glowry. Mr Cypress said, he was on the point of leaving England, but could not think of doing so without a farewell-look at Nightmare Abbey and his respected friends, the moody Mr Glowry and the mysterious Mr Scythrop, the sublime Mr Flosky and the pathetic Mr Listless; to all of whom, and the morbid hospitality of the melancholy dwelling in which they were then assembled, he assured them he should always look back with as much affection as his lacerated spirit could feel for any thing. The sympathetic condolence of their respective replies was cut short by Raven's announcement of 'dinner on table.'

The conversation that took place when the wine was in circulation, and the ladies were withdrawn, we shall report with our usual scrupulous fidelity.

MR GLOWRY

You are leaving England, Mr Cypress. There is a delightful melancholy in saying farewell to an old acquaintance, when the chances are twenty to one against ever meeting again. A smiling bumper to a sad parting, and let us all be unhappy together.

MR CYPRESS (filling a bumper)

This is the only social habit that the disappointed spirit never unlearns.

THE REVEREND MR LARYNX (filling)

It is the only piece of academical learning that the finished educatee retains.

MR FLOSKY (filling)

It is the only objective fact which the sceptic can realise.

SCYTHROP (filling)

It is the only styptic for a bleeding heart.

THE HONOURABLE MR LISTLESS (filling)

It is the only trouble that is very well worth taking.

MR ASTERIAS (filling)

It is the only key of conversational truth.

MR TOOBAD (filling)

It is the only antidote to the great wrath of the devil.

MR HILARY (filling)

It is the only symbol of perfect life. The inscription 'HIC NON
BIBITUR' will suit nothing but a tombstone.

MR GLOWRY

You will see many fine old ruins, Mr Cypress; crumbling pillars, and mossy walls—many a one-legged Venus and headless Minerva—many a Neptune buried in sand—many a Jupiter turned topsy-turvy—many a perforated Bacchus doing duty as a water-pipe—many