Father Payne by Arthur Christopher Benson (snow like ashes series .txt) 📕

Father Payne was a big solid man, as I have said, but he contrived to give the impression of being even bigger than he was. It was like the Irish estate, of which its owner said that it had more land to the acre than any place he knew. This was the result, I suppose, of what Barthrop once dryly called the "effortless expansion" of Father Payne's personality. I suppose he was about six-foot-two in height, and he must have weighed fifteen stone or even more. He was not stout, but all his limbs were solid, so that he filled his clothes. His hands were big, his feet were big. He wore a rather full beard: he was slightly bald when I knew him, but his hair grew rather long and curly. He always wore old clothes--but you were never conscious of what he wore: he never looked, as some people do, like a suit of clothes with a person inside them. Thinking it over, it seems to me that the reason why you noticed his clothes so little, when you were with him, was because you were always observing his face, or his hands, which were extremely characteristic of him, or his motions, which had a lounging sort of grace about them. Heavy men are apt on occasions to look lumbering, but Father Payne never looked that. His whole body was under his full control. When he walked, he swung easily along; when he moved, he moved impetuously and eagerly. But his face was the most remarkable thing about him. It had no great distinction of feature, and it was sanguine, often sunburnt, in hue. But, solid as it was, it was all alive. His big dark eyes were brimful of amusement and kindliness, and it was like coming into a warm room on a cold day to have his friendly glance directed upon you. As he talked, his eyebrows moved swiftly, and he had a look, with his eyes half-closed and his brows drawn up, as he waited for an answer, of what the old books call "quizzical"--a sort of half-caressing irony, which was very attractive. He had an impatient little frown which passed over his face, like a ruffle of wind, if things went too slowly or heavily for his taste; and he had, too, on occasions a deep, abstracted look, as if he were following a thought far. There was also another look, well known to his companions, when he turned his eyes upwards with a sort of resignation, generally accompanied by a deprecating gesture of the hand. Altogether it was a most expressive face, because, except in his abstracted mood, he always seemed to be entirely _there_, not concealing or repressing anything, but bending his whole mind upon what was being said. Moreover, if you said anything personal or intimate to him, a word of gratitude or pleasure, he had a quick, beautiful, affectionate look, so rewarding, so embracing that I often tried to evoke it--though an attempt to evoke it deliberately often produced no more than a half-smile, accompanied by a little wink, as if he saw through the attempt.

His great soft white hands, always spotlessly clean--he was the cleanest-looking man I ever saw--were really rather extraordinary. They looked at first sight clumsy, and even limp; but he was unusually deft and adroit with his fingers, and his touch on plants, in gardening, his tying of strings--he liked doing up parcels--was very quick and delicate. He was fond of all sorts of little puzzles, toys of wood and metal, which had to be fitted together; and the puzzles took shape or fell to pieces under his fingers like magic. They were extremely sensitive to pain, his hands, and a little pinch or abrasion would cause him marked discomfort. His handwriting was rapid and fine, and he occasionally would draw a tiny sketch to illustrate something, which showed much artistic skill. He often deplored his ignorance of handicraft, which, he said would have been a great relief to him.

His voice, again, was remarkable. It was not in ordinary talk either deep or profound, though it could and did become both on occasions, especially when he made a quotation, which he did with some solemnity. I used at first to think that there was a touch of rhetorical affectation about his quotations. They were made in a high musical tone, and as often as not ended with the tears coming into his eyes. He spoke to me once about this. He said that it was a mistake to think he was _deeply_ affected by a quotation. "In fact," he said, "I am not easily affected by passionate or tragic emotion--what does affect me is a peculiar touch of beauty, but it is a luxurious and superficial thing. It would entirely prevent me," he added, "from reading many poems or prose passages aloud which I greatly admire. I simply could not command myself! In fact," he went on, smiling, "I very often can only get to the end of a quotation by fixing my mind on something else. I add up the digits giving the number of the page, or I count the plates at the dinner-table. It's very absurd--but it takes me in just the same way when I am alone. I could not read the last chapter of the Book of Revelation aloud to myself, or the chapter on 'The Wilderness' in Isaiah, without shedding tears. But it doesn't mean anything; it is just the _hysterica passio_, you know!"

His voice, when he first joined in a talk, was often low and even hesitating; but when he became interested and absorbed, it gathered volume and emphasis. Barthrop once said to me that Father Payne was the only person he knew who always talked in italics. But he very seldom harangued, though it is difficult to make that clear in recording his talks, because he often spoke continuously. Yet it was never a soliloquy: he always included the listeners. He used to look round at them, explore their faces, catch an eye and smile, indicate the particular person addressed by a darted-out finger; and he had many little free gestures with his hands as he talked. He would trace little hieroglyphics with his finger, as if he were writing a word, sweep an argument aside, bring his hands together as though he were shaping something. This was a little confusing at first, and used to divert my attention, because of the great mobility of his hands; but after a little it seemed to me to bring out and illustrate his points in a remarkably salient way.

His habits were curious and a little mysterious. They were by no means regular. Sometimes for days together we hardly saw him. He often rose early and walked in the garden. If he found a book which interested him, he would read it with absorbed attention, quite unconscious of the flight of time. "I do love getting really _buried_ in a book," he would say; "it's the best of tests." Sometimes he wrote, sometimes he composed music, sometimes he would have his table covered with bits of paper full of unintelligible designs and patterns. He did not mind being questioned, but he would not satisfy one's curiosity. "It's only some nonsense of mine," he would say. He did not write many letters, and they were generally short. At times he would be very busy on his farm, at times occupied in the village, at times he took long walks alone; very occasionally he went away for a day or two. He was both uncommunicative and communicative. He would often talk with the utmost frankness and abandon about his private affairs; but, on the other hand, I always had the sense of much that was hidden in his life. And I have no doubt that he spent much time in prayer and meditation. He seldom spoke of this, but it played a large part in his life. He gave the impression of great ease, cheerfulness, and tranquillity, attained by some deliberate resolve, because he was both restless and sensitive, took sorrows and troubles hardly, and was deeply shocked and distressed by sad news of any kind. I have heard him say that he often had great difficulty in forcing himself to open a letter which he thought likely to be distressing or unpleasant. He was naturally, I imagine, of an almost neurotic tendency; but he did not seem so much to combat this by occupation and determination as to have arrived at some mechanical way of dealing with it. I remember that he said to me once: "If you have a bad business on hand, an unhappy or wounding affair, it is best to receive it fully and quietly. Let it do its worst, realise it, take it in--don't resist it, don't try to distract your mind: see the full misery of it, don't attempt to minimise it. If you do that, you will suddenly find something within you come to your rescue and say, 'Well, I can bear that!' and then it is all right. But if you try to dodge it, it's my experience that there comes a kind of back-wash which hurts very much indeed. Let the stream go over you, and then emerge. To fight against it simply prolongs the agony." He certainly recovered himself quicker than anyone I have ever known: indeed I think his recuperation was the best sign of his enormous vitality. "I'm sensitive," he said to me once, "but I'm tough--I have a fearful power of forgetting--it's much better than forgiving." But the thing which remains most strongly in my mind about him is the way in which he pervaded the whole place. It was fancy, perhaps, but I used to think I knew whether he was in the house or not. Certainly, if I wanted to speak to him, I used to go off to his study on occasions, quite sure that I should find him; while on other occasions--and I more than once put this to the test--I have thought to myself, "It's no use going--the Father is out." His presence at any sort of gathering was entirely unmistakable. It was not that you felt hampered or controlled: it was more like the flowing of some clear stream. When he was away, the thing seemed tame and spiritless; when he was there, it was all full of life. But his presence was not, at least to me, at all wearisome or straining. I have known men of great vitality who were undeniably fatiguing, because they overcame one like a whirlwind. But with Father Payne it always seemed as though he put wind into one's sails, but left one to steer one's own course. He did not thwart or deflect, or even direct: he simply multiplied one's own energy. I never had the sensation with him of suppressing any thought in my mind, or of saying to myself, "The Father won't care about that." He always did care, and I used to feel that he was glad to be inquired of, glad to have his own thoughts diverted, glad to be of use. He never nagged; or found petty fault, or "chivied" you, as the boys say. If you asked him a question, or asked him to stroll or walk, you always felt that he was delighted, that it was the one thing he enjoyed. He liked to have childish secrets. He and I had several little _caches_ in the holes of trees, or the chinks of buildings, where we concealed small coins or curious stones on our walks, and at a later date revisited them. We were frankly silly about certain things. He and I had some imaginary personages--Dr. Waddilove, supposed to be a rich beneficed clergyman of Tory views; Mr. McTurk, a matter-of-fact Scotsman; Henry Bland, a