Ivanhoe by Walter Scott (reading books for 4 year olds txt) π
well, and go to sleep, And I will lap thee with my cope, Softly to lye."
It would seem that the manuscript is here imperfect, for we do not find the reasons which finally induce the curtal Friar to amend the King's cheer. But acknowledging his guest to be such a "good fellow" as has seldom graced his board, the holy man at length produces the best his cell affords. Two candles are placed on a table, white bread and baked pasties are displayed by the light, besides choice of venison, both salt and fresh, from which they select collops. "I might have eaten my bread dry," said the King, "had I not pressed thee on the score of archery, but now have I dined like a prince---if we had but drink enow."
This too is afforded by the hospitable anchorite, who dispatches an assistant to fetch a pot of four gallons from a secret corner near his bed, and the whole three set in to serious drinking. This amusement is superintended by the Friar, according to the recurrence of certain fustian words, to be repeate
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The most perfect specimen is that upon the island of Mousa, near
to the mainland of Zetland, which is probably in the same state
as when inhabited.
It is a single round tower, the wall curving in slightly, and
then turning outward again in the form of a dice-box, so that the
defenders on the top might the better protect the base. It is
formed of rough stones, selected with care, and laid in courses
or circles, with much compactness, but without cement of any
kind. The tower has never, to appearance, had roofing of any
sort; a fire was made in the centre of the space which it
encloses, and originally the building was probably little more
than a wall drawn as a sort of screen around the great council
fire of the tribe. But, although the means or ingenuity of the
builders did not extend so far as to provide a roof, they
supplied the want by constructing apartments in the interior of
the walls of the tower itself. The circumvallation formed a
double enclosure, the inner side of which was, in fact, two feet
or three feet distant from the other, and connected by a
concentric range of long flat stones, thus forming a series of
concentric rings or stories of various heights, rising to the top
of the tower. Each of these stories or galleries has four
windows, facing directly to the points of the compass, and rising
of course regularly above each other. These four perpendicular
ranges of windows admitted air, and, the fire being kindled,
heat, or smoke at least, to each of the galleries. The access
from gallery to gallery is equally primitive. A path, on the
principle of an inclined plane, turns round and round the
building like a screw, and gives access to the different stories,
intersecting each of them in its turn, and thus gradually rising
to the top of the wall of the tower. On the outside there are no
windows; and I may add, that an enclosure of a square, or
sometimes a round form, gave the inhabitants of the Burgh an
opportunity to secure any sheep or cattle which they might
possess.
Such is the general architecture of that very early period when
the Northmen swept the seas, and brought to their rude houses,
such as I have described them, the plunder of polished nations.
In Zetland there are several scores of these Burghs, occupying in
every case, capes, headlands, islets, and similar places of
advantage singularly well chosen. I remember the remains of one
upon an island in a small lake near Lerwick, which at high tide
communicates with the sea, the access to which is very ingenious,
by means of a causeway or dike, about three or four inches under
the surface of the water. This causeway makes a sharp angle in
its approach to the Burgh. The inhabitants, doubtless, were well
acquainted with this, but strangers, who might approach in a
hostile manner, and were ignorant of the curve of the causeway,
would probably plunge into the lake, which is six or seven feet
in depth at the least. This must have been the device of some
Vauban or Cohorn of those early times.
The style of these buildings evinces that the architect possessed
neither the art of using lime or cement of any kind, nor the
skill to throw an arch, construct a roof, or erect a stair; and
yet, with all this ignorance, showed great ingenuity in selecting
the situation of Burghs, and regulating the access to them, as
well as neatness and regularity in the erection, since the
buildings themselves show a style of advance in the arts scarcely
consistent with the ignorance of so many of the principal
branches of architectural knowledge.
I have always thought, that one of the most curious and valuable
objects of antiquaries has been to trace the progress of society,
by the efforts made in early ages to improve the rudeness of
their first expedients, until they either approach excellence,
or, as is more frequently the case, are supplied by new and
fundamental discoveries, which supersede both the earlier and
ruder system, and the improvements which have been ingrafted
upon it. For example, if we conceive the recent discovery of
gas to be so much improved and adapted to domestic use, as to
supersede all other modes of producing domestic light; we can
already suppose, some centuries afterwards, the heads of a whole
Society of Antiquaries half turned by the discovery of a pair of
patent snuffers, and by the learned theories which would be
brought forward to account for the form and purpose of so
singular an implement.
Following some such principle, I am inclined to regard the
singular Castle of Coningsburgh---I mean the Saxon part of it
---as a step in advance from the rude architecture, if it
deserves the name, which must have been common to the Saxons as
to other Northmen. The builders had attained the art of using
cement, and of roofing a building,---great improvements on the
original Burgh. But in the round keep, a shape only seen in the
most ancient castles---the chambers excavated in the thickness of
the walls and buttresses---the difficulty by which access is
gained from one story to those above it, Coningsburgh still
retains the simplicity of its origin, and shows by what slow
degrees man proceeded from occupying such rude and inconvenient
lodgings, as were afforded by the galleries of the Castle of
Mousa, to the more splendid accommodations of the Norman castles,
with all their stern and Gothic graces.
I am ignorant if these remarks are new, or if they will be
confirmed by closer examination; but I think, that, on a hasty
observation, Coningsburgh offers means of curious study to
those who may wish to trace the history of architecture back to
the times preceding the Norman Conquest.
It would be highly desirable that a cork model should be taken of
the Castle of Mousa, as it cannot be well understood by a plan.
The Castle of Coningsburgh is thus described:---
βThe castle is large, the outer walls standing on a pleasant
ascent from the river, but much overtopt by a high hill, on which
the town stands, situated at the head of a rich and magnificent
vale, formed by an amphitheatre of woody hills, in which flows
the gentle Don. Near the castle is a barrow, said to be
Hengistβs tomb. The entrance is flanked to the left by a round
tower, with a sloping base, and there are several similar in the
outer wall the entrance has piers of a gate, and on the east side
the ditch and bank are double and very steep. On the top of the
churchyard wall is a tombstone, on which are cut in high relief,
two ravens, or such-like birds. On the south side of the
churchyard lies an ancient stone, ridged like a coffin, on which
is carved a man on horseback; and another man with a shield
encountering a vast winged serpent, and a man bearing a shield
behind him. It was probably one of the rude crosses not uncommon
in churchyards in this county. See it engraved on the plate of
crosses for this volume, plate 14. fig. 1. The name of
Coningsburgh, by which this castle goes in the old editions of
the Britannia, would lead one to suppose it the residence of the
Saxon kings. It afterwards belonged to King Harold. The
Conqueror bestowed it on William de Warren, with all its
privileges and jurisdiction, which are said to have extended over
twenty-eight towns. At the corner of the area, which is of an
irregular form, stands the great tower, or keep, placed on a
small hill of its own dimensions, on which lies six vast
projecting buttresses, ascending in a steep direction to prop and
support the building, and continued upwards up the side as
turrets. The tower within forms a complete circle, twenty-one
feet in diameter, the walls fourteen feet thick. The ascent into
the tower is by an exceeding deep flight of steep steps, four
feet and a half wide, on the south side leading to a low doorway,
over which is a circular arch crossed by a great transom stone.
Within this door is the staircase which ascends straight through
the thickness of the wall, not communicating with the room on the
first floor, in whose centre is the opening to the dungeon.
Neither of these lower rooms is lighted except from a hole in the
floor of the third story; the room in which, as well as in that
above it, is finished with compact smooth stonework, both having
chimney-pieces, with an arch resting on triple clustered pillars.
In the third story, or guard-chamber, is a small recess with a
loop-hole, probably a bedchamber, and in that floor above a niche
for a saint or holy-water pot. Mr. King imagines this a Saxon
castle of the first ages of the Heptarchy. Mr. Watson thus
describes it. From the first floor to the second story, (third
from the ground,) is a way by a stair in the wall five feet wide.
The next staircase is approached by a ladder, and ends at the
fourth story from the ground. Two yards from the door, at the
head of this stair, is an opening nearly east, accessible by
treading on the ledge of the wall, which diminishes eight inches
each story ; and this last opening leads into a room or chapel
ten feet by twelve, and fifteen or sixteen high, arched with
free-stone, and supported by small circular columns of the same,
the capitals and arches Saxon. It has an east window, and on
each side in the wall, about four feet from the ground, a stone
basin with a hole and iron pipe to convey the water into or
through the wall. This chapel is one of the buttresses, but no
sign of it without, for even the window, though large within, is
only a long narrow loop-hole, scarcely to be seen without. On
the left side of this chapel is a small oratory, eight by six in
the thickness of the wall, with a niche in the wall, and
enlightened by a like loop-hole. The fourth stair from the
ground, ten feet west from the chapel door, leads to the top of
the tower through the thickness of the wall, which at top is but
three yards. Each story is about fifteen feet high, so that the
tower will be seventy-five feet from the ground. The inside
forms a circle, whose diameter may be about twelve feet. The well
at the bottom of the dungeon is piled with stones.β---Goughβs
βEdition Of Camdenβs Britanniaβ. Second Edition, vol. iii. p.
267.
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