Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (nonfiction book recommendations .txt) 📕

IN Antium, meanwhile, Petronius gained new victories almost daily over courtiers vying with him for the favor of Cæsar. The influence of Tigellinus had fallen completely. In Rome, when there was occasion to set aside men who seemed dangerous, to plunder their property or to settle political cases, to give spectacles astounding by their luxury and bad taste, or finally to satisfy the monstrous whims of Cæsar, Tigellinus, as adroit, as he was ready for anything, became indispensable. But in Antium, among palaces reflected in the azure of the sea, Cæsar led a Hellenic existence. From morning till evening Nero and his attendants read verses, discoursed on their structure and finish, were delighted with happy turns of expression, were occupied with music, the theatre,—in a word, exclusively with that which Grecian genius had invented, and with which it had beautified life. Under these conditions Petronius, incomparably more refined than Tigellinus and the other courtiers,—witty, eloquent, full of subtile feelings and tastes,—obtained pre-eminence of necessity. Cæsar sought his society, took his opinion, asked for advice when he composed, and showed a more lively friendship than at any other time whatever. It seemed to courtiers that his influence had won a supreme triumph at last, that friendship between him and Cæsar had entered on a period of certainty which would last for years. Even those who had shown dislike previously to the exquisite Epicurean, began now to crowd around him and vie for his favor. More than one was even sincerely glad in his soul that preponderance had come to a man who knew really what to think of a given person, who received with a sceptical smile the flattery of his enemies of yesterday, but who, either through indolence or culture, was not vengeful, and did not use his power to the detriment or destruction of others. There were moments when he might have destroyed even Tigellinus, but he preferred to ridicule him, and expose his vulgarity and want of refinement. In Rome the Senate drew breath, for no death sentence had been issued for a month and a half. It is true that in Antium and the city people told wonders of the refinement which the profligacy of Cæsar and his favorite had reached, but every one preferred a refined Cæsar to one brutalized in the hands of Tigellinus. Tigellinus himself lost his head, and hesitated whether or not to yield as conquered, for Cæsar had said repeatedly that in all Rome and in his court there were only two spirits capable of understanding each other, two real Hellenes,—he and Petronius.

The amazing dexterity of Petronius confirmed people in the conviction that his influence would outlive every other. They did not see how Cæsar could dispense with him,—with whom could he converse touching poetry, music, and comparative excellence; in whose eyes could he look to learn whether his creation was indeed perfect? Petronius, with his habitual indifference, seemed to attach no importance to his position. As usual, he was remiss, slothful, sceptical, and witty. He produced on people frequently the impression of a man who made light of them, of himself, of Cæsar, of the whole world. At moments he ventured to criticise Cæsar to his face, and when others judged that he was going too far, or simply preparing his own ruin, he was able to turn the criticism suddenly in such a way that it came out to his profit; he roused amazement in those present, and the conviction that there was no position from which he could not issue in triumph.

About a week after the return of Vinicius from Rome, Cæsar read in a small circle an extract from his Troyad; when he had finished and the shouts of rapture had ended, Petronius, interrogated by a glance from Cæsar, replied,—

“Common verses, fit for the fire.”

The hearts of those present stopped beating from terror. Since the years of his childhood Nero had never heard such a sentence from any man. The face of Tigellinus was radiant with delight. But Vinicius grew pale, thinking that Petronius, who thus far had never been drunk, was drunk this time.

Nero, however, inquired in a honeyed voice, in which more or less deeply wounded vanity was quivering,—

“What defect dost thou find in them?”

“Do not believe them,” said Petronius, attacking him, and pointing to those present; “they understand nothing. Thou hast asked what defect there is in thy verses. If thou desire truth, I will tell thee. Thy verses would be worthy of Virgil, of Ovid, even of Homer, but they are not worthy of thee. Thou art not free to write such. The conflagration described by thee does not blaze enough; thy fire is not hot enough. Listen not to Lucan’s flatteries. Had he written those verses, I should acknowledge him a genius, but thy case is different. And knowest thou why? Thou art greater than they. From him who is gifted of the gods as thou art, more is demanded. But thou art slothful,—thou wouldst rather sleep after dinner than sit to wrinkles. Thou canst create a work such as the world has not heard of to this day; hence I tell thee to thy eyes, write better!”

And he said this carelessly, as if bantering and also chiding; but Cæsar’s eyes were mist-covered from delight.

“The gods have given me a little talent,” said he, “but they have given me something greater, a true judge and friend, the only man able to speak the truth to my eyes.”

Then he stretched his fat hand, grown over with reddish hair, to a golden candelabrum plundered from Delphi, to burn the verses. But Petronius seized them before the flame touched the paper.

“No, no!” said he; “even thus they belong to mankind. Leave them to me.”

“In such case let me send them to thee in a cylinder of my own invention,” answered Nero, embracing Petronius.

“True; thou art right,” said he, after a while. “My conflagration of Troy does not blaze enough; my fire is not hot enough. But I thought it sufficient to equal Homer. A certain timidity and low estimate of my power have fettered me always. Thou hast opened my eyes. But knowest why it is, as thou sayest? When a sculptor makes the statue of a god, he seeks a model; but never have I had a model. I never have seen a burning city; hence there is a lack of truth in my description.”

“Then I will say that only a great artist understands this.”

Nero grew thoughtful, and after a while he said,—“Answer one question, Petronius. Dost thou regret the burning of Troy?”

“Do I regret? By the lame consort of Venus, not in the least! And I will tell thee the reason. Troy would not have been consumed if Prometheus had not given fire to man, and the Greeks made war on Priam. Æschylus would not have written his Prometheus had there been no fire, just as Homer would not have written the Iliad had there been no Trojan war. I think it better to have Prometheus and the Iliad than a small and shabby city, which was unclean, I think, and wretched, and in which at best there would be now some procurator annoying thee through quarrels with the local areopagus.”

“That is what we call speaking