The Poisoned Pen(Fiscle Part-3) by Arthur B. Reeve (top 10 motivational books .txt) π
Literally Throwing Things Into It From His Chiffonier, As I
Entered After A Hurried Trip Up-Town From The Star Office In
Response To An Urgent Message From Him.
"Come, Walter," He Cried, Hastily Stuffing In A Package Of Clean
Laundry Without Taking Off The Wrapping-Paper, "I've Got Your
Suit-Case Out. Pack Up Whatever You Can In Five Minutes. We Must
Take The Six O'clock Train For Danbridge."
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- Author: Arthur B. Reeve
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I Think That Miss Ashton Would Have Made An Excellent Woman
Detective, That Is, On A Case In Which Her Personal Feelings Were
Not Involved As They Were Here. She Was Pale And Agitated As She
Appeared In The Corridor, And Kennedy Hurried Toward Her.
"I Can't Believe It. I Won't Believe It," She Managed To Say.
"Tell Me, What Happened?" Urged Kennedy Soothingly.
"Oh, Mr. Kennedy, Why Did You Ask Me To Do This?" She Reproached.
"I Would Almost Rather Not Have Known It At All."
"Believe Me, Miss Ashton," Said Kennedy, "You Ought To Know. It Is
On You That I Depend Most. We Saw Hanford Go Up. What Occurred?"
She Was Still Pale, And Replied Nervously, "Mr. Bennett Came In
About Quarter To Ten. He Stopped To Talk To Me And Looked About
The Room Curiously. Do You Know, I Felt Very Uncomfortable For A
Time. Then He Locked The Door Leading From The Press Bureau To His
Office, And Left Word That He Was Not To Be Disturbed. A Few
Minutes Later A Man Called."
"Yes, Yes," Prompted Kennedy. "Hanford, No Doubt."
She Was Racing On Breathlessly, Scarcely Giving One A Chance To
Inquire How She Had Learned So Much.
"Why," She Cried With A Sort Of Defiant Ring In Her Tone, "Mr.
Travis Is Going To Buy Those Pictures After All. And The Worst Of
It Is That I Met Him In The Hall Coming In As I Was Coming Down
Here, And He Tried To Act Toward Me In The Same Old Way--And That
After All I Know Now About Him. They Have Fixed It All Up, Mr.
Bennett Acting For Mr. Travis, And This Mr. Hanford. They Are Even
Going To Ask Me To Carry The Money In A Sealed Envelope To The
Studio Of This Fellow Hanford, To Be Given To A Third Person Who
Will Be There At Two O'clock This Afternoon."
"You, Miss Ashton?" Inquired Kennedy, A Light Breaking On His Face
As If At Last He Saw Something.
"Yes, I," She Repeated. "Hanford Insisted That It Was Part Of The
Compact. They--They Haven't Asked Me Openly Yet To Be The Means Of
Carrying Out Their Dirty Deals, But When They Do, I--I Won't----"
"Miss Ashton," Remonstrated Kennedy, "I Beg You To Be Calm. I Had
No Idea You Would Take It Like This, No Idea. Please, Please.
Walter, You Will Excuse Us If We Take A Turn Down The Corridor And
Out In The Air. This Is Most Extraordinary."
For Five Or Ten Minutes Kennedy And Miss Ashton Appeared To Be
Discussing The New Turn Of Events Earnestly, While I Waited
Impatiently. As They Approached Again She Seemed Calmer, But I
Heard Her Say, "I Hope You're Right. I'm All Broken Up By It. I'm
Ready To Resign. My Faith In Human Nature Is Shaken. No, I Won't
Expose Wesley Travis For His Sake. It Cuts Me To Have To Admit It,
But Cadwalader Used Always To Say That Every Man Has His Price. I
Am Afraid This Will Do Great Harm To The Cause Of Reform And
Through It To The Woman Suffrage Cause Which Cast Its Lot With
This Party. I--I Can Hardly Believe----"
Kennedy Was Still Looking Earnestly At Her. "Miss Ashton," He
Implored, "Believe Nothing. Remember One Of The First Rules Of
Politics Is Loyalty. Wait Until----"
"Wait?" She Echoed. "How Can I? I Hate Wesley Travis For Giving
In--More Than I Hate Cadwalader Brown For His Cynical Disregard Of
Honesty In Others."
She Bit Her Lip At Thus Betraying Her Feelings, But What She Had
Part 3 Chapter 12 (The Campaign Grafter) Pg 147Heard Had Evidently Affected Her Deeply. It Was As Though The Feet
Of Her Idol Had Turned To Clay. Nevertheless It Was Evident That
She Was Coming To Look On It More As She Would If She Were An
Outsider.
"Just Think It Over," Urged Kennedy. "They Won't Ask You Right
Away. Don't Do Anything Rash. Suspend Judgment. You Won't Regret
It."
Craig's Next Problem Seemed To Be To Transfer The Scene Of His
Operations To Hanford's Studio. He Was Apparently Doing Some Rapid
Thinking As We Walked Uptown After Leaving Miss Ashton, And I Did
Not Venture To Question Him On What Had Occurred When It Was So
Evident That Everything Depended On Being Prepared For What Was
Still To Occur.
Hanford Was Out. That Seemed To Please Kennedy, For With A
Brightening Face, Which Told More Surely Than Words That He Saw
His Way More And More Clearly, He Asked Me To Visit The Agent And
Hire The Vacant Office Next To The Studio While He Went Uptown To
Complete His Arrangements For The Final Step.
I Had Completed My Part And Was Waiting In The Empty Room When He
Returned. He Lost No Time In Getting To Work, And It Seemed To Me
As I Watched Him Curiously In Silence That He Was Repeating What
He Had Already Done At The Travis Headquarters. He Was Boring Into
The Wall, Only This Time He Did It Much More Carefully, And It Was
Evident That If He Intended Putting Anything Into This Cavity It
Must Be Pretty Large. The Hole Was Square, And As I Bent Over I
Could See That He Had Cut Through The Plaster And Laths All The
Way To The Wallpaper On The Other Side, Though He Was Careful To
Leave That Intact. Then He Set Up A Square Black Box In The
Cavity, Carefully Poising It And Making Measurements That Told Of
The Exact Location Of Its Centre With Reference To The Partitions
And Walls.
A Skeleton Key Took Us Into Hanford's Well-Lighted But Now Empty
Studio. For Miss Ashton's Sake I Wished That The Photographs Had
Been There. I Am Sure Kennedy Would Have Found Slight Compunction
In A Larceny Of Them, If They Had Been. It Was Something Entirely
Different That He Had In Mind Now, However, And He Was Working
Quickly For Fear Of Discovery. By His Measurements I Guessed That
He Was Calculating As Nearly As Possible The Centre Of The Box
Which He Had Placed In The Hole In The Wall On The Other Side Of
The Dark Wallpaper. When He Had Quite Satisfied Himself He Took A
Fine Pencil From His Pocket And Made A Light Cross On The Paper To
Indicate It. The Dot Fell To The Left Of A Large Calendar Hanging
On The Wall.
Kennedy's Appeal To Margaret Ashton Had Evidently Had Its Effect,
For When We Saw Her A Few Moments After These Mysterious
Preparations She Had Overcome Her Emotion.
"They Have Asked Me To Carry A Note To Mr. Hanford's Studio," She
Said Quietly, "And Without Letting Them Know That I Know Anything
About It I Have Agreed To Do So."
"Miss Ashton," Said Kennedy, Greatly Relieved, "You're A Trump."
"No," She Replied, Smiling Faintly, "I'm Just Feminine Enough To
Be Curious."
Craig Shook His Head, But Did Not Dispute The Point. "After You
Have Handed The Envelope To The Person, Whoever It May Be, In
Hanford's Studio, Wait Until He Does Something--Er,--Suspicious.
Meanwhile Look At The Wall On The Side Toward The Next Vacant
Office. To The Left Of The Big Calendar You Will See A Light
Pencil Mark, A Cross. Somehow You Must Contrive To Get Near It,
But Don't Stand In Front Of It. Then If Anything Happens Stick
This Little Number 10 Needle In The Wall Right At The Intersection
Of The Cross. Withdraw It Quickly, Count Fifteen, Then Put This
Part 3 Chapter 12 (The Campaign Grafter) Pg 148Little Sticker Over The Cross, And Get Out As Best You Can, Though
We Shan't Be Far Away If You Should Need Us. That's All."
We Did Not Accompany Her To The Studio For Fear Of Being Observed,
But Waited Impatiently In The Next Office. We Could Hear Nothing
Of What Was Said, But When A Door Shut And It Was Evident That She
Had Gone, Kennedy Quickly Removed Something From The Box In The
Wall Covered With A Black Cloth.
As Soon As It Was Safe Kennedy Had Sent Me Posting After Her To
Secure Copies Of The Incriminating Photographs Which Were To Be
Carried By Her From The Studio, While He Remained To See Who Came
Out. I Thought A Change Had Come Over Her As She Handed Me The
Package With The Request That I Carry It To Mr. Bennett And Get
Them From Him.
The First Inkling I Had That Kennedy Had At Last Been Able To
Trace Back Something In The Mysterious Doings Of The Past Two Days
Came The Following Evening, When Craig Remarked Casually That He
Would Like To Have Me Call On Billy Mcloughlin If I Had No
Engagement. I Replied That I Had None--And Managed To Squirm Out
Of The One I Really Had.
The Boss's Office Was Full Of Politicians, For It Was The Eve Of
"Dough Day," When The Purse Strings Were Loosed And A Flood Of
Potent Argument Poured Forth To Turn The Tide Of Election. Hanford
Was There With The Other Ward Heelers.
"Mr. Mcloughlin," Began Kennedy Quietly, When We Were Seated Alone
With Hanford In The Little Sanctum Of The Boss, "You Will Pardon
Me If I Seem A Little Slow In Coming To The Business That Has
Brought Me Here To-Night. First Of All, I May Say, And You,
Hanford, Being A Photographer Will Appreciate It, That Ever Since
The Days Of Daguerre Photography Has Been Regarded As The One
Infallible Means Of Portraying Faithfully Any Object, Scene, Or
Action. Indeed A Photograph Is Admitted In Court As Irrefutable
Evidence. For When Everything Else Fails, A Picture Made Through
The Photographic Lens Almost Invariably Turns The Tide. However,
Such A Picture Upon Which The Fate Of An Important Case May Rest
Should Be Subjected To Critical Examination For It Is An
Established Fact That A Photograph May Be Made As Untruthful As It
May Be Reliable. Combination Photographs Change Entirely The
Character Of The Initial Negative And Have Been Made For The Past
Fifty Years. The Earliest, Simplest, And Most Harmless
Photographic Deception Is The Printing Of Clouds Into A Bare Sky.
But The Retoucher With His Pencil And Etching Tool To-Day Is Very
Skilful. A Workman Of Ordinary Skill Can Introduce A Person Taken
In A Studio Into An Open-Air Scene Well Blended And In Complete
Harmony Without A Visible Trace Of Falsity.
"I Need Say Nothing Of How One Head Can Be Put On Another Body In
A Picture, Nor Need I Say What A Double Exposure Will Do. There Is
Almost No Limit To The Changes That May Be Wrought In Form And
Feature. It Is Possible To Represent A Person Crossing Broadway Or
Walking On Riverside Drive, Places He May Never Have Visited. Thus
A Person Charged With An Offence May Be Able To Prove An Alibi By
The Aid Of A Skilfully Prepared Combination Photograph.
"Where, Then, Can Photography Be Considered As Irrefutable
Evidence? The Realism May Convince All, Will Convince All, Except
The Expert And The Initiated After Careful Study. A Shrewd Judge
Will Insist That In Every Case The Negative Be Submitted And
Examined For Possible Alterations By A Clever Manipulator."
Kennedy Bent His Gaze On Mcloughlin. "Now, I
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