The Complete Golfer by Harry Vardon (most popular novels .TXT) 📕

In the upward swing the right shoulder should be raised gradually. It is unnecessary for me to submit any instruction on this point, since the movement is natural and inevitable, and there is no tendency towards excess; but the arms and wrists need attention. From the moment when the club is first taken back the left wrist should begin to turn inwards (that is to say, the movement is in the same direction as that taken by the hands of a clock), and so turn away the face of the club from the ball. When this is properly done, the toe of the club will point to the sky when it is level with the shoulder and will be dead over the middle of the shaft. This turning or twisting process continues all the way until at the top of the swing the toe of the club is pointing straight downwards to the ground. A reference to Plate VII. will show that this has been done, and that as the result the left wrist finishes the upward swing underneath the shaft, which is just where it ought to be. When the wrist has not been at work in the manner indicated, the toe of the club at the top of the drive will be pointing upwards. In order to satisfy himself properly about the state of affairs thus far in the making of the drive, the golfer should test himself at the top of the swing by holding the club firmly in the position which it has reached, and then dropping the right hand from the grip. He will thus be enabled to look right round, and if he then finds that the maker's name on the head of the club is horizontal, he will know that he has been doing the right thing with his wrists, while if it is vertical the wrist action has been altogether wrong.

During the upward swing the arms should be gradually let out in the enjoyment of perfect ease and freedom (without being spread-eagled away from the body) until at the top of the swing the left arm, from the shoulder to the elbow, is gently touching the body and hanging well down, while the right arm is up above it and almost level with the club. The picture indicates exactly what I mean, and a reference to the illustration showing what ought not to be the state of affairs generally when the top of the swing is reached (Plate XI.), should convince even the veriest beginner how much less comfortable is the position of the arms in this instance than when the right thing has been done, and how laden with promise is the general attitude of the player in the latter position as compared with his cramped state in the former. I think I ought to state, partly in justice to myself, and partly to persuade my readers that the best way in this case, as in all others, is the most natural, that I found it most inconvenient and difficult to make such extremely inaccurate swings as those depicted in this and other photographs of the "How not to do it" series, although they are by no means exaggerations of what are seen on the links every day, even players of several years' experience being constantly responsible for them.

In the upward movement of the club the body must pivot from the waist alone, and there must be no swaying, not even to the extent of an inch. When the player sways in his drive the stroke he makes is a body stroke pure and simple. The body is trying to do the work the arms should do, and in these circumstances it is impossible to get so much power into the stroke as if it were properly made, while once more the old enemies, the slice and the pull, will come out from their hiding-places with their mocking grin at the unhappy golfer.

The movements of the feet and legs are important. In addressing the ball you stand with both feet flat and securely placed on the ground, the weight equally divided between them, and the legs so slightly bent at the knee joints as to make the bending scarcely noticeable. This position is maintained during the upward movement of the club until the arms begin to pull at the body. The easiest and most natural thing to do then, and the one which suggests itself, is to raise the heel of the left foot and begin to pivot on the left toe, which allows the arms to proceed with their uplifting process without let or hindrance. Do not begin to pivot on this left toe ostentatiously, or because you feel you ought to do so, but only when you know the time has come and you want to, and do it only to such an extent that the club can reach the full extent of the swing without any difficulty. While this is happening it follows that the weight of the body is being gradually thrown on to the right leg, which accordingly stiffens until at the top of the swing it is quite rigid, the left leg being at the same time in a state of comparative freedom, slightly bent in towards the right, with only just enough pressure on the toe to keep it in position.

To the man who has never driven a good ball in his life this process must seem very tedious. All these things to attend to, and something less than a second in which to attend to them! It only indicates how much there is in this wonderful game—more by far than any of us suspect or shall ever discover. But the time comes, and it should come speedily, when they are all accomplished without any effort, and, indeed, to a great extent, unconsciously. The upward swing is everything. If it is bad and faulty, the downward swing will be wrong and the ball will not be properly driven. If it is perfect, there is a splendid prospect of a long and straight drive, carrying any hazard that may lie before the tee. That is why so very much emphasis must be laid on getting this upward swing perfect, and why comparatively little attention need be paid to the downward swing, even though it is really the effective part of the stroke.

Be careful not to dwell at the turn of the swing. The club has been gaining in speed right up to this point, and though I suppose that, theoretically, there is a pause at the turning-point, lasting for an infinitesimal portion of a second, the golfer should scarcely be conscious of it. He must be careful to avoid a sudden jerk, but if he dwells at the top of the stroke for only a second, or half that short period of time, his upward swing in all its perfection will have been completely wasted, and his stroke will be made under precisely the same circumstances and with exactly the same disadvantages as if the club had been poised in this position at the start, and there had been no attempt at swinging of any description. In such circumstances a long ball is an impossibility, and a straight one a matter of exceeding doubt. The odds are not very greatly in favour of the ball being rolled off the teeing ground. So don't dwell at the turn; come back again with the club.

The club should gradually gain in speed from the moment of the turn until it is in contact with the ball, so that at the moment of impact its head is travelling at its fastest pace. After the impact, the club head should be allowed to follow the ball straight in the line of the flag as far as the arms will let it go, and then, having done everything that is possible, it swings itself out at the other side of the shoulders. The entire movement must be perfectly smooth and rhythmical; in the downward swing, while the club is gaining speed, there must not be the semblance of a jerk anywhere such as would cause a jump, or a double swing, or what might be called a cricket stroke. That, in a few lines, is the whole story of the downward swing; but it needs some little elaboration of detail. In the first place, avoid the tendency—which is to some extent natural—to let the arms go out or away from the body as soon as the downward movement begins. When they are permitted to do so the club head escapes from its proper line, and a fault is committed which cannot be remedied before the ball is struck. Knowing by instinct that you are outside the proper course, you make a great effort at correction, the face of the club is drawn across the ball, and there is one more slice. The arms should be kept fairly well in during the latter half of the downward swing, both elbows almost grazing the body. If they are properly attended to when