The Complete Golfer by Harry Vardon (most popular novels .TXT) 📕

Many people are inclined to ask why, instead of playing a half shot with the cleek, the iron is not taken and a full stroke made with it, which is the way that a large proportion of good golfers would employ for reaching the green from the same distance. For some reason which I cannot explain, there seems to be an enormous number of players who prefer a full shot with any club to a half shot with another, the result being the same or practically so. Why is it that they like to swing so much and waste so much power, unmindful of the fact that the shorter the swing the greater the accuracy? The principle of my own game, and that which I always impress upon others when I have an opportunity, is, "Reach the hole in the easiest way you can." The easier way is generally the surer way. When, therefore, there is a choice between a full shot with one club or a half shot with another, I invariably ask the caddie for the instrument with which to make the half shot. Hence, apart from the advantageous peculiarities of the stroke which I have pointed out, I should always play the half cleek shot in preference to the full iron, because, to my mind, it is easier and safer, and because there is less danger of the ball skidding off the club. In the same way I prefer a half iron shot to a full one with the mashie. If the golfer attains any proficiency with the stroke, he will probably be very much enamoured of it, and will think it well worth the trouble of carrying a club specially for the purpose, at all events on all important occasions.

There is another variety of cleek shot which calls for separate mention. It is played when a low ball is wanted to cut its way through a head wind, and for the proper explanation of this useful stroke I have supplied a special series of photographs from which it may be studied to advantage. As will be seen from them, this stroke is, to all intents and purposes, a modified half or push stroke, the most essential difference being in the stance. The feet are a trifle nearer the ball and considerably more forward, my right heel as a matter of fact being only 2½ inches from the B line. Take a half swing, hit the ball before the turf as in the case of the push, and finish with the shaft of the club almost perpendicular, the arms and wrists being held in severe subjection throughout. The ball skims ahead low down like a swallow, and by the time it begins to rise and the wind to act upon it, it has almost reached its destination, and the wind is now welcome as a brake.

Having thus dealt with these different cleek shots separately, I think some useful instruction may be obtained from a comparison of them, noting the points of difference as they are set forth in the photographs. An examination of the pictures will at once suggest that there is much more in the stance than had been suspected. In the case of the full cleek shot it is noticeable that the stance is opener than in any of the others, and that the body is more erect. The object of this is to allow freedom of the swing without altering the position of the body during the upward movement. I mean particularly that the head is not so likely to get out of its place as it would be if the body had been more bent while the address was being made. It ought not to be, but is the case, that when pivoting on the left foot during the progress of a long upward swing, there is a frequent inclination, as already pointed out, to raise the body, so that the position of the latter at the top of the swing is altogether wrong, and has to be corrected in the downward swing before the ball is reached. When, as often happens, this is done too suddenly, a sclaff is the result. Therefore an obvious recommendation is to stand at the ball with the same amount of erectness as there will be at the top of the swing. And remember that when you pivot on the left toe, the lift that there is here should not spread along to the head and shoulders, but should be absorbed, as it were, at the waist, which should bend inwards and turn round on the hips. Once the head has taken its position, it should never move again until the ball has been struck. Mind that you do not fall away from the ball when the club is about to come into contact with it. I have observed a considerable tendency in that direction on the part of many young players. I have pressed several of these points home in other places, but the success of the stroke is so bound up with a proper observation of them that I think they cannot be too frequently or too strongly insisted upon.

If we take one more glance at all the different cleek stroke photographs, we shall see that in each case the toes are turned well outwards. I find that unless they take this position the player has not the same freedom for turning upon them. In the case of full shots the weight is more evenly divided upon both feet than in the case of others. Thus, when the stance for a half or three-quarter cleek shot is taken, the weight of the body falls more on the right leg than on the left. As you have not to swing so far back, you are able to maintain this position. You could not do so if a full stroke were being taken; hence you would not then adopt it. Again, one allows the wrists and muscles less play in the case of half shots than in full ones. There is more stiffness all round. This, however, must not be taken to suggest that even in the case of the full shot there is any looseness at the wrists. If there were, it would be most in evidence just when it would be most fatal, that is to say, at the moment of impact. The wrists must always be kept severely under control. It will also be noticed from the photographs, that at the top of the swings for both the full shot and the half shot the body is in much the same position, but when the low shot against the wind is being played it is pushed a little forward. I mention these details by way of suggesting how much can be discovered from a close and attentive study of these photographs only. Little things like these, when not noticed and attended to, may bother a player for many weeks; while, on the other hand, he may frequently find out from a scrutiny of the pictures and diagrams the faults which have baffled him on the links. In this connection the "How not to do it" photographs should be of particular value to the player who is in trouble with his cleek. Look at the faulty stance and address in Plate XXXII. At the first glance you can see that this is not a natural stance; the player is cramped and uncomfortable. The grip is altogether wrong. The hands are too far apart, and the right hand is too much under the shaft. The body would not hold its position during the swing, and in any case a correct swing would be impossible. Yet this photograph does not exaggerate the bad methods of some players. In Plate XXVII. we have the player in a stance which is nearly as bad as before; but it is evident that in this case the body has been lifted during the upward swing, and the left hand is rather too much on the top of the shaft.