The Age of Invention by Holland Thompson (best e book reader android .txt) 📕

Polk, but they must know first whether Wright would consent to run as Vice-President. So they posted a messenger off to Washington but were persuaded at the same time to allow the new telegraph to try what it could do. The telegraph carried the offer to Wright and carried back to the Convention Wright’s refusal of the honor. The delegates, however, would not believe the telegraph, until their own messenger, returning the next day, confirmed its message.

For a time the telegraph attracted little attention. But Cornell stretched the lines across the country, connecting city with city, and Morse and Vail improved the details of the mechanism and perfected the code. Others came after them and added further improvements. And it is gratifying to know that both Morse and Vail, as well as Cornell, lived to reap some return for their labor. Morse lived to see his telegraph span the continent, and link the New World with the Old, and died in 1872 full of honors.

Prompt communication of the written or spoken message is a demand even more insistent than prompt transportation of men and goods.

By 1859 both the railroad and the telegraph had reached the old town of St. Joseph on the Missouri. Two thousand miles beyond, on the other side of plains and mountains and great rivers, lay prosperous California. The only transportation to California was by stage-coach, a sixty days’ journey, or else across Panama, or else round the Horn, a choice of three evils. But to establish quicker communication, even though transportation might lag, the men of St. Joseph organized the Pony Express, to cover the great wild distance by riders on horseback, in ten or twelve days.

Relay stations for the horses and men were set up at appropriate points all along the way, and a postboy dashed off from St.

Joseph every twenty-four hours, on arrival of the train from the East. And for a time the Pony Express did its work and did it well. President Lincoln’s First Inaugural was carried to California by the Pony Express; so was the news of the firing on Fort Sumter. But by 1869. the Pony Express was quietly superseded by the telegraph, which in that year had completed its circuits all the way to San Francisco, seven years ahead of the first transcontinental railroad. And in four more years Cyrus W. Field and Peter Cooper had carried to complete success the Atlantic Cable; and the Morse telegraph was sending intelligence across the sea, as well as from New York to the Golden Gate.

And today ships at sea and stations on land, separated by the sea, speak to one another in the language of the Morse Code, without the use of wires. Wireless, or radio, telegraphy was the invention of a nineteen-year-old boy, Guglielmo Marconi, an Italian; but it has been greatly extended and developed at the hands of four Americans: Fessenden, Alexanderson, Langmuir, and Lee De Forest. It was De Forest’s invention that made possible transcontinental and transatlantic telephone service, both with and without wires.

The story of the telegraph’s younger brother, and great ally in communication, the telephone of Alexander Graham Bell, is another pregnant romance of American invention. But that is a story by itself, and it begins in a later period and so falls within the scope of another volume of these Chronicles.*

* “The Age of Big Business”, by Burton J. Hendrick, “The Chronicle of America”, vol. XXXIX.

Wise newspapermen stiffened to attention when the telegraph began ticking. The New York Herald, the Sun, and the Tribune had been founded only recently and they represented a new type of journalism, swift, fearless, and energetic. The proprietors of these newspapers saw that this new instrument was bound to affect all newspaperdom profoundly. How was the newspaper to cope with the situation and make use of the news that was coming in and would be coming in more and more over the wires?

For one thing, the newspapers needed better printing machinery.

The application of steam, or any mechanical power, to printing in America was only begun. It had been introduced by Robert Hoe in the very years when Morse was struggling to perfect the telegraph. Before that time newspapers were printed in the United States, on presses operated as Franklin’s press had been operated, by hand. The New York Sun, the pioneer of cheap modern newspapers, was printed by hand in 1833, and four hundred impressions an hour was the highest speed of one press. There had been, it is true, some improvements over Franklin’s printing press. The Columbian press of George Clymer of Philadelphia, invented in 1816, was a step forward. The Washington press, patented in 1829 by Samuel Rust of New York, was another step forward. Then had come Robert Hoe’s double-cylinder, steamdriven printing press. But a swifter machine was wanted. And so in 1845

Richard March Hoe, a son of Robert Hoe, invented the revolving or rotary press, on the principle of which larger and larger machines have been built—machines so complex and wonderful that they baffle description; which take in reels of white paper and turn out great newspapers complete, folded and counted, at the rate of a hundred thousand copies an hour. American printing machines are in use today the world over. The London Times is printed on American machines.

Hundreds of new inventions and improvements on old inventions followed hard on the growth of the newspaper, until it seemed that the last word had been spoken. The newspapers had the wonderful Hoe presses; they had cheap paper; they had excellent type, cast by machinery; they had a satisfactory process of multiplying forms of type by stereotyping; and at length came a new process of making pictures by photoengraving, supplanting the old-fashioned process of engraving on wood. Meanwhile, however, in one important department of the work, the newspapers had made no advance whatever. The newspapers of New York in the year 1885, and later, set up their type by the same method that Benjamin Franklin used to set up the type for The Pennsylvania Gazette. The compositor stood or sat at his “case,” with his “copy” before him, and picked the type up letter by letter until he had filled and correctly spaced a line. Then he would set another line, and so on, all with his hands. After the job was completed, the type had to be distributed again, letter by letter. Typesetting was slow and expensive.

This labor of typesetting was at last generally done away with by the invention of two intricate and ingenious machines. The linotype, the invention of Ottmar Mergenthaler of Baltimore, came first; then the monotype of Tolbert Lanston, a native of Ohio.

The linotype is the favorite composing machine for newspapers and is also widely used in typesetting for books, though the monotype is preferred by book printers. One or other of these machines has today replaced, for the most part, the old hand compositors in every large printing establishment in the United States.

While the machinery of the great newspapers was being developed, another instrument of communication, more humble but hardly less important in modern life, was coming into existence. The typewriter is today in every business office and is another of America’s gifts to the commercial world. One might attempt to trace the typewriter back to the early seals, or to the name plates of the Middle Ages, or to the records of the British Patent Office, for 1714, which mention a machine for embossing.

But it would be difficult to establish the identity of these contrivances with the modern typewriter.

Two American devices, one of William Burt in 1829, for a “typographer,” and another of Charles Thurber, of Worcester, Massachusetts, in 1843, may also be passed over. Alfred Ely Beach made a model for a typewriter as early as 1847, but neglected it for other things, and his next effort in printing machines was a device for embossing letters for the blind. His typewriter had many of the features of the modern typewriter, but lacked a satisfactory method of inking the types. This was furnished by S.

W. Francis of New York, whose machine, in 1857, bore a ribbon saturated with ink. None of these machines, however, was a commercial success. They were regarded merely as the toys of ingenious men.

The accredited father of the typewriter was a Wisconsin newspaperman, Christopher Latham Sholes, editor, politician, and anti-slavery agitator. A strike of his printers led him to unsuccessful attempts to invent a typesetting machine. He did succeed, however, in making, in collaboration with another printer, Samuel W. Soule, a numbering machine, and a friend, Carlos Glidden, to whom this ingenious contrivance was shown, suggested a machine to print letters.

The three friends decided to try. None had studied the efforts of previous experimenters, and they made many errors which might have been avoided. Gradually, however, the invention took form.

Patents were obtained in June, 1868, and again in July of the same year, but the machine was neither strong nor trustworthy.

Now appeared James Densmore and bought a share in the machine, while Soule and Glidden retired. Densmore furnished the funds to build about thirty models in succession, each a little better than the preceding. The improved machine was patented in 1871, and the partners felt that they were ready to begin manufacturing.

Wisely they determined, in 1873, to offer their machine to Eliphalet Remington and Sons, then manufacturing firearms, sewing machines, and the like, at Ilion, New York. Here, in well-equipped machine shops it was tested, strengthened, and improved. The Remingtons believed they saw a demand for the machine and offered to buy the patents, paying either a lump sum, or a royalty. It is said that Sholes preferred the ready cash and received twelve thousand dollars, while Densmore chose the royalty and received a million and a half.

The telegraph, the press, and the typewriter are agents of communication for the written word. The telephone is an agent for the spoken word. And there is another instrument for recording sound and reproducing it, which should not be forgotten. It was in 1877 that Thomas Alva Edison completed the first phonograph.

The air vibrations set up by the human voice were utilized to make minute indentations on a sheet of tinfoil placed over a metallic cylinder, and the machine would then reproduce the sounds which had caused the indentations. The record wore out after a few reproductions, however, and Edison was too busy to develop his idea further for a time, though later he returned to it.

The phonograph today appears under various names, but by whatever name they are called, the best machines reproduce with wonderful fidelity the human voice, in speech or song, and the tones of either a single instrument or a whole orchestra. The most distinguished musicians are glad to do their best for the preservation and reproduction of their art, and through these machines, good music is brought to thousands to whom it could come in no other way.

The camera bears a large part in the diffusion of intelligence, and the last half century in the United States has seen a great development in photography and photoengraving. The earliest experiments in photography belong almost exclusively to Europe.

Morse, as we have seen, introduced the secret to America and interested his friend John W. Draper, who had a part in the perfection of the dry plate and who was one of the first, if not the first, to take a portrait by photography.

The world’s greatest inventor in photography is, however, George Eastman, of Rochester. It was in 1888 that Eastman introduced a new camera, which he called by the distinctive name Kodak, and with it the slogan: “You press the button, we do the rest.”