Travels in France during the years 1814-1815 by Patrick Fraser Tytler (best e ink reader for manga .txt) 📕

In Paris, it is certainly much more difficult than in London to find examples in any rank of the unsullied purity of the female character; but neither is it commonly seen so utterly perverted and degraded; one has not occasion to witness so frequently the painful spectacle of youth and beauty brought by one rash step to shame and misery; and to lament, that the fairest gifts of heaven should become the bitterest of curses to so many of their possessors.

Having mentioned the French women, we think we may remark, without hazarding our character as impartial observers, that most of the faults which are so well known to prevail among them, may be easily traced to the manner in which they are treated by the other sex. It is a very common boast in France, that there is no other country in which women are treated with so much respect; and you can hardly gratify any Frenchman so much, as by calling France "le paradis des femmes." Yet, from all that we could observe ourselves, or learn from others, there appears to be no one of the boasts of Frenchmen which is in reality less reasonable. They exclude women from society almost entirely in their early years; they seldom allow them any vote in the choice of their husbands: After they have brought them into society, they seem to think that they confer a high favour on them, by giving them a great deal of their company, and paying them a great deal of attention, and encouraging them to separate themselves from the society of their husbands. In return for these obligations, they often oblige them to listen to conversation, which, heard as it is, from those for whom they have most respect, cannot fail to corrupt their minds as well as their manners; and they take care to let them see that they value them for the qualities which render them agreeable companions for the moment; not for the usefulness of their lives, for the purity of their conduct, or the constancy of their affections. Surely the respect with which all women who conduct themselves with propriety are treated in England, merely on account of their sex; the delicacy and reserve with which in their presence conversation is uniformly conducted by all who call themselves gentlemen, are more honourable tokens of regard for the virtues of the female character, than the unmeaning ceremonies and officious attentions of the French.

The female inhabitants of our own country are distinguished of those of France, and probably of every other country, by a certain native, self-respecting, dignity of appearance and manner, which claims respect and attention as a right, rather than solicits them as a boon; and gives you to understand, that the man who does not give them is disgraced, rather than the woman who does not receive them. We believe it to be owing to the influence of the causes we have noticed, that this manner, so often ridiculed by the French, under the name of "hauteur" and "fiertè Anglaise," is hardly ever to be seen among women of any rank in France. And to a similar influence of the tastes and sentiments of our own sex, it is easy to refer the more serious faults of the female character in that country.

On the other hand, the better parts of the character of the French women are all their own. It is not certainly from the men that they have learnt those truly feminine qualities, that interesting humility and gentleness of manner, that pleasing gaiety of temper, and native kindness of disposition, to which it is very difficult, even for the proverbial coldness of northern critics, to apply terms of ridicule or reproach.

It is not easy for a stranger, in forming his opinion of the moral character of a people, to make allowance for the modification which moral sentiments undergo, in consequence of long habits, and adventitious circumstances. There is no quality which strikes a stranger more forcibly, in the character of the French of the middling and lower ranks, than their seeming dishonesty, particularly their uniformly endeavouring to extract more money for their goods or their services than they know to be their value. But we think too much stress has been laid on this part of their character by some travellers. It is regarded in France as a sort of professional accomplishment, without which it is in vain to attempt exercising a trade; and it is hardly thought to indicate immorality of any kind, more than the obviously false expressions which are used in the ordinary intercourse of society in England, or the license of denying oneself to visitors. That it should be so regarded is no doubt a proof of national inferiority, and perhaps immorality; but while the general sentiments of the nation continue as at present, an instance of this kind cannot be considered as a proof of individual baseness. An Englishman is apt to pronounce every man a scoundrel, who, in making a bargain, attempts to take him in; but he will often find, on a closer and more impartial examination, that the judgment formed by this circumstance alone in France, is quite erroneous. One of our party entered a small shop in the Palais Royal to buy a travelling cap. The woman who attended in it, with perfect effrontery, asked 16 francs for one which was certainly not worth more than six, and which she at last gave him for seven. Being in a hurry at the time, he inadvertently left on the counter a purse containing 20 gold pieces of 20 francs each. He did not miss it for more than an hour: on returning to the shop, he found the old lady gone, and concluded at first, that she had absented herself to avoid interrogation; but to his surprise, he was accosted immediately on entering, by a pretty young girl, who had come in her place, with the sweetest smile imaginable,—"Monsieur, a oubliè sa bourse—que nous sommes heureuses de la lui rendre."

It is certainly incorrect to say, that the taste of the French is decidedly superior to that of other nations. Their poetry, on the whole, will not bear a comparison with the English; their modern music is not nearly so beautiful as their ancient songs, which have now descended to the lower ranks; their painting is in a peculiar and not pleasing style; their taste in gardening is antiquated and artificial; their architecture is only fine where it is modelled on the ancient; their theatrical tastes, if they are more correct than ours, are also more limited. We have already taken occasion more than once to reprobate the general taste of the French, as being partial to art, and brilliant execution, rather than to simplicity and beautiful design.

But what distinguishes the French from almost every other nation, is the general diffusion of the taste for the fine arts, and for elegant amusements, among all ranks of the people. Almost all Frenchmen take not only a pride, but an interest, in the public buildings of Paris, and in the collections of paintings and statues. There is a very general liking for poetry and works of imagination among the middling and lower ranks; they go to the theatres, not merely for relaxation and amusement, but with a serious intention of cultivating their taste, and displaying their critical powers. Many of them are so much in the habit of attending the theatres when favourite plays are acted, that they know almost every word of the principal scenes by heart. All their favourite amusements are in some measure of a refined kind. It is not in drinking clubs, or in sensual gratifications alone, that men of these ranks seek for relaxation, as its too often the case with us; but it is in the society of women, in conversation, in music and dancing, in theatres and operas, and caffés and promenades, in seeing and being seen; in short, in scenes resembling, as nearly as possible, those in which the higher ranks of all nations spend their leisure hours.

While the useful arts are comparatively little advanced, those which relate to ornaments alone are very generally superior to ours; and the persons who profess these arts speak of them with a degree of fervour that often seems ludicrous. "Monsieur," says a peruquier in the Palais Royal, with the look of a man who lets you into a profound secret in science, "Notre art est un art imitatif; en effèt, c'est un des beaux arts;" then taking up a London-made wig, and twirling it round on his finger, with a look of ineffable contempt, "Celui ci n'est pas la belle nature; mais voici la mienne,—c'est la nature personifiée!"

One of the best proofs of the tastes of the lower ranks being, at least in part, cultivated and refined, is to be found in the songs which are common among the peasantry and soldiers. There are a great number of these, and some of them, in point of beauty of sentiment, and elegance of expression, might challenge a comparison even with the admired productions of our own land of song. The following is part of a song which was written in April 1814, and set to the beautiful air of Charles VII. It was popular among the description of persons to whom it relates; and the young man from whom we got it had himself returned home, after serving as a private in the young guard.

LE RETOUR DE L'AMANT FRANCAIS.

De bon cœur je pose les armes;
Adieu le tumulte des camps,
L'amitiè m'offre d'autres charmes,
Au sein de mes joyeux parents;
Le Dieu des Amants me rapelle,
C'est pour m'enroler à son tour;
Et je vais aupres de ma belle,
Servir sous les lois de l'amour.

Aux noms d'honneur et de patrie,
On m'a vu braver le trepas;
Aujourd'hui pour charmer ma vie
La paix fait cesser les combats.
Le Dieu des Amants, &c.

After all that we had heard, and all that is known over the whole world, of the unbridled licentiousness and savage ferocity of the French soldiers, we were not a little surprised to find, that this and other songs written in good taste, and expressing sentiments of a kind of chivalrous elevation and refinement, were popular in their ranks.

The last peculiarity in the French character which we shall notice, is perhaps the most fundamental of the whole; it is their love of mixed society; of the society of those for whom they have no regard, but whom they meet on the footing of common acquaintances. This is the favourite enjoyment of almost every Frenchman; to shine in such society, is the main object of his ambition; his whole life is regulated so as to gratify this desire. He is indifferent about comforts at home—he dislikes domestic society—he hates the retirement of the country; but he loves, and is taught to love, to figure in a large circle of acquaintance, for whom he has not the least heartfelt friendship, with whom he is on no more intimate terms than with perfect strangers, after the first half hour. If he has acquired a reputation in science, arts, or arms, so much the better; his glory will be of much service to him; if not, he must make it up by his conversation.

In consequence of the predilection of the French for social intercourse of this kind, it is, that knowledge of such kinds, and to such an extent, as can be easily introduced into conversation, is very general; that the opportunities of such intercourse are carefully multiplied; that all arts which can add to the attractions of such scenes are assiduously improved; that liveliness of disposition is prized beyond all other qualities, while those eccentricities of manner, which seem to form a component part of what we call humorous characters, are excluded; that even childish amusements are preferred to solitary occupations; that taste is cultivated