History of Florence and of the Affairs of Italy by Niccolò Machiavelli (classic books for 13 year olds .TXT) 📕

to consider what course to adopt. But scarcely were they met, when the uproar recommenced, and soon the ensigns of the Arts, surrounded by vast numbers of armed men, occupied the courts. Upon this the Council, to give the Arts and the people hope of redress, and free themselves as much as possible from the charge of causing the mischief, gave a general power, which in Florence is called Balia , to the Signors, the Colleagues, the Eight, the Capitani di Parte, and to the Syndics of the Arts, to reform the government of the city, for the common benefit of all. While this was being arranged, a few of the ensigns of the Arts and some of the mob, desirous of avenging themselves for the recent injuries they had received from the Guelphs, separated themselves from the rest, and sacked and burnt the house of Lapo da Castiglionchio, who, when he learned the proceedings of the Signory against the Guelphs, and saw the people in arms, having no other resource but concealment or flight, first took refuge in Santa Croce, and afterward, being disguised as a monk, fled into the Casentino, where he was often heard to blame himself for having consented to wait till St. John's day, before they had made themselves sure of the government. Piero degli Albizzi and Carlo Strozzi hid themselves upon the first outbreak of the tumult, trusting that when it was over, by the interest of their numerous friends and relations, they might remain safely in Florence.

The house of Lapo being burnt, as mischief begins with difficulty but easily increases, many other houses, either through public hatred, or private malice, shared the same fate; and the rioters, that they might have companions more eager than themselves to assist them in their work of plunder, broke open the public prisons, and then sacked the monastery of the Agnoli and the convent of S. Spirito, whither many citizens had taken their most valuable goods for safety. Nor would the public chambers have escaped these destroyers' hands, except out of reverence for one of the Signors, who on horseback, and followed by many citizens in arms, opposed the rage of the mob.


CHAPTER III

Contrary measures adopted by the magistrates to effect a pacification-Luigi Guicciardini the Gonfalonier entreats the magistrates of the Arts to endeavor to pacify the people-Serious riot caused by the plebeians-The woolen Art-The plebeians assemble-The speech of a seditious plebeian-Their resolution thereupon-The Signory discover the designs of the plebeians-Measures adopted to counteract them.

This popular fury being abated by the authority of the Signors and the approach of night, on the following day, the Balia relieved the admonished, on condition that they should not for three years be capable of holding any magistracy. They annulled the laws made by the Guelphs to the prejudice of the citizens; declared Lapo da Castiglionchio and his companions, rebels, and with them many others, who were the objects of universal detestation. After these resolutions, the new Signory were drawn for, and Luigi Guicciardini appointed Gonfalonier, which gave hope that the tumults would soon be appeased; for everyone thought them to be peaceable men and lovers of order. Still the shops were not opened, nor did the citizens lay down their arms, but continued to patrol the city in great numbers; so that the Signory did not assume the magistracy with the usual pomp, but merely assembled within the palace, omitting all ceremony.

This Signory, considering nothing more advisable in the beginning of their magistracy than to restore peace, caused a relinquishment of arms; ordered the shops to be opened, and the strangers who had been called to their aid, to return to their homes. They appointed guards in many parts of the city, so that if the admonished would only have remained quiet, order would soon have been re-established. But they were not satisfied to wait three years for the recovery of their honours; so that to gratify them the Arts again met, and demanded of the Signory, that for the benefit and quiet of the city, they would ordain that no citizens should at any time, whether Signor, Colleague, Capitano di Parte, or Consul of any art whatever, be admonished as a Ghibelline; and further, that new ballots of the Guelphic party should be made, and the old ones burned. These demands were at once acceded to, not only by the Signors, but by all the Councils; and thus it was hoped the tumults newly excited would be settled.

But since men are not satisfied with recovering what is their own, but wish to possess the property of others and to revenge themselves, those who were in hopes of benefiting by these disorders persuaded the artificers that they would never be safe, if several of their enemies were not expelled from the city or destroyed. This terrible doctrine coming to the knowledge of the Signory, they caused the magistrates of the Arts and their Syndics to be brought before them, and Luigi Guicciardini, the Gonfalonier, addressed them in the following words: "If these Signors, and I with them, had not long been acquainted with the fate of this city, that as soon as external wars have ceased the internal commence, we should have been more surprised, and our displeasure would have been greater. But as evils to which we are accustomed are less annoying, we have endured past disturbances patiently, they having arisen for the most part without our fault; and we hoped that, like former troubles, they would soon have an end, after the many and great concessions we had made at your suggestion. But finding that you are yet unsettled, that you contemplate the commission of new crimes against your fellow-citizens, and are desirous of making new exiles, our displeasure increases in proportion to your misconduct. And certainly, could we have believed that during our magistracy the city was to be ruined, whether with or without your concurrence, we should certainly, either by flight or exile, have avoided these horrors. But trusting that we had to do with those who possessed some feelings of humanity and some love of their country, we willingly accepted the magistracy, thinking that by our gentleness we should overcome your ambition. But we perceive from experience that the more humble our behavior, the more concessions we make, the prouder you become, and the more exorbitant are your demands. And though we speak thus, it is not in order to offend, but to amend you. Let others tell you pleasing tales, our design is to communicate only what is for your good. Now we would ask you, and have you answer on your honor, What is there yet ungranted, that you can, with any appearance of propriety, require? You wished to have authority taken from the Capitani di Parte; and it is done. You wished that the ballotings should be burned, and a reformation of them take place; and we consent. You desired that the admonished should be restored to their honours; and it is permitted. At your entreaty we have pardoned those who have burned down houses and plundered churches; many honorable citizens have been exiled to please you; and at your suggestion new restraints have been laid upon the Great. When will there be an end of your demands? and how long will you continue to abuse our liberality? Do you not observe with how much more moderation we bear defeat than you your victory? To what end will your divisions bring our city? Have you forgotten that when disunited Castruccio, a low citizen of Lucca, subdued her? or that a duke of Athens, your hired captain did so too? But when the citizens were united in her defense, an archbishop of Milan and a pope were unable to subdue it, and, after many years of war, were compelled to retire with disgrace.

"Then why would you, by your discords, reduce to slavery in a time of peace, that city, which so many powerful enemies have left free, even in war? What can you expect from your disunion but subjugation? or from the property of which you already have plundered, or may yet plunder us, but poverty? for this property is the means by which we furnish occupation for the whole city, and if you take it from us, our means of finding that occupation is withdrawn. Besides, those who take it will have difficulty in preserving what is dishonestly acquired, and thus poverty and destitution are brought upon the city. Now, I, and these Signors command, and if it were consistent with propriety, we would entreat that you allow your minds to be calmed; be content, rest satisfied with the provisions that have been made for you; and if you should be found to need anything further, make your request with decency and order, and not with tumult; for when your demands are reasonable they will always be complied with, and you will not give occasion to evil designing men to ruin your country and cast the blame upon yourselves." These words conveying nothing but the truth, produced a suitable effect upon the minds of the citizens, who thanking the Gonfalonier for having acted toward them the part of a king Signor, and toward the city that of a good citizen, offered their obedience in whatever might be committed to them. And the Signors, to prove the sincerity of their intentions, appointed two citizens for each of the superior magistracies, who, with Syndics of the arts, were to consider what could be done to restore quite, and report their resolutions to the Signors.

While these things were in progress, a disturbance arose, much more injurious to the republic than anything that had hitherto occurred. The greatest part of the fires and robberies which took place on the previous days were perpetrated by the very lowest of the people; and those who had been the most audacious, were afraid that when the greater differences were composed, they would be punished for the crimes they had committed; and that as usual, they would be abandoned by those who had instigated them to the commission of crime. To this may be added, the hatred of the lower orders toward the rich citizens and the principals of the arts, because they did not think themselves remunerated for their labor in a manner equal to their merits. For in the time of Charles I., when the city was divided into arts, a head or governor was appointed to each, and it was provided that the individuals of each art, should be judged in civil matters by their own superiors. These arts, as we have before observed, were at first twelve; in the course of time they were increased to twenty-one, and attained so much power, that in a few years they grasped the entire government of the city; and as some were in greater esteem than others, they were divided into MAJOR and MINOR; seven were called "major," and fourteen, the "minor arts." From this division, and from other causes which we have narrated above, arose the arrogance of the Capitani di Parte; for those citizens who had formerly been Guelphs, and had the constant disposal of that magistracy, favored the followers of the major and persecuted the minor arts and their patrons; and hence arose the many commotions already mentioned. When the companies of the arts were first organized, many of those trades, followed by the lowest of the people and the plebeians, were not incorporated, but were ranged under those arts most nearly allied to them; and, hence, when they were not properly remunerated for their labor, or their masters oppressed them, they had no one of whom to seek redress, except the magistrate of the art to which theirs was subject; and of him they did not think justice always attainable. Of the arts, that which had always