The History of Rome by Theodor Mommsen (autobiographies to read txt) 📕

nature and significance of the colleges of experts, of the holy places, of the religious festivals, of sacrificial and votive gifts, and lastly of the gods themselves were summarily unfolded. Moreover, besides a number of monographs— e. g. on the descent of the Roman people, on the Roman gentes descended from Troy, on the tribes—there was added, as a larger and more independent supplement, the treatise "Of the Life of the Roman People"—a remarkable attempt at a history of Roman manners, which sketched a picture of the state of domestic life, finance, and culture in the regal, the early republican, the Hannibalic, and the most recent period. These labours of Varro were based on an empiric knowledge of the Roman world and its adjacent Hellenic domain more various and greater in its kind than any other Roman either before or after him possessed—a knowledge to which living observation and the study of literature alike contributed. The eulogy of his contemporaries was well deserved, that Varro had enabled his countrymen—strangers in their own world—to know their position in their native land, and had taught the Romans who and where they were. But criticism and system will be sought for in vain. His Greek information seems to have come from somewhat confused sources, and there are traces that even in the Roman field the writer was not free from the influence of the historical romance of his time. The matter is doubtless inserted in a convenient and symmetrical framework, but not classified or treated methodically; and with all his efforts to bring tradition and personal observation into harmony, the scientific labours of Varro are not to be acquitted of a certain implicit faith in tradition or of an unpractical scholasticism.(38) The connection with Greek philology consists in the imitation of its defects more than of its excellences; for instance, the basing of etymologies on mere similarity of sound both in Varro himself and in the other philologues of this epoch runs into pure guesswork and often into downright absurdity.(39) In its empiric confidence and copiousness as well as in its empiric inadequacy and want of method the Varronian vividly reminds us of the English national philology, and just like the latter, finds its centre in the study of the older drama. We have already observed that the monarchical literature developed the rules of language in contradistinction to this linguistic empiricism.(40) It is in a high degree significant that there stands at the head of the modern grammarians no less a man than Caesar himself, who in his treatise on Analogy (given forth between 696 and 704) first undertook to bring free language under the power of law.

The Other Professional Sciences

Alongside of this extraordinary stir in the field of philology The small amount of activity in the other sciences is surprising. What appeared of importance in philosophy—such as Lucretius' representation of the Epicurean system in the poetical child-dress of the pre-Socratic philosophy, and the better writings of Cicero— produced its effect and found its audience not through its philosophic contents, but in spite of such contents solely through its aesthetic form; the numerous translations of Epicurean writings and the Pythagorean works, such as Varro's great treatise on the Elements of Numbers and the still more copious one of Figulus concerning the Gods, had beyond doubt neither scientific nor formal value.

Even the professional sciences were but feebly cultivated. Varro's Books on Husbandry written in the form of dialogue are no doubt more methodical than those of his predecessors Cato and Saserna— on which accordingly he drops many a side glance of censure— but have on the whole proceeded more from the study than, like those earlier works, from living experience. Of the juristic labours of Varro and of Servius Sulpicius Rufus (consul in 703) hardly aught more can be said, than that they contributed to the dialectic and philosophical embellishment of Roman jurisprudence. And there is nothing farther here to be mentioned, except perhaps the three books of Gaius Matius on cooking, pickling, and making preserves— so far as we know, the earliest Roman cookery-book, and, as the work of a man of rank, certainly a phenomenon deserving of notice. That mathematics and physics were stimulated by the increased Hellenistic and utilitarian tendencies of the monarchy, is apparent from their growing importance in the instruction of youth (41) and from various practical applications; under which, besides the reform of the calendar,(42) may perhaps be included the appearance of wall-maps at this period, the technical improvements in shipbuilding and in musical instruments, designs and buildings like the aviary specified by Varro, the bridge of piles over the Rhine executed by the engineers of Caesar, and even two semicircular stages of boards arranged for being pushed together, and employed first separately as two theatres and then jointly as an amphitheatre. The public exhibition of foreign natural curiosities at the popular festivals was not unusual; and the descriptions of remarkable animals, which Caesar has embodied in the reports of his campaigns, show that, had an Aristotle appeared, he would have again found his patron-prince. But such literary performances as are mentioned in this department are essentially associated with Neopythagoreanism, such as the comparison of Greek and Barbarian, i. e. Egyptian, celestial observations by Figulus, and his writings concerning animals, winds, and generative organs. After Greek physical research generally had swerved from the Aristotelian effort to find amidst individual facts the law, and had more and more passed into an empiric and mostly uncritical observation of the external and surprising in nature, natural science when coming forward as a mystical philosophy of nature, instead of enlightening and stimulating, could only still more stupefy and paralyze; and in presence of such a method it was better to rest satisfied with the platitude which Cicero delivers as Socratic wisdom, that the investigation of nature either seeks after things which nobody can know, or after such things as nobody needs to know.

Art
Architecture

If, in fine, we cast a glance at art, we discover here the same unpleasing phenomena which pervade the whole mental life of this period. Building on the part of the state was virtually brought to a total stand amidst the scarcity of money that marked the last age of the republic. We have already spoken of the luxury in building of the Roman grandees; the architects learned in consequence of this to be lavish of marble—the coloured sorts such as the yellow Numidian (Giallo antico) and others came into vogue at this time, and the marble-quarries of Luna (Carrara) were now employed for the first time—and began to inlay the floors of the rooms with mosaic work, to panel the walls with slabs of marble, or to paint the compartments in imitation of marble—the first steps towards the subsequent fresco-painting. But art was not a gainer by this lavish magnificence.

Arts of Design

In the arts of design connoisseurship and collecting were always on the increase. It was a mere affectation of Catonian simplicity, when an advocate spoke before the jurymen of the works of art "of a certain Praxiteles"; every one travelled and inspected, and the trade of the art-ciceroni, or, as they were then called, the -exegetae-, was none of the worst. Ancient works of art were formally hunted after—statues and pictures less, it is true, than, in accordance with the rude character of Roman luxury, artistically wrought furniture and ornaments of all sorts for the room and the table. As early as that age the old Greek tombs of Capua and Corinth were ransacked for the sake of the bronze and earthenware vessels which had been placed in the tomb along with the dead. for a small statuette of bronze 40,000 sesterces (400 pounds) were paid, and 200,000 (2000 pounds) for a pair of costly carpets; a well-wrought bronze cooking machine came to cost more than an estate. In this barbaric hunting after art the rich amateur was, as might be expected, frequently cheated by those who supplied him; but the economic ruin of Asia Minor in particular so exceedingly rich in artistic products brought many really ancient and rare ornaments and works of art into the market, and from Athens, Syracuse, Cyzicus, Pergamus, Chios, Samos, and other ancient seats of art, everything that was for sale and very much that was not migrated to the palaces and villas of the Roman grandees. We have already mentioned what treasures of art were to be found within the house of Lucullus, who indeed was accused, perhaps not unjustly, of having gratified his interest in the fine arts at the expense of his duties as a general. The amateurs of art crowded thither as they crowd at present to the Villa Borghese, and complained even then of such treasures being confined to the palaces and country-houses of the men of quality, where they could be seen only with difficulty and after special permission from the possessor. The public buildings on the other hand were far from filled in like proportion with famous works of Greek masters, and in many cases there still stood in the temples of the capital nothing but the old images of the gods carved in wood. As to the exercise of art there is virtually nothing to report; there is hardly mentioned by name from this period any Roman sculptor or painter except a certain Arellius, whose pictures rapidly went off not on account of their artistic value, but because the cunning reprobate furnished, in his pictures of the goddesses faithful portraits of his mistresses for the time being.

Dancing and Music

The importance of music and dancing increased in public as in domestic life. We have already set forth how theatrical music and the dancing-piece attained to an independent standing in the development of the stage at this period;(43) we may add that now in Rome itself representations were very frequently given by Greek musicians, dancers, and declaimers on the public stage— such as were usual in Asia Minor and generally in the whole Hellenic and Hellenizing world.(44) To these fell to be added the musicians and dancing-girls who exhibited their arts to order at table and elsewhere, and the special choirs of stringed and wind instruments and singers which were no longer rare in noble houses. But that even the world of quality itself played and sang with diligence, is shown by the very adoption of music into the cycle of the generally recognized subjects of instruction;(45) as to dancing, it was, to say nothing of women, made matter of reproach even against consulars that they exhibited themselves in dancing performances amidst a small circle.

Incipient Influence of the Monarchy

Towards the end of this period, however, there appears with the commencement of the monarchy the beginning of a better time also in art. We have already mentioned the mighty stimulus which building in the capital received, and building throughout the empire was destined to receive, through Caesar. Even in the cutting of the dies of the coins there appears about 700 a remarkable change; the stamping, hitherto for the most part rude and negligent, is thenceforward managed with more delicacy and care.

Conclusion

We have reached the end of the Roman republic. We have seen it rule for five hundred years in Italy and in the countries on the Mediterranean; we have seen it brought to ruin in politics and morals, religion and literature, not through outward violence but through inward decay, and thereby making room for the new monarchy of Caesar. There was in the world, as Caesar found it, much of the noble heritage of past centuries and an infinite abundance of pomp and glory, but little spirit, still less taste, and least of all true delight in life. It was indeed an old world; and even the richly-gifted patriotism of Caesar could not make it young again. The dawn does not return till after the night has fully set in and run its course. But yet with him there came to the sorely harassed peoples on the Mediterranean a tolerable evening after the sultry noon; and when at length after a long historical night the new day dawned once more for the peoples, and fresh nations in free self-movement commenced their race towards new and higher goals, there were found among them not a few, in which the seed sown by Caesar had sprung up, and which owed, as they still owe, to him their national individuality.

Notes for Chapter I

1. IV. VII. Bestowal of Latin Rights on the Italian Celts, 527

2. It is a significant trait, that a distinguished teacher of literature, the freedman Staberius Eros, allowed the children of the proscribed to attend his course gratuitously.

3. IV. X. Proscription-Lists

4. IV. IX. Pompeius

5. IV. IV. Administration under the Restoration

6. IV. IV. Livius Drusus

7.