England's Antiphon by George MacDonald (best fantasy books to read txt) 📕

my spirit, ne'er can I believe
That this magnificence is wholly thine!
From worlds nor quickened by the sun
A portion of the gift is won;
An intermingling of heaven's pomp is spread
On ground which British shepherds tread!

III.

And if there be whom broken ties
Afflict, or injuries assail,
Yon hazy ridges to their eyes
Present a glorious scale[162]
Climbing suffused with sunny air,
To stop-no record hath told where;
And tempting Fancy to ascend,
And with immortal spirits blend!
-Wings at my shoulders seem to play!
But, rooted here, I stand and gaze
On those bright steps that heavenward raise
Their practicable way.
Come forth, ye drooping old men, look abroad,
And see to what fair countries ye are bound!
And if some traveller, weary of his road,
Hath slept since noontide on the grassy ground,
Ye genii, to his covert speed,
And wake him with such gentle heed
As may attune his soul to meet the dower
Bestowed on this transcendent hour.

IV.

Such hues from their celestial urn
Were wont to stream before mine eye
Where'er it wandered in the morn
Of blissful infancy.
This glimpse of glory, why renewed?
Nay, rather speak with gratitude;
For, if a vestige of those gleams
Survived, 'twas only in my dreams.
Dread Power! whom peace and calmness serve
No less than nature's threatening voice,
If aught unworthy be my choice,
From THEE if I would swerve;
Oh, let thy grace remind me of the light
Full early lost, and fruitlessly deplored;
Which, at this moment, on my waking sight
Appears to shine, by miracle restored:
My soul, though yet confined to earth,
Rejoices in a second birth!
-'Tis past; the visionary splendour fades;
And night approaches with her shades.


Although I have mentioned Wordsworth before Coleridge because he was two years older, yet Coleridge had much to do with the opening of Wordsworth's eyes to such visions; as, indeed, more than any man in our times, he has opened the eyes of the English people to see wonderful things. There is little of a directly religious kind in his poetry; yet we find in him what we miss in Wordsworth, an inclined plane from the revelation in nature to the culminating revelation in the Son of Man. Somehow, I say, perhaps because we find it in his prose, we feel more of this in Coleridge's verse.

Coleridge is a sage, and Wordsworth is a seer; yet when the sage sees, that is, when, like the son of Beor, he falls into a trance having his eyes open, or, when feeling and sight are one and philosophy is in abeyance, the ecstasy is even loftier in Coleridge than in Wordsworth. In their highest moods they seem almost to change places-Wordsworth to become sage, and Coleridge seer. Perhaps the grandest hymn of praise which man, the mouth-piece of Nature, utters for her, is the hymn of Mont Blanc.


HYMN

Before sunrise, in the Vale of Chamouni.

Hast thou a charm to stay the morning star
In his steep course-so long he seems to pause
On thy bald awful head, O sovran Blanc?
The Arve and Arveiron at thy base
Rave ceaselessly; but thou, most awful Form!
Risest from forth thy silent sea of pines,
How silently! Around thee and above
Deep is the air and dark, substantial, black,
An ebon mass: methinks thou piercest it
As with a wedge! But when I look again,
It is thine own calm home, thy crystal shrine,
Thy habitation from eternity!
O dread and silent Mount! I gazed upon thee
Till thou, still present to the bodily sense,
Didst vanish from my thought: entranced in prayer
I worshipped the Invisible alone.

Yet, like some sweet beguiling melody,
So sweet, we know not we are listening to it,
Thou, the meanwhile, wast blending with my thought,
Yea, with my life and life's own secret joy;
Till the dilating soul, enwrapt, transfused,
Into the mighty vision passing-there
As in her natural form, swelled vast to Heaven!

Awake, my soul! Not only passive praise
Thou owest! Not alone these swelling tears,
Mute thanks and secret ecstasy! Awake,
Voice of sweet song! Awake, my heart, awake!
Green vales and icy cliffs, all join my hymn.

Thou first and chief, sole sovran[163] of the Vale!
O struggling with the darkness all the night,
And visited all night by troops of stars,[164]
Or when they climb the sky or when they sink!
Companion of the morning-star at dawn,
Thyself earth's rosy star, and of the dawn[165]
Co-herald! wake, O wake, and utter praise!
Who sank thy sunless pillars deep in earth?
Who filled thy countenance with rosy light?
Who made thee parent of perpetual streams?

And you, ye five wild torrents fiercely glad!
Who called you forth from night and utter death,
From dark and icy caverns called you forth,[166]
Down those precipitous, black, jagged rocks,
For ever shattered, and the same for ever?
Who gave you your invulnerable life,
Your strength, your speed, your fury, and your joy,
Unceasing thunder, and eternal foam?
And who commanded-and the silence came-
Here let the billows stiffen, and have rest?[167]

Ye ice-falls! ye that from the mountain's brow
Adown enormous ravines slope amain-
Torrents, methinks, that heard a mighty voice,
And stopped at once amid their maddest plunge!-
Motionless torrents! silent cataracts!
Who made you glorious as the gates of heaven
Beneath the keen full moon? Who bade the sun
Clothe you with rainbows? Who, with living flowers
Of loveliest blue, spread garlands at your feet?-
God! let the torrents, like a shout of nations,
Answer! and let the ice-plains echo, God!
God! sing, ye meadow-streams, with gladsome voice!
Ye pine-groves, with your soft and soul-like sounds!
And they too have a voice, yon piles of snow,
And in their perilous fall shall thunder, God!
Ye living flowers that skirt the eternal frost!
Ye wild goats sporting round the eagle's nest!
Ye eagles, playmates of the mountain-storm!
Ye lightnings, the dread arrows of the clouds!
Ye signs and wonders of the element!
Utter forth God, and fill the hills with praise.

Thou too, hoar Mount! with thy sky-pointing peaks,
Oft from whose[168] feet the avalanche, unheard,
Shoots downward, glittering through the pure serene
Into the depth of clouds that veil thy breast-
Thou too again, stupendous Mountain! thou
That, as I raise my head, awhile bowed low
In adoration-upward from thy base
Slow-travelling with dim eyes suffused with tears-
Solemnly seemest, like a vapoury cloud,
To rise before me! rise, O ever rise;
Rise like a cloud of incense from the earth!
Thou kingly spirit throned among the hills!
Thou dread ambassador from earth to heaven!
Great hierarch! tell thou the silent sky,
And tell the stars, and tell yon rising sun,
Earth, with her thousand voices, praises God.

Here is one little poem I think most valuable, both from its fulness of meaning, and the form, as clear as condensed, in which that is embodied.


ON AN INFANT

Which died before baptism.

" Be rather than be called a child of God,"
Death whispered. With assenting nod,
Its head upon its mother's breast
The baby bowed without demur-
Of the kingdom of the blest
Possessor, not inheritor.

Next the father let me place the gifted son, Hartley Coleridge. He was born in 1796, and died in 1849. Strange, wayward, and in one respect faulty, as his life was, his poetry-strange, and exceedingly wayward too-is often very lovely. The following sonnet is all I can find room for:-


"SHE LOVED MUCH."

She sat and wept beside his feet. The weight
Of sin oppressed her heart; for all the blame,
And the poor malice of the worldly shame,
To her was past, extinct, and out of date;
Only the sin remained-the leprous state.
She would be melted by the heat of love,
By fires far fiercer than are blown to prove
And purge the silver ore adulterate.
She sat and wept, and with her untressed hair
Still wiped the feet she was so blest to touch;
And he wiped off the soiling of despair
From her sweet soul, because she loved so much.
I am a sinner, full of doubts and fears:
Make me a humble thing of love and tears.


CHAPTER XXII.

THE FERVOUR OF THE IMPLICIT. INSIGHT OF THE HEART.


The late Dean Milman, born in 1791, best known by his very valuable labours in history, may be taken as representing a class of writers in whom the poetic fire is ever on the point, and only on the point, of breaking into a flame. His composition is admirable-refined, scholarly, sometimes rich and even gorgeous in expression-yet lacking that radiance of the unutterable to which the loftiest words owe their grandest power. Perhaps the best representative of his style is the hymn on the Incarnation, in his dramatic poem, The Fall of Jerusulem . But as an extract it is tolerably known. I prefer giving one from his few Hymns for Church Service .


EIGHTEENTH SUNDAY AFTER TRINITY.

When God came down from heaven-the living God-
What signs and wonders marked his stately way?
Brake out the winds in music where he trod?
Shone o'er the heavens a brighter, softer day?

The dumb began to speak, the blind to see,
And the lame leaped, and pain and paleness fled;
The mourner's sunken eye grew bright with glee,
And from the tomb awoke the wondering dead.

When God went back to heaven-the living God-
Rode he the heavens upon a fiery car?
Waved seraph-wings along his glorious road?