Not that it Matters by A. A. Milne (english novels to improve english .txt) 📕

thought that the tide was coming up and that we were in desperate peril. But it was a very special day when that happened.

I have done a little serious climbing since those days, but not any which was more enjoyable. The sea was never more than a foot below us and never more than two feet deep, but the shock of falling into it would have been momentarily as great as that of falling down a precipice. You had therefore the two joys of climbing—the physical pleasure of the accomplished effort, and the glorious mental reaction when your heart returns from the middle of your throat to its normal place in your chest. And you had the additional advantages that you couldn't get killed, and that, if an insuperable difficulty presented itself, you were not driven back, but merely waited five minutes for the tide to lower itself and disclose a fresh foothold.

But, as I say, these are not joys for the modern child. The tide, I dare say, is not what it was —it does not, perhaps, go down so certainly. Or the cliffs are of a different and of an inferior shape. Or people are no longer so ignorant as to mistake the nature of your position. One way or another I expect I do better in Fleet Street. I shall stay and imagine myself by the sea; I shall not disappoint myself with the reality.

But I imagine myself away from bands and piers; for a band by a moonlit sea calls you to be very grown-up, and the beach and the crabs —such as are left—call you to be a child; and between the two you can very easily be miserable. I can see myself with a spade and bucket being extraordinarily happy. The other day I met a lucky little boy who had a pile of sand in his garden to play with, and I was fortunate enough to get an order for a tunnel. The tunnel which I constructed for him was a good one, but not so good that I couldn't see myself building a better one with practice. I came away with an ambition for architecture. If ever I go to the sea again I shall build a proper tunnel; and afterwards— well, we shall see. At the moment I feel in tremendous form. I feel that I could do a cathedral.

There is one joy of childhood, however, which one can never recapture, and that is the joy of getting wet in the sea. There is a statue not so far from Fleet Street of the man who introduced Sunday schools into England, but the man whom boys and girls would really like to commemorate in lasting stone is the doctor who first said that salt water couldn't give you a cold. Whether this was true or not I do not know, but it was a splendid and never-failing retort to anxious grown-ups, and added much to the joys of the seaside. But it is a joy no longer possible to one who is his own master. I, for instance, can get my feet wet in fresh water if I like; to get them wet in salt water is no special privilege.

Feeling as I do, writing as I have written, it is sad for me to know that if I really went to the sea this August it would not be with a spade and a bucket but with a bag of golf clubs; that even my evenings would be spent, not on the beach, but on a bicycle riding to the nearest town for a paper. Yet it is useless for you to say that I do not love the sea with my old love, that I am no longer pleased with the old childish things. I shall maintain that it is the sea which is not what it was, and that I am very happy in Fleet Street thinking of it as it used to be.

Golden Fruit

Of the fruits of the year I give my vote to the orange. In the first place it is a perennial—if not in actual fact, at least in the greengrocer's shop. On the days when dessert is a name given to a handful of chocolates and a little preserved ginger, when macêdoine de fruits is the title bestowed on two prunes and a piece of rhubarb, then the orange, however sour, comes nobly to the rescue; and on those other days of plenty when cherries and strawberries and raspberries and gooseberries riot together upon the table, the orange, sweeter than ever, is still there to hold its own. Bread and butter, beef and mutton, eggs and bacon, are not more necessary to an ordered existence than the orange.

It is well that the commonest fruit should be also the best. Of the virtues of the orange I have not room fully to speak. It has properties of health-giving, as that it cures influenza and establishes the complexion. It is clean, for whoever handles it on its way to your table but handles its outer covering, its top coat, which is left in the hall. It is round, and forms an excellent substitute with the young for a cricket ball. The pips can be flicked at your enemies, and quite a small piece of peel makes a slide for an old gentleman.

But all this would count nothing had not the orange such delightful qualities of taste. I dare not let myself go upon this subject. I am a slave to its sweetness. I grudge every marriage in that it means a fresh supply of orange blossom, the promise of so much golden fruit cut short. However, the world must go on.

Next to the orange I place the cherry. The cherry is a companionable fruit. You can eat it while you are reading or talking, and you can go on and on, absent-mindedly as it were, though you must mind not to swallow the stone. The trouble of disengaging this from the fruit is just sufficient to make the fruit taste sweeter for the labour. The stalk keeps you from soiling your fingers; it enables you also to play bob cherry. Lastly, it is by means of cherries that one penetrates the great mysteries of life—when and whom you will marry, and whether she really loves you or is taking you for your worldly prospects. (I may add here that I know a girl who can tie a knot in the stalk of a cherry with her tongue. It is a tricky business, and I am doubtful whether to add it to the virtues of the cherry or not.)

There are only two ways of eating strawberries. One is neat in the strawberry bed, and the other is mashed on the plate. The first method generally requires us to take up a bent position under a net—in a hot sun very uncomfortable, and at any time fatal to the hair. The second method takes us into the privacy of the home, for it demands a dressing-gown and no spectators. For these reasons I think the strawberry an overrated fruit. Yet I must say that I like to see one floating in cider cup. It gives a note of richness to the affair, and excuses any shortcomings in the lunch itself.

Raspberries are a good fruit gone wrong. A raspberry by itself might indeed be the best fruit of all; but it is almost impossible to find it alone. I do not refer to its attachment to the red currant; rather to the attachment to it of so many of our dumb little friends. The instinct of the lower creatures for the best is well shown in the case of the raspberry. If it is to be eaten it must be picked by the hand, well shaken, and then taken.

When you engage a gardener the first thing to do is to come to a clear understanding with him about the peaches. The best way of settling the matter is to give him the carrots and the black currants and the rhubarb for himself, to allow him a free hand with the groundsel and the walnut trees, and to insist in return for this that you should pick the peaches when and how you like. If he is a gentleman he will consent. Supposing that some satisfactory arrangement were come to, and supposing also that you had a silver-bladed pocket-knife with which you could peel them in the open air, then peaches would come very high in the list of fruits. But the conditions are difficult.

Gooseberries burst at the wrong end and smother you; melons—as the nigger boy discovered—make your ears sticky; currants, when you have removed the skin and extracted the seeds, are unsatisfying; blackberries have the faults of raspberries without their virtues; plums are never ripe. Yet all these fruits are excellent in their season. Their faults are faults which we can forgive during a slight acquaintance, which indeed seem but pleasant little idiosyncrasies in the stranger. But we could not live with them.

Yet with the orange we do live year in and year out. That speaks well for the orange. The fact is that there is an honesty about the orange which appeals to all of us. If it is going to be bad— for even the best of us are bad sometimes —it begins to be bad from the outside, not from the inside. How many a pear which presents a blooming face to the world is rotten at the core. How many an innocent-looking apple is harbouring a worm in the bud. But the orange has no secret faults. Its outside is a mirror of its inside, and if you are quick you can tell the shopman so before he slips it into the bag.

Signs of Character

Wellington is said to have chosen his officers by their noses and chins. The standard for them in noses must have been rather high, to judge by the portraits of the Duke, but no doubt he made allowances. Anyhow, by this method he got the men he wanted. Some people, however, may think that he would have done better to have let the mouth be the deciding test. The lines of one's nose are more or less arranged for one at birth. A baby, born with a snub nose, would feel it hard that the decision that he would be no use to Wellington should be come to so early. And even if he arrived in the world with a Roman nose, he might smash it up in childhood, and with it his chances of military fame. This, I think you will agree with me, would be unfair.

Now the mouth is much more likely to be a true index of character. A man may clench his teeth firmly or smile disdainfully or sneer, or do a hundred things which will be reflected in his mouth rather than in his nose or chin. It is through the mouth and eyes that all emotions are expressed, and in the mouth and eyes therefore that one would expect the marks of such emotions to be left. I did read once of a man whose nose quivered with rage, but it is not usual; I never heard of anyone whose chin did anything. It would be absurd to expect it to.

But there arises now the objection that a man may conceal his mouth, and by that his character, with a moustache. There arises, too, the objection that a person whom you thought was a fool, because he always went about with his mouth open, may only have had a bad cold in the head. In fact the difficulties of telling anyone's character by his face seem more insuperable every moment. How, then, are we to tell whether we may safely trust a man with our daughter, or our favourite golf club, or whatever we hold most dear?

Fortunately a benefactor has stepped in at the right moment with an article on the cigar-manner. Our gentleman has made the discovery that you can tell a man's nature by the way he handles his cigar, and he gives a dozen illustrations to explain his theory. True, this leaves out of account the men who don't smoke cigars; although, of course, you might sum them all up, with a certain amount of justification, as foolish. But you do get, I am assured, a very important index to the characters of smokers— which is as much as to say of the people who really count.

I am not going to reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between