Not that it Matters by A. A. Milne (english novels to improve english .txt) 📕

the last ten or twelve years I have been recommending it. Usually I speak about it at my first meeting with a stranger. It is my opening remark, just as yours is something futile about the weather. If I don't get it in at the beginning, I squeeze it in at the end. The stranger has got to have it some time. Should I ever find myself in the dock, and one never knows, my answer to the question whether I had anything to say would be, "Well, my lord, if I might just recommend a book to the jury before leaving." Mr. Justice Darling would probably pretend that he had read it, but he wouldn't deceive me.

For one cannot recommend a book to all the hundreds of people whom one has met in ten years without discovering whether it is well known or not. It is the amazing truth that none of those hundreds had heard of The Wind in the Willows until I told them about it. Some of them had never heard of Kenneth Grahame; well, one did not have to meet them again, and it takes all sorts to make a world. But most of them were in your position—great admirers of the author and his two earlier famous books, but ignorant thereafter. I had their promise before they left me, and waited confidently for their gratitude. No doubt they also spread the good news in their turn, and it is just possible that it reached you in this way, but it was to me, none the less, that your thanks were due. For instance, you may have noticed a couple of casual references to it, as if it were a classic known to all, in a famous novel published last year. It was I who introduced that novelist to it six months before. Indeed, I feel sometimes that it was I who wrote The Wind in the Willows, and recommended it to Kenneth Grahame … but perhaps I am wrong here, for I have not the pleasure of his acquaintance. Nor, as I have already lamented, am I financially interested in its sale, an explanation which suspicious strangers require from me sometimes.

I shall not describe the book, for no description would help it. But I shall just say this; that it is what I call a Household Book. By a Household Book I mean a book which everybody in the household loves and quotes continually ever afterwards; a book which is read aloud to every new guest, and is regarded as the touchstone of his worth. But it is a book which makes you feel that, though everybody in the house loves it, it is only you who really appreciate it at its true value, and that the others are scarcely worthy of it. It is obvious, you persuade yourself, that the author was thinking of you when he wrote it. "I hope this will please Jones," were his final words, as he laid down his pen.

Well, of course, you will order the book at once. But I must give you one word of warning. When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, still less on the genius of Kenneth Grahame. You are merely sitting in judgment on yourself. … You may be worthy; I do not know. But it is you who are on trial.

Lunch

Food is a subject of conversation more spiritually refreshing even than the weather, for the number of possible remarks about the weather is limited, whereas of food you can talk on and on and on. Moreover, no heat of controversy is induced by mention of the atmospheric conditions (seeing that we are all agreed as to what is a good day and what is a bad one), and where there can be no controversy there can be no intimacy in agreement. But tastes in food differ so sharply (as has been well said in Latin and, I believe, also in French) that a pronounced agreement in them is of all bonds of union the most intimate. Thus, if a man hates tapioca pudding he is a good fellow and my friend.

To each his favourite meal. But if I say that lunch is mine I do not mean that I should like lunch for breakfast, dinner, and tea; I do not mean that of the four meals (or five, counting supper) lunch is the one which I most enjoy—at which I do myself most complete justice. This is so far from being true that I frequently miss lunch altogether … the exigencies of the journalistic profession. To-day, for instance, I shall probably miss it. No; what I mean is that lunch is the meal which in the abstract appeals to me most because of its catholicity.

We breakfast and dine at home, or at other people's homes, but we give ourselves up to London for lunch, and London has provided an amazing variety for us. We can have six courses and a bottle of champagne, with a view of the river, or one poached egg and a box of dominoes, with a view of the skylights; we can sit or we can stand, and without doubt we could, if we wished, recline in the Roman fashion; we can spend two hours or five minutes at it; we can have something different, every day of the week, or cling permanently (as I know one man to do) to a chop and chips—and what you do with the chips I have never discovered, for they combine so little of nourishment with so much of inconvenience that Nature can never have meant them for provender. Perhaps as counters. … But I am wandering from my theme.

There is this of romance about lunch, that one can imagine great adventures with stockbrokers, actor-managers, publishers, and other demigods to have had their birth at the luncheon table. If it is a question of "bulling" margarine or "bearing" boot-polish, if the name for the new play is still unsettled, if there is some idea of an American edition—whatever the emergency, the final word on the subject is always the same, "Come and have lunch with me, and we'll talk it over"; and when the waiter has taken your hat and coat, and you have looked diffidently at the menu, and in reply to your host's question, "What will you drink?" have made the only possible reply, "Oh, anything that you're drinking" (thus showing him that you don't insist on a bottle to yourself)- -THEN you settle down to business, and the history of England is enlarged by who can say how many pages.

And not only does one inaugurate business matters at lunch, but one also renews old friendships. Who has not had said to him in the Strand, "Hallo, old fellow, I haven't seen you for ages; you must come and lunch with me one day"? And who has not answered, "Rather! I should love to," and passed on with a glow at the heart which has not died out until the next day, when the incident is forgotten? An invitation to dinner is formal, to tea unnecessary, to breakfast impossible, but there is a casualness, very friendly and pleasant, about invitations to lunch which make them complete in themselves, and in no way dependent on any lunch which may or may not follow.

Without having exhausted the subject of lunch in London (and I should like to say that it is now certain that I shall not have time to partake to-day), let us consider for a moment lunch in the country. I do not mean lunch in the open air, for it is obvious that there is no meal so heavenly as lunch thus eaten, and in a short article like this I have no time in which to dwell upon the obvious. I mean lunch at a country house. Now, the most pleasant feature of lunch at a country house is this—that you may sit next to whomsoever you please. At dinner she may be entrusted to quite the wrong man; at breakfast you are faced with the problem of being neither too early for her nor yet too late for a seat beside her; at tea people have a habit of taking your chair at the moment when a simple act of courtesy has drawn you from it in search of bread and butter; but at lunch you follow her in and there you are—fixed.

But there is a place, neither London nor the country, which brings out more than any other place all that is pleasant in lunch. It was really the recent experience of this which set me writing about lunch. Lunch in the train! It should be the "second meal"—about 1.30— because then you are really some distance from London and are hungry. The panorama flashes by outside, nearer and nearer comes the beautiful West; you cross rivers and hurry by little villages, you pass slowly and reverently through strange old towns … and, inside, the waiter leaves the potatoes next to you and slips away.

Well, it is his own risk. Here goes. … What I say is that, if a man really likes potatoes, he must be a pretty decent sort of fellow.

The Friend of Man

When swords went out of fashion, walking-sticks, I suppose, came into fashion. The present custom has its advantages. Even in his busiest day the hero's sword must have returned at times to its scabbard, and what would he do then with nothing in his right hand? But our walking-sticks have no scabbards. We grasp them always, ready at any moment to summon a cab, to point out a view, or to dig an enemy in the stomach. Meanwhile we slash the air in defiance of the world.

My first stick was a malacca, silver at the collar and polished horn as to the handle. For weeks it looked beseechingly at me from a shop window, until a lucky birthday tip sent me in after it. We went back to school together that afternoon, and if anything can lighten the cloud which hangs over the last day of holidays, it is the glory of some such stick as mine. Of course it was too beautiful to live long; yet its death became it. I had left many a parental umbrella in the train unhonoured and unsung. My malacca was mislaid in an hotel in Norway. And even now when the blinds are drawn and we pull up our chairs closer round the wood fire, what time travellers tell to awestruck stay-at-homes tales of adventure in distant lands, even now if by a lucky chance Norway is mentioned, I tap the logs carelessly with the poker and drawl, "I suppose you didn't happen to stay at Vossvangen? I left a malacca cane there once. Rather a good one too." So that there is an impression among my friends that there is hardly a town in Europe but has had its legacy from me. And this I owe to my stick.

My last is of ebony, ivory-topped. Even though I should spend another fortnight abroad I could not take this stick with me. It is not a stick for the country; its heart is in Piccadilly. Perhaps it might thrive in Paris if it could stand the sea voyage. But no, I cannot see it crossing the Channel; in a cap I am no companion for it. Could I step on to the boat in a silk hat and then retire below—but I am always unwell below, and that would not suit its dignity. It stands now in a corner of my room crying aloud to be taken to the opera. I used to dislike men who took canes to Covent Garden, but I see now how it must have been with them. An ebony stick topped with ivory has to be humoured. Already I am considering a silk-lined cape, and it is settled that my gloves are to have black stitchings.

Such is my last stick, for it was given to me this very morning. At my first sight of it I thought that it might replace the common one which I lost in an Easter train. That was silly of me. I must have a stick of less gentle birth which is not afraid to be seen with a soft hat. It must be a stick which I can drop, or on occasion kick; one with which I can slash dandelions; one for which, when ultimately I leave it in a train, conscience does not drag me to Scotland Yard. In short, a companionable stick for a day's journey; a country stick.

The ideal country stick will never be found. It must be thick enough to stand much rough usage