Jill the Reckless by P. G. Wodehouse (best historical biographies .txt) 📕

I was responsible for the loss of her money, and my one object in life is to see her by some means or other in a position equal to the one of which I deprived her. If she married a rich man, well and good. That, provided she marries him because she is fond of him, will be the very best thing that can happen. But if she does not, there is another way. It may be possible for me to marry a rich woman."

Freddie stopped, appalled.

"Good God! You don't mean ... you aren't thinking of marrying Mrs. Peagrim!"

"I wouldn't have mentioned names, but, as you have guessed.... Yes, if the worst comes to the worst, I shall make the supreme sacrifice. To-night will decide. Good-bye, my boy. I want to look in at my club for a few minutes. Tell Underhill that he has my best wishes."

"I'll bet he has!" gasped Freddie.

CHAPTER XX DEREK LOSES ONE BIRD AND SECURES ANOTHER

It is safest for the historian, if he values accuracy, to wait till a thing has happened before writing about it. Otherwise he may commit himself to statements which are not borne out by the actual facts. Mrs. Peagrim, recording in advance the success of her party at the Gotham Theatre, had done this. It is true that she was a "radiant and vivacious hostess," and it is possible, her standard not being very high, that she had "never looked more charming." But, when she went on to say that all present were in agreement that they had never spent a more delightful evening, she deceived the public. Uncle Chris, for one; Otis Pilkington, for another, and Freddie Rooke, for a third, were so far from spending a delightful evening that they found it hard to mask their true emotions and keep a smiling face to the world.

Otis Pilkington, indeed, found it impossible, and, ceasing to try, left early. Just twenty minutes after the proceedings had begun, he seized his coat and hat, shot out into the[288] night, made off blindly up Broadway, and walked twice round Central Park before his feet gave out and he allowed himself to be taken back to his apartment in a taxi. Jill had been very kind and very sweet and very regretful, but it was only too manifest that on the question of becoming Mrs. Otis Pilkington her mind was made up. She was willing to like him, to be a sister to him, to watch his future progress with considerable interest, but she would not marry him.

One feels sorry for Otis Pilkington in his hour of travail. This was the fifth or sixth time that this sort of thing had happened to him, and he was getting tired of it. If he could have looked into the future—five years almost to a day from that evening—and seen himself walking blushfully down the aisle of St. Thomas' with Roland Trevis' sister Angela on his arm, his gloom might have been lightened. More probably, however, it would have been increased. At the moment, Roland Trevis' sister Angela was fifteen, frivolous, and freckled and, except that he rather disliked her and suspected her—correctly—of laughing at him, amounted to just nil in Mr. Pilkington's life. The idea of linking his lot with hers would have appalled him, enthusiastically though he was in favour of it five years later.

However, Mr. Pilkington was unable to look into the future, so his reflections on this night of sorrow were not diverted from Jill. He thought sadly of Jill till two-thirty, when he fell asleep in his chair and dreamed of her. At seven o'clock his Japanese valet, who had been given the night off, returned home, found him, and gave him breakfast. After which, Mr. Pilkington went to bed, played three games of solitaire, and slept till dinner-time, when he awoke to take up the burden of life again. He still brooded on the tragedy which had shattered him. Indeed, it was only two weeks later, when at a dance he was introduced to a red-haired girl from Detroit, that he really got over it.

The news was conveyed to Freddie Rooke by Uncle Chris. Uncle Chris, with something of the emotions of a condemned man on the scaffold waiting for a reprieve, had watched Jill and Mr. Pilkington go off together into the dim solitude at the back of the orchestra chairs, and, after an all too brief interval, had observed the latter whizzing back, his every little movement having a meaning of its own—and that[289] meaning one which convinced Uncle Chris that Freddie, in estimating Mr. Pilkington as a sixty to one chance, had not erred in his judgment of form.

Uncle Chris found Freddie in one of the upper boxes, talking to Nelly Bryant. Dancing was going on down on the stage, but Freddie, though normally a young man who shook a skilful shoe, was in no mood for dancing to-night. The return to the scenes of his former triumphs and the meeting with the companions of happier days, severed from him by a two-weeks' notice, had affected Freddie powerfully. Eyeing the happy throng below, he experienced the emotions of that Peri who, in the poem, "at the gate of Eden stood disconsolate."

Excusing himself from Nelly and following Uncle Chris into the passage-way outside the box, he heard the other's news listlessly. It came as no shock to Freddie. He had never thought Mr. Pilkington anything to write home about, and had never supposed that Jill would accept him. He said as much. Sorry for the chap in a way, and all that, but had never imagined for an instant that he would click.

"Where is Underhill?" asked Uncle Chris agitated.

"Derek? Oh, he isn't here yet."

"But why isn't he here? I understood that you were bringing him with you."

"That was the scheme, but it seems he had promised some people he met on the boat to go to a theatre and have a bit of supper with them afterwards. I only heard about it when I got back this morning."

"Good God, boy! Didn't you tell him that Jill would be here to-night?"

"Oh, rather. And he's coming on directly he can get away from these people. Ought to be here any moment now."

Uncle Chris plucked at his moustache gloomily. Freddie's detachment depressed him. He had looked for more animation and a greater sense of the importance of the issue.

"Well, pip-pip for the present," said Freddie, moving toward the box. "Have to be getting back. See you later."

He disappeared, and Uncle Chris turned slowly to descend the stairs. As he reached the floor below, the door of the stage-box opened, and Mrs. Peagrim came out.

"Oh, Major Selby!" cried the radiant and vivacious[290] hostess. "I couldn't think where you had got to. I have been looking for you everywhere."

Uncle Chris quivered slightly, but braced himself to do his duty.

"May I have the pleasure...?" he began, then broke off as he saw the man who had come out of the box behind his hostess. "Underhill!" He grasped his hand and shook it warmly. "My dear fellow! I had no notion that you had arrived!"

"Sir Derek came just a moment ago," said Mrs. Peagrim.

"How are you, Major Selby?" said Derek. He was a little surprised at the warmth of his reception. He had not anticipated this geniality.

"My dear fellow, I'm delighted to see you," cried Uncle Chris. "But, as I was saying, Mrs. Peagrim, may I have the pleasure of this dance?"

"I don't think I will dance this one," said Mrs. Peagrim surprisingly. "I'm sure you two must have ever so much to talk about. Why don't you take Sir Derek and give him a cup of coffee?"

"Capital idea!" said Uncle Chris. "Come this way, my dear fellow. As Mrs. Peagrim says, I have ever so much to talk about. Along this passage, my boy. Be careful. There's a step. Well, well, well! It's delightful to see you again!" He massaged Derek's arm affectionately. Every time he had met Mrs. Peagrim that evening he had quailed inwardly at what lay before him, should some hitch occur to prevent the re-union of Derek and Jill: and now that the other was actually here, handsomer than ever and more than ever the sort of man no girl could resist, he declined to admit the possibility of a hitch. His spirits soared. "You haven't seen Jill yet, of course?"

"No." Derek hesitated. "Is Jill.... Does she.... I mean...."

Uncle Chris resumed his osteopathy. He kneaded his companion's coat-sleeve with a jovial hand.

"My dear fellow, of course! I am sure that a word or two from you will put everything right. We all make mistakes. I have made them myself. I am convinced that everything will be perfectly all right.... Ah, there she is. Jill, my dear, here is an old friend to see you!"[291]

II

Since the hurried departure of Mr. Pilkington, Jill had been sitting in the auditorium, lazily listening to the music and watching the couples dancing on the stage. She found herself drifting into a mood of gentle contentment, and was at a loss to account for this. She was happy—quietly and peacefully happy, when she was aware that she ought to have been both agitated and apprehensive. When she had anticipated the recent interview with Otis Pilkington, which she had known was bound to come sooner or later, it had been shrinkingly and with foreboding. She hated hurting people's feelings, and, though she read Mr. Pilkington's character accurately enough to know that time would heal any anguish which she might cause him, she had had no doubt that the temperamental surface of that long young man, when he succeeded in getting her alone, was going to be badly bruised. And it had fallen out just as she had expected. Mr. Pilkington had said his say and departed, a pitiful figure, a spectacle which should have wrung her heart. It had not wrung her heart. Except for one fleeting instant when she was actually saying the fatal words, it had not interfered with her happiness at all; and already she was beginning to forget that the incident had ever happened.

And, if the past should have depressed her, the future might have been expected to depress her even more. There was nothing in it, either immediate or distant, which could account for her feeling gently contented. And yet, as she leaned back in her seat, her heart was dancing in time to the dance-music of Mrs. Peagrim's hired orchestra. It puzzled Jill.

And then, quite suddenly, yet with no abruptness or sense of discovery, just as if it were something which she had known all along, the truth came upon her. It was Wally, the thought of Wally, the knowledge that Wally existed, that made her happy. He was a solid, comforting, reassuring fact in a world of doubts and perplexities. She did not need to be with him to be fortified, it was enough just to think of him. Present or absent, his personality heartened her like fine weather or music or a sea-breeze—or like that friendly, soothing night-light which they used to leave in her nursery when she was[292] little, to scare away the goblins and see her safely over the road that led to the gates of the city of dreams.

Suppose there were no Wally...?

Jill gave a sudden gasp, and sat up, tingling. She felt as she had sometimes felt as a child, when, on the edge of sleep, she had dreamed that she was stepping off a precipice and had woken, tense and alert, to find that there was no danger after all. But there was a difference between that feeling and this. She had woken, but to find that there was danger. It was as though some inner voice was calling to her to be careful, to take thought. Suppose there were no Wally?... And why should there always be Wally? He had said confidently enough that there would never be another girl.... But there were thousands of other girls, millions of other girls, and could she suppose that one of them would not have the sense to snap up a treasure like Wally? A sense of blank desolation swept over Jill. Her quick imagination, leaping ahead, had made the vague possibility of a distant future an accomplished fact. She felt, absurdly, a sense of overwhelming loss.

Into her mind, never far distant from it, came the thought of Derek. And, suddenly, Jill made another discovery. She was thinking of Derek, and it was not hurting. She was thinking of him quite coolly and clearly and her heart was not aching.

She sat back and screwed her eyes tight, as she had always done when puzzled. Something had happened to her, but how it had happened and when