The Man with Two Left Feet, and Other Stories by P. G. Wodehouse (story reading txt) 📕

flats that the real life is. At the front you never see anything, except an occasional tousle-headed young man smoking a pipe; but at the back, where the cooks come out to parley with the tradesmen, there is at certain hours of the day quite a respectable activity. Pointed dialogues about yesterday's eggs and the toughness of Saturday's meat are conducted fortissimo between cheerful youths in the road and satirical young women in print dresses, who come out of their kitchen doors on to little balconies. The whole thing has a pleasing Romeo and Juliet touch. Romeo rattles up in his cart. 'Sixty-four!' he cries. 'Sixty-fower, sixty-fower, sixty-fow—' The kitchen door opens, and Juliet emerges. She eyes Romeo without any great show of affection. 'Are you Perkins and Blissett?' she inquires coldly. Romeo admits it. 'Two of them yesterday's eggs was bad.' Romeo protests. He defends his eggs. They were fresh from the hen; he stood over her while she laid them. Juliet listens frigidly. 'I don't think,' she says. 'Well, half of sugar, one marmalade, and two of breakfast bacon,' she adds, and ends the argument. There is a rattling as of a steamer weighing anchor; the goods go up in the tradesman's lift; Juliet collects them, and exits, banging the door. The little drama is over.

Such is life at the back of York Mansions—a busy, throbbing thing.

The peace of afternoon had fallen upon the world one day towards the end of Constable Plimmer's second week of the simple life, when his attention was attracted by a whistle. It was followed by a musical 'Hi!'

Constable Plimmer looked up. On the kitchen balcony of a second-floor flat a girl was standing. As he took her in with a slow and exhaustive gaze, he was aware of strange thrills. There was something about this girl which excited Constable Plimmer. I do not say that she was a beauty; I do not claim that you or I would have raved about her; I merely say that Constable Plimmer thought she was All Right.

'Miss?' he said.

'Got the time about you?' said the girl. 'All the clocks have stopped.'

'The time,' said Constable Plimmer, consulting his watch, 'wants exactly ten minutes to four.'

'Thanks.'

'Not at all, miss.'

The girl was inclined for conversation. It was that gracious hour of the day when you have cleared lunch and haven't got to think of dinner yet, and have a bit of time to draw a breath or two. She leaned over the balcony and smiled pleasantly.

'If you want to know the time, ask a pleeceman,' she said. 'You been on this beat long?'

'Just short of two weeks, miss.'

'I been here three days.'

'I hope you like it, miss.'

'So-so. The milkman's a nice boy.'

Constable Plimmer did not reply. He was busy silently hating the milkman. He knew him—one of those good-looking blighters; one of those oiled and curled perishers; one of those blooming fascinators who go about the world making things hard for ugly, honest men with loving hearts. Oh, yes, he knew the milkman.

'He's a rare one with his jokes,' said the girl.

Constable Plimmer went on not replying. He was perfectly aware that the milkman was a rare one with his jokes. He had heard him. The way girls fell for anyone with the gift of the gab—that was what embittered Constable Plimmer.

'He—' she giggled. 'He calls me Little Pansy-Face.'

'If you'll excuse me, miss,' said Constable Plimmer coldly, 'I'll have to be getting along on my beat.'

Little Pansy-Face! And you couldn't arrest him for it! What a world! Constable Plimmer paced upon his way, a blue-clad volcano.

It is a terrible thing to be obsessed by a milkman. To Constable Plimmer's disordered imagination it seemed that, dating from this interview, the world became one solid milkman. Wherever he went, he seemed to run into this milkman. If he was in the front road, this milkman—Alf Brooks, it appeared, was his loathsome name—came rattling past with his jingling cans as if he were Apollo driving his chariot. If he was round at the back, there was Alf, his damned tenor doing duets with the balconies. And all this in defiance of the known law of natural history that milkmen do not come out after five in the morning. This irritated Constable Plimmer. You talk of a man 'going home with the milk' when you mean that he sneaks in in the small hours of the morning. If all milkmen were like Alf Brooks the phrase was meaningless.

He brooded. The unfairness of Fate was souring him. A man expects trouble in his affairs of the heart from soldiers and sailors, and to be cut out by even a postman is to fall before a worthy foe; but milkmen—no! Only grocers' assistants and telegraph-boys were intended by Providence to fear milkmen.

Yet here was Alf Brooks, contrary to all rules, the established pet of the mansions. Bright eyes shone from balconies when his 'Milk—oo—oo' sounded. Golden voices giggled delightedly at his bellowed chaff. And Ellen Brown, whom he called Little Pansy-Face, was definitely in love with him.

They were keeping company. They were walking out. This crushing truth Edward Plimmer learned from Ellen herself.

She had slipped out to mail a letter at the pillar-box on the corner, and she reached it just as the policeman arrived there in the course of his patrol.

Nervousness impelled Constable Plimmer to be arch.

''Ullo, 'ullo, 'ullo,' he said. 'Posting love-letters?'

'What, me? This is to the Police Commissioner, telling him you're no good.'

'I'll give it to him. Him and me are taking supper tonight.'

Nature had never intended Constable Plimmer to be playful. He was at his worst when he rollicked. He snatched at the letter with what was meant to be a debonair gaiety, and only succeeded in looking like an angry gorilla. The girl uttered a startled squeak.

The letter was addressed to Mr A. Brooks.

Playfulness, after this, was at a discount. The girl was frightened and angry, and he was scowling with mingled jealousy and dismay.

'Ho!' he said. 'Ho! Mr A. Brooks!'

Ellen Brown was a nice girl, but she had a temper, and there were moments when her manners lacked rather noticeably the repose which stamps the caste of Vere de Vere.

'Well, what about it?' she cried. 'Can't one write to the young gentleman one's keeping company with, without having to get permission from every—' She paused to marshal her forces from the assault. 'Without having to get permission from every great, ugly, red-faced copper with big feet and a broken nose in London?'

Constable Plimmer's wrath faded into a dull unhappiness. Yes, she was right. That was the correct description. That was how an impartial Scotland Yard would be compelled to describe him, if ever he got lost. 'Missing. A great, ugly,