Bindle: Some Chapters in the Life of Joseph Bindle by Herbert George Jenkins (new reading .TXT) 📕

bed with a—a——"

"Ma femme," shrieked the little Frenchman. "Is it not that we have slept here every night for——"

"'Ush, sir, 'ush!" rebuked Bindle over his shoulder with a grin. "We don't talk like that in England."

"Sort of lost yer way, sir, and got in the wrong room," Bindle suggested to the clergyman.

"He rushed at me and kicked me in the—er—stom—er—well, he kicked me, and I—I forget, and I—I——"

"Of course yer did, sir; anyone 'ud 'a done the same."

Then to the Frenchman Bindle remarked severely:

"Yer didn't ought to 'ave kicked 'im, 'im a clergyman too. Fancy kicking a clergyman in the—well, where you kicked 'im. Wot's the number of yer room, sir?" he enquired, turning to the clergyman.

"Twenty-one; see, it's on the door."

Bindle looked; there was "21" clear enough.

"Wot's yer number, sir?" he asked the Frenchman.

"Vingt-quatre."

"Now don't you go a-using none of them words 'fore a clergyman. Wot's yer number? that's wot I'm arstin'."

"Twenty-four—vingt-quatre."

"Well," said Bindle with decision, "you're in the wrong room."

"Mais c'est impossible," cried the Frenchman. "We have been here all night. Is it not so, cherie?" He turned to his wife for corroboration.

Bindle had no time to enter further into the dispute. Suddenly a fresh disturbance broke out further along the corridor.

"What the devil do you mean by this outrage, sir?" an angry and imperious voice was demanding. "What the devil do you——"

With a hasty word to the clergyman, who now looked thoroughly ashamed of himself, and a gentle push in the direction of the Office of Works, Bindle trotted off to the scene of the new disturbance. He heard another suppressed scream from the pink n�glig� betokening the entry of the clergyman.

"What the devil do you mean by entering my room?"

A tall, irate man, with the Army stamped all over him, dressed in pyjamas, with a monocle firmly wedged in his left eye, was fiercely eyeing a smaller man in a bath-robe.

"Not content with having got into my room, but damme, sir, you must needs try and get into my trousers. What the devil do you mean by it?"

Bindle looked along the corridor appreciatively. "Looks like a shipwreck at night, it do," he remarked to the chambermaid.

"It's my room," said the man in the bathrobe.

"Confound you," was the reply, "this is my room, and I'll prosecute you for libel."

"My room is No. 18," responded the other, "and I left my wife there half an hour ago."

He pointed to the figures on the door in proof of his contention. The man in the monocle looked at the door, and a puzzled expression passed over his face.

"Damme," he exploded, "my room is No. 15, but I certainly slept in that room all night." He darted inside and reappeared a moment after with his trousers in his hand.

"Here are my trousers to prove it. Are these your trousers?" The man in the bath-robe confessed that they were not.

"That seems to prove it all right, sir," remarked Bindle, who had come up. "A man don't sleep in a different room from his trousers, leastways, unless 'e's a 'Ighlander."

Similar disturbances were taking place along the corridor. The uproar began to attract visitors from other corridors, and soon the whole place was jammed with excited guests, in attire so varied and insufficient that one lady, who had insisted on her husband accompanying her to see what had happened, immediately sent him back to his room that his eyes might not be outraged by the lavish display of ankles and bare arms.

The more nervous among the women guests had immediately assumed fire to be the cause of the disturbance, and thinking of their lives rather than of modesty and decorum, had rushed precipitately from their rooms.

"It might be a Turkish bath for all the clothes they're wearin'," Bindle whispered to the exquisite youth, who with his two fellow-guests had left the Office of Works. "Ain't women funny shapes when they ain't braced up!"

The youth looked at Bindle reproachfully. He had not yet passed from that period when women are mysterious and wonderful.

At the doors of several of the rooms heated arguments were in progress as to who was the rightful occupant. Inside they were all practically the same, that was part of the scheme of the hotel. The man with the monocle was still engaged in a fierce altercation with the man in the bath-robe, who was trying to enter No. 18.

"My wife's in there," cried the man in the bath-robe fiercely.

At this moment the deputy-manager appeared, a man whose face had apparently been modelled with the object of expressing only two emotions, benignant servility to the guests and overbearing contempt to his subordinates. As if by common consent, the groups broke up and the guests hastened towards him. His automatic smile seemed strangely out of keeping with the crisis he was called upon to face. Information and questions poured in upon him.

"There's a girl in my bed."

"There's a man in my room."

"Somebody's got into my room."

"Is it fire?"

"It's a public scandal."

"This man has tried to take my trousers."

"Look here, I can't go about in this kit."

"I left my wife in room 18, and I can't find her."

"I shall write to The Times."

"I protest against this indecent exhibition."

The more questions and remarks that poured down upon him, the more persistently the deputy-manager smiled. He looked about him helplessly. Hitherto in the whole of his experience all that had been necessary for him to do was to smile and promise attention, and bully his subordinates. Here was a new phase. He wished the manager had not chosen this week-end for a trip to Brighton.

The eyes of the deputy-manager roved round him like those of a trapped animal seeking some channel of escape. By a lucky chance they fell upon the fireman who was just preparing to go off duty. The deputy-manager beckoned to him; the smile had left his face, he was now talking to a subordinate.

"What's the meaning of this?" he enquired.

The fireman looked up and down the corridor. He had been at the hotel over ten years, that is, since its opening, and knew every inch of the place. From the crowd of figures he glanced along the corridor. He was a man of few words.

"Somebody's been 'avin' a joke. The numbers 'ave all been changed. That," pointing to No. 18, "is No. 15, and that," pointing to No. 24, "is No. 21."

At the fireman's words angry murmurs and looks were exchanged. Each of the guests suspected the others of the joke. The fireman, who was a man of much resource as well as of few words, quickly solved the problem by obtaining some envelopes and putting on the doors the right numbers. Within a quarter of an hour every guest had found either his clothes, his lost one, or both, and the corridor was once more deserted.

"Well," murmured Bindle, as he stepped out of the service lift, "I s'pose they won't be wantin' me again, so I'll go 'ome an' get a bit o' sleep." And he walked off whistling gaily, whilst the fireman searched everywhere for the one man the deputy-manager most desired to see.

II

On the Monday evening following the hotel episode Mr. and Mrs. Bindle were seated at supper. Bindle had been unusually conversational. He was fortunate in having that morning obtained employment at a well-known stores. He was once more a pantechnicon-man. "King Richard is 'isself again," he would say, when he passed from a temporary alien employment to what he called the "legitimate."

He had felt it desirable to explain to Mrs. Bindle the cause of his leaving the Splendid Hotel. She had seen nothing at all humorous in it, and Bindle had studiously refrained from any mention of women being in the corridors.

He had just drawn away from the table, and was sitting smoking his pipe by the fire, when there was a loud knock at the outer door. He looked up expectantly.

Mrs. Bindle went to the door. From the passage he heard a familiar voice enquiring for him. It was Sanders, the foreman, who followed Mrs. Bindle into the room. He made no response to Bindle's pleasant, "Good-evenin'."

"D'you know what you done?" enquired Sanders aggressively. "You lost me my ruddy job. You did it a-purpose, and I've come to kill yer."

"Ain't yer 'ad enough of buryin'?" enquired Bindle significantly. "Buryin' yer mother on Saturday, and now yer wants to kill yer ole pal on Monday."

The menacing attitude of the foreman had no effect upon Bindle. He had a great heart and would cheerfully have stood up to a man twice the size of Sanders. The foreman made a swift movement in the direction of Bindle.

"You stutterin', bespattered——Gawd!"

Mrs. Bindle, seeing that trouble was impending, had armed herself with a very wet and very greasy dishcloth, which she had thrown with such accurate aim as to catch the foreman full in the mouth.

"You dirty 'ound," she vociferated, "comin' into a Christian 'ome and usin' that foul language. You dirty 'ound, I'll teach yer."

Mrs. Bindle's voice rose in a high crescendo. She looked about her for something with which to follow up her attack and saw her favourite weapon—the broom.

"You dirty-mouthed tyke," she cried, working herself into a fury. "You blasphemin' son o' Belial, take that." Crack came the handle of the broom on the foreman's head. Without waiting to observe the result, and with a dexterous movement, she reversed her weapon and charged the foreman, taking him full in the middle with the broom itself. In retreating he stumbled over the coal-scuttle, and sat down with a suddenness that made his teeth rattle.

Bindle watched the episode with great interest. Never had he so approved of Mrs. Bindle as at that moment. Like a St. George threatening the dragon she stood over the foreman.

"Now then, will yer say it again?" she enquired menacingly. There was no response. "Say, 'God forgive me,'" she ordered. "Say it," she insisted, seeing reluctance in the foreman's eye. "Say it, or I'll 'it yer on yer dirty mouth with this 'ere broom. I'm a daughter of the Lord, I am. Are yer goin' to say it or shall I change yer face for yer?"

"God forgive me," mumbled the foreman, in a voice entirely devoid of contrition.

Mrs. Bindle was satisfied. "Now up yer get, and orf yer go," she said. "I won't 'it yer again if yer don't talk, but never you think to come a-usin' such words in a Christian 'ome again."

The foreman sidled towards the door warily, When he was within reach of it he made a sudden dive and disappeared.

Bindle regarded his wife with approval as she returned from banging the door after him.

"I didn't know," he remarked, "that they taught yer that sort of thing at chapel. I likes a religion that lets yer do a bit in the knock-about business. Can't understand you and 'Earty belongin' to the same flock of sheep. Rummy thing, religion," he soliloquised, as he applied a match to his pipe; "seems to 'ave its Bank 'Olidays, same as work."

CHAPTER VII BINDLE COMMITS AN INDISCRETION

"Anyone would think you was goin' to a weddin'." Mrs. Bindle eyed Bindle aggressively.

"Not again; I got one little canary bird; two might make me un'appy."

Bindle had remembered his promise to his niece, Millie, in every particular, and had added as his own contribution a twopenny cigar resplendent in a particularly wide red-and-gold band, which he had been careful not to remove.

"Anythink might 'appen to me in this get-up," he remarked pleasantly, "so don't expect me till I'm 'ome——"

"You never take me out," broke in Mrs. Bindle stormily, "but you can take that chit of a girl out first time she asks."

"You don't like the pictures, Mrs. B., they ain't 'oly enough, an' some of the young women in 'em are a bit generous like with showin' their ankles—but there, there!"

"You used to take me out before we was married," replied Mrs. Bindle, ignoring Bindle's remark.

Bindle looked at her curiously.

"Them was the days when yer wasn't above goin' to a music-'all. There ain't nowhere to take yer 'cept the chapel, an' I don't enjoy it as you an' 'Earty do."

"Where do you expect to go to?" demanded Mrs. Bindle angrily. She always became angry when mention was made of the pleasures she once enjoyed. "Where do you expect to go to?"

"Well," remarked Bindle judicially, "accordin' to you