A Handful of Stars by Frank Boreham (great novels to read .txt) π
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- Author: Frank Boreham
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'My husband led me out into the garden. It was a soft, sweet, summer night. He took me in his arms and stood long in silence, looking up to the quiet stars, while I sobbed upon his breast. At last he said, "My wife, there is one rope to which we must cling steadfastly, in order to keep our heads above water amid these overwhelming waves of sorrow. It has three golden strands. It will not fail us. GOD--IS--LOVE."
'The nursery was empty. There was no more patter of little feet; no children's merry voices shouted about the house. The three little graves in the churchyard bore the names Griselda, Irene and Launcelot; and on each we put the text, spelt out by the initials of our darlings' names: GOD IS LOVE. And in our own heart-life we experienced the great calm and peace of a faith which had come through the deepest depths of sorrow. We were sustained by the certainty of the love of God.'
Rodney Steele was deeply touched and impressed. Here was one who had known sorrow and had been sweetened by it. In her there was no trace of bitterness.
'I don't know,' he said to himself, as he came away, 'I don't know as to the truth of the Bishop's text; but, anyway, the Bishop's widow is love. She lives what she believes, and that certainly makes a belief worth having.'
'God is love!'--he had seen it worked in silk.
'God is love'--he had seen it inscribed three times in stone.
'God is love!'--he had seen it translated into actual life.
'God is love!'--he was almost persuaded to believe it.
IVGod is----!
It is the oldest question in the universe, and the greatest. It has been asked a million million times, and it would not have been altogether strange had we never discovered an answer. In Mr. H. G. Wells' story of the men who invaded the moon, he describes a conversation between the travelers and the Grand Lunar. The Grand Lunar asks them many questions about the earth which they are unable to answer. 'What?' he exclaims, 'knowing so little of the earth, do you attempt to explore the moon?' We men know little enough of ourselves: it would have been no cause for astonishment had we been unable to define God. Men lost themselves for ages in guess-work. They looked round about them; they saw how grandly a million worlds revolve, and they noticed how exquisitely the mighty forces of the earth are governed. Then they made their guess.
'God is Power,' they said, 'God is Power!'
Then, peering a little more deeply into the heart of things, they saw that all these terrific forces are not only controlled, but harnessed to high ends. All things are working--they are working together--they are working together for good! And thereupon men made their second guess.
'God is Wisdom,' they said, 'God is Wisdom!'
Then, observing things still more closely, men began to see great ethical principles underlying the laws of the universe. In the long run, evil suffers, and, in the long run, right is rewarded.
'God is Justice,' they said, 'God is Justice!'
And so men made their guesses, and, as they guessed, they built. They erected temples, now to the God of Power, then to the God of Wisdom, and again to the God of Justice. They had yet to learn that they were worshiping the part and not the whole; they were worshiping the rays and not the Light Itself.
Then Jesus came, and men understood. By His words and His deeds, by His life and His death, He revealed the whole truth. God is Power and Wisdom and Justice--but He is more. In a European churchyard there stands a monument erected by a poet to his wife. It bears the inscription:
But words are wanting to say what!
Think what a wife should be
And she was that!
God is--what?
But words are wanting to say what!
Think what a God should be
And He is that!
Jesus filled in the age-long blank; He filled it in, not in cold language, but in warm life. Many attempts have been made to translate His definition from the terms of life into the terms of language. Only once have those attempts been even approximately successful. The words on the perforated bookmarker represent the best answer that human speech has ever given to the question.
God is----
God is--what?
GOD--IS--LOVE!
VRodney Steele met again the girl--ripened now into the full glory of womanhood--from whom he had been so cruelly separated. He felt that it was too late to right the earlier wrong; and, in any case, his life was too embittered to offer her now. But he rejoiced in her friendship, and, one day, opened his heart to her.
'Madge,' he said, 'I am furious with Fate. Life is chaos. Shall I tell you of what it reminds me? When I was last in Florence I was invited to the dress rehearsal of "Figli Di Re." I took my seat in the stalls of the huge empty opera house. The members of the orchestra were all in their places. Pandemonium reigned! Each man was playing little snatches of the score before him, all in the same key, but with no attempt at time, tune or order. The piping of the flute, the sighing of the fiddle, the grunt of the double bass, the clear call of the cornet, the bray of the trombones, all went on together. The confused hubbub of sound was indescribable. Suddenly a slim, alert figure leaped upon the estrade and struck the desk sharply with a baton. It was the maestro! There was instant silence. He looked to the right; looked to the left; raised his baton; and lo! full, rich, sweet, melodious, blending in perfect harmony, sounded the opening chords of the overture!'
Rodney likened the jangling discords to the confusion of his own life. There was in his soul a disappointed love, an implacable hate, and a medley of other discords.
'You are waiting for the Maestro, Roddie!' said Madge. 'His baton will reduce chaos to order with a measure of three beats.'
'Three beats?'
'Yes; three almighty beats: GOD--IS--LOVE!'
He shook his head.
'I left off pricking texts when I was five, and gave up painting when I was nine.'
'It is not what you do to the texts, Rodney; it is what the texts do to you!'
He left her, and, soon after, left London.
VIYes, he left her, and he left London; but he could not leave the text. It confronted him once more. He had taken refuge in a little fishing village on the East Coast. Up on the cliffs, among the corn-fields, flecked with their crimson poppies, he came upon a quaint old church. He stepped inside. In the porch was a painting of an old ruin--ivy-covered, useless and desolate--standing out, jagged and roofless, against a purple sky. The picture bore a striking inscription:
And make my heart a house of prayer.
'The ruins of my soul!' Rodney thought of the discord within.
'Make my heart a house of prayer!' Rodney thought of the maestro.
He passed out into the little graveyard on the very edge of the cliff. He was amused at the quaint epitaphs. Then one tombstone, lying flat upon the ground, a tombstone which, in large capitals, called upon the reader to 'Prepare to meet thy God,' startled him. Again he thought of the clashing discords of his soul.
'Then, suddenly,' says Mrs. Barclay, 'the inspired Word did that which It--and It alone--can do. It gripped Rodney and brought him face to face with realities--past, present and future--in his own inner life. At once, the Bishop's motto came into his mind; the three words his gentle mother used to draw that her little boy might paint them stood out clearly as the answer to all vague and restless questionings: GOD IS LOVE!'
'God is Love!'
'Prepare to Meet thy God!'
How could he, with his old hate in his heart, stand in the presence of a God of Love?
Standing there bareheaded, with one foot on the prone tombstone, Rodney grappled with the passion that he had cherished through the years, and thus took his first step along the path of preparation.
'I forgive the woman who came between us,' he said aloud. 'My God, I forgive her--as I hope to be forgiven!'
'As soon as a man comes to understand that GOD IS LOVE,' said Dr. Chalmers, 'he is infallibly converted.' That being so, Rodney Steele was infallibly converted that day, and that day he entered into peace.
VIIWhen Robert Louis Stevenson settled at Samoa, the islands were ablaze with tumult and strife. And, during those years of bitterness, Stevenson did his utmost to bring the painful struggle to an end. He visited the chiefs in prison, lavished his kindnesses upon the islanders, and made himself the friend of all. In the course of time the natives became devotedly attached to the frail and delicate foreigner who looked as though the first gust of wind would blow him away. His health required that he should live away on the hill-top, and they pitied him as he painfully toiled up the stony slope. To show their affection for him, they built a road right up to his house, in order to make the steep ascent more easy. And they called that road Ala Loto Alofa--The Road to the Loving Heart. They felt, as they toiled at their labor of gratitude, that they were not only conferring a boon on the white man, but that they were making a beaten path from their own doors to the heart that loved them all.
God is Love; and it is the glory of the everlasting Gospel that it points the road by which the Father's wayward sons--in whichever of the far countries they may have wandered--may find a way back to the Father's house, and home to the Loving Heart.
XI THOMAS HUXLEY'S TEXT IShe was a sermon-taster and was extremely sensitive to any kind of heresy. It is in his Life of Donald John Martin, a Presbyterian minister, that the Rev. Norman C. Macfarlane places her notable achievement on permanent record. He describes her as 'a stern lady who was provokingly evangelical.' There came to the pulpit one Sabbath a minister whose soundness she doubted. He gave out as his text the words: 'What doth the Lord require of thee but to do justly, to love mercy, and to walk humbly with thy God?' 'Weel, weel,' this excellent woman exclaimed, as she turned to her friend beside her, 'weel, weel, if there's one text in a' the Buik waur than anither, yon man is sure to tak' it!'
IIShe thought that text the worst in the Bible. Huxley thought it the best. Huxley was, as everybody knows, the Prince of Agnostics. We need not stop to ask why. Nobody who has read the story of John Stuart Mill's boyhood will wonder that Mill was a skeptic. And nobody who has read the story of Thomas Huxley's boyhood will wonder at his becoming an agnostic. As Edward Clodd, his biographer, says, 'his boyhood was a cheerless time. Reversing Matthew Arnold's sunnier memories:
And purged
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