The Astral Plane by C. W. Leadbeater (best english novels to read .txt) 📕

different type will separate these molecules into their constituent atoms. A body reduced by these means to the etheric condition can be moved by an astral current from one place to another with very great rapidity; and the moment that the force which has been exerted to put it into that condition is withdrawn it will be forced by the etheric pressure to resume its original form. It is in this way that objects are sometimes brought almost instantaneously from great distances at spiritualistic séances, and it is obvious that when disintegrated they could be passed with perfect ease through any solid substance, such, for example, as the wall of a house or the side of a locked box, so that what is commonly called "the passage of matter through matter" is seen, when properly understood, to be as simple as the passage of water through a sieve, or of a gas through a liquid in some chemical experiment.

Since it is possible by an alteration of vibrations to change matter from the solid to the etheric condition, it will be comprehended that it is also possible to reverse the process and to bring etheric matter into the solid state. Materialization.As the one process explains the phenomenon of disintegration, so does the other that of materialization; and just as in the former case a continued effort of will is necessary to prevent the object from resuming its original form, so in exactly the same way in the latter phenomenon a continued effort is necessary to prevent the materialized matter from relapsing into the etheric condition. In the materializations seen at an ordinary séance, such matter as may be required is borrowed as far as possible from the medium's etheric double—an operation which is prejudicial to his health, and also undesirable in various other ways; and this explains the fact that the materialized form is usually strictly confined to the immediate neighbourhood of the medium, and is subject to an attraction which is constantly drawing it back to the body from which it came, so that if kept away from the medium too long the figure collapses, and the matter which composed it, returning to the etheric condition, rushes back instantly to its source.

The reason why the beings directing a séance find it easier to operate in darkness or in Why Darkness is required.very subdued light will now be manifest, since their power would usually be insufficient to hold together a materialized form or even a "spirit hand" for more than a very few seconds amidst the intense vibrations set up by brilliant light. The habitués of séances will no doubt have noticed that materializations are of three kinds:—First, those which are tangible but not visible; second, those which are visible but not tangible; and third, those which are both visible and tangible. To the first kind, which is much the most common, belong the invisible spirit hands which so frequently stroke the faces of the sitters or carry small objects about the room, and the vocal organs from which the "direct voice" proceeds. In this case, an order of matter is being used which can neither reflect nor obstruct light, but which is capable under certain conditions of setting up vibrations in the atmosphere which affect us as sound. A variation of this class is that kind of partial materialization which, Spirit Photographs.though incapable of reflecting any light that we can see, is yet able to affect some of the ultra-violet rays, and can therefore make a more or less definite impression upon the camera, and so provide us with what are known as "spirit photographs". When there is not sufficient power available to produce a perfect materialization we sometimes get the vaporous-looking form which constitutes our second class, and in such a case the "spirits" usually warn their sitters that the forms which appear must not be touched. In the rarer case of a full materialization there is sufficient power to hold together, at least for a few moments, a form which can be both seen and touched.

When an Adept or pupil finds it necessary for any purpose to materialize his Mâyâvirûpa or his astral body, he does not draw upon either his own etheric double or any one else's, since he has been taught how to extract the matter which he requires directly from the astral light or even from the Âkâsha.

Another phenomenon closely connected with this part of the subject is that of reduplication, Reduplication.which is produced by simply forming in the astral light a perfect mental image of the object to be copied, and then gathering about that mould the necessary physical matter. Of course for this purpose it is necessary that every particle, interior as well as exterior, of the object to be duplicated should be held accurately in view simultaneously, and consequently the phenomenon is one which requires considerable power of concentration to perform. Persons unable to reduce the matter required directly from the astral light have sometimes borrowed it from the material of the original article, which in this case would be correspondingly reduced in weight.

We read a good deal in Theosophical literature about the precipitation of letters or pictures. This result, like everything else, may be obtained in several ways. Precipitation.An Adept wishing to communicate with some one might place a sheet of paper before him, form an image of the writing which he wished to appear upon it, and draw from the astral light the matter wherewith to objectify that image; or if he preferred to do so it would be equally easy for him to produce the same result upon a sheet of paper lying before his correspondent, whatever might be the distance between them. A third method which, since it saves time, is much more frequently adopted, is to impress the whole substance of the letter on the mind of some pupil, and leave him to do the mechanical work of precipitation. That pupil would then take his sheet of paper, and, imagining he saw the letter written thereon in his Master's hand, would proceed to objectify the writing as before described. If he found it difficult to perform simultaneously the two operations of drawing his material from the astral light and precipitating the writing on the paper, he might have either ordinary ink or a small quantity of coloured powder on the table beside him, which, being already physical matter, could be drawn upon more readily.

It is of course obvious that the possession of this power would be a very dangerous weapon in the hands of an unscrupulous person, since it is just as easy to imitate one man's handwriting as another's, and it would be impossible to detect by any ordinary means a forgery committed in this manner. A pupil definitely connected with any Master has always an infallible test by which he knows whether any message really emanates from that Master or not, but for others the proof of its origin must always lie solely in the contents of the letter and the spirit breathing through it, as the handwriting, however cleverly imitated, is of absolutely no value as evidence.

As to speed, a pupil new to the work of precipitation would probably be able to image only a few words at a time, and would, therefore, get on hardly more rapidly than if he wrote his letter in the ordinary way, but a more experienced individual who could visualize a whole page or perhaps the entire letter at once would get through his work with greater facility. It is in this manner that quite long letters are sometimes produced in a few seconds at a séance.

When a picture has to be precipitated the method is precisely the same, except that here it is absolutely necessary that the entire scene should he visualized at once, and if many colours are required there is of course the additional complication of manufacturing them, keeping them separate, and reproducing accurately the exact tints of the scene to be represented. Evidently there is scope here for the exercise of the artistic faculty, and it must not be supposed that every inhabitant of the astral plane could by this method produce an equally good picture; a man who had been a great artist in life, and had therefore learnt how to see and what to look for, would certainly be very much more successful than the ordinary person if he attempted precipitation when on the astral plane after death.

The slate-writing, for the production of which under test conditions some of the greatest mediums have been Slate-writing.so famous, is sometimes produced by precipitation, though more frequently the fragment of pencil enclosed between the slates is guided by a spirit hand, of which only just the tiny points sufficient to grasp it are materialized.

An occurrence which occasionally takes place at séances, and more frequently among eastern Yógîs, is what is called levitation—that is, the floating of Levitation.a human body in the air. No doubt when this takes place in the case of a medium, he is often simply upborne by "spirit hands," but there is another and more scientific method of accomplishing this feat which is always used in the East, and occasionally here also. Occult science is acquainted with a means of neutralizing or even entirely reversing the attraction of gravity, and it is obvious that by the judicious use of this power all the phenomena of levitation may be easily produced. It was no doubt by a knowledge of this secret that some of the air-ships of ancient India and Atlantis were raised from the earth and made light enough to be readily moved and directed; and not improbably the same acquaintance with nature's finer forces greatly facilitated the labours of those who raised the enormous blocks of stone sometimes used in cyclopean architecture, or in the building of the Pyramids and Stonehenge.

With the knowledge of the forces of nature which the resources of the astral plane place at the command Spirit Lights.its inhabitants the production of what are called "spirit lights" is a very easy matter, whether they be of the mildly phosphorescent or the dazzling electrical variety, or those curious dancing globules of light into which a certain class of fire elementals so readily transform themselves. Since all light consists simply of vibrations of the ether, it is obvious that any one who knows how to set up these vibrations can readily produce any kind of light that he wishes.

It is by the aid of the etheric elemental essence also that the remarkable feat Handling Fire.of handling fire unharmed is generally performed, though there are as usual other ways in which it can be done. The thinnest layer of etheric substance can be so manipulated as to be absolutely impervious to heat, and when the hand of a medium or sitter is covered with this he may pick up burning coal or red-hot iron with perfect safety.

Most of the occurrences of the séance-room have now been referred to, but there are one or twoTransmutation. of the rarer phenomena of the outer world which must not be left quite without mention in our list. The transmutation of metals is commonly supposed to be a mere dream of the mediæval alchemists, and no doubt in most cases the description of the phenomenon was merely a symbol of the purification of the soul; yet there seems to be some evidence that it was really accomplished by them on several occasions, and there are petty magicians in the East who profess to do it under test conditions even now. Be that as it may, it is evident that since the ultimate atom is one and the same in all substances, and it is only the methods of its combination that differ, any one who possessed the power