The Art of Interior Decoration by Emily Burbank (good summer reads TXT) π
PLATE IX Dining-room in Country House, Showing Modern Painted Furniture.
PLATE X Dining-room Furniture, Italian Renaissance, Antique.
PLATE XI Corner of Dining-room in New York Apartment, Showing Section of Italian Refectory Table and Italian Chairs, both Antique and Renaissance in Style.
PLATE XII An Italian Louis XVI Salon in a New York Apartment.
PLATE XIII Another Side of the Same Italian Louis XVI Salon.
PLATE XIV A Narrow Hall Where Effect of Width is Attained by Use of Tapestry with Vista.
PLATE XV Venetian Glass, Antique and Modern.
PLATE XVI Corner of a Room in a Small Empire Suite.
PLATE XVII An Example of Perfect Balance and Beauty in Mantel Arrangement.
PLATE XVIII Corner of a Drawing-room, Furniture Showing Directoire Influence.
PLATE XIX Entrance Hall in New York Duplex Apartment. Italian Furniture.
PLATE XX Combination of Studio and Living-room in Ne
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Speaking of rail-boxes reminds us that in making over a small summer house and converting a cheap affair into one of some pretensions, remember that one of the most telling points is the character of your porch railing. So at once remove the cheap one with its small, upright slats and the insignificant and frail top rail, and have a solid porch railing (or porch fence) built with broad, top rail. Then place all around porch, resting on iron brackets, rail-flower boxes, the tops of these level with the top of the rail, and paint the boxes the colour of the house trimmings. Filled with running vines and gay flowers, nothing could be more charming.
Window-boxes make any house lovely and are a large part of that charm which appeals to us, whether the house be a mansion in Mayfair or a Bavarian farm house. Americans are learning this.
The window and rail-boxes of a house look best when all are planted with the same variety of flowers.
Having given a certain air of distinction to your porch-railing, add another touch to the appearance of your small, remodelled house by having the shutters hung from the top of the windows, instead of from the sides. A charming variety of awning or sun-shades, to keep the sun and glare out of rooms, is the old English idea of a straw-thatching, woven in and out until it makes a broad, long mat which is suspended from the top of windows, on the outside of the house, being held out and permanently in place, at the customary angle of awnings. We first saw this picturesque kind of rustic awnings used on little cottages of a large estate in Vermont, cottages once owned and lived in by labourers, but bought and put in comfortable condition to be used as overflow rooms for guests, in connection with the large family mansion (once the picturesque village inn).
The art of making these straw awnings is not generally understood in America. In the case to which we refer, one of the gardeners employed on the estate, chanced to be an old Englishman who had woven the straw window awnings for farm houses in his own country.
The straw awnings, with window-boxes planted with bright geraniums and vines, make an inland cottage delightfully picturesque and are practical, although by the sea the straw awnings might be destroyed by high winds.
CHAPTER XXXI TREATMENT OF A WOMAN'S DRESSING-ROOMEvery house, or flat, which is at all pretentious, should arrange a Vanity Room for the use of guests, in which there are full-length mirrors, a completely equipped dressing-table with every conceivable article to assist a lady in making her toilet, slipper-chairs and chairs to rest in, and a completely equipped lavatory adjoining.
The woman who takes her personal appearance seriously, just as any artist takes her art (and when dressing is not an art it is not worth discussion) can have her dressing-room so arranged with mirrors, black walls and strong, cleverly reflected, electric lights, that she stands out with a cleancut outline, like a cameo, the minutest detail of her toilet disclosed. With such a dressing-room, it is quite impossible to suffer at the hands of a careless maid, and one can use the black walls as a background for vivid chair covers, sofa cushions and lamp shades.
Off this dressing-room should be another, given over to clothes, with closets equipped with hooks and shelves, glass cabinets for shoes and slippers, and the "show-case" for jewels to be placed in by the maid that the owner may make her selection.
At the time of the Louis, knights and courtiers had large rooms devoted to the care and display of their wardrobes, and even to-day there are men who are serious connoisseurs in the art of clothes.
Interior decoration not infrequently leads to a desire to chic the appearance of one's "out-of-doors." We give an example of a perfectly commonplace barn made interesting by adding green latticework, a small iron balcony, ornamental gate and setting out a few decorative evergreens. Behold a transformation!
The dressing-table should be constructed of material in harmony with the rest of your furniture. It may be of mahogany, walnut, rose wood, satin wood, or some painted variety, or, as is the fashion now, made of silk,βa seventeenth and eighteenth century style (in vogue during the time of the Louis). These are made of taffeta with lace covers on top, and in outline are exactly like the simple dotted-swiss dressing-tables with which every one is familiar,βthe usual variety, so easily made by placing a wooden packing box on its side. In this case have your carpenter put shelves inside for boots, shoes and slippers. The entire top is covered with felt or flannel, over which is stretched silk or sateen, in any colour which may harmonise with the room. A flounce, as deep as the box is high, is made of the same material as the top, and tacked to the edges of the table-top. Cover the whole with dotted or plain swiss. A piece of glass, cut to exactly fit the top of the table, is a practical precaution. A large mirror, hung above yet resting on the table, is canopied in the old style, with the same material with which you cover your dressing-table.
If the table is made of the beautiful taffeta, now so popular for this purpose, as well as for curtains, it is, of course, not covered with swiss or lace, except the top, on which is used a fine, hand-made cover, of real lace and hand embroidery, in soft creams,βcream from age, or a judicious bath in weak tea. The glass top laid over this cover protects the lace.
If the table has drawers, each can be neatly covered with the taffeta, as can the frame of any table. A good, up-to-date cabinet-maker understands this work as so much of it is now done.
CHAPTER XXXII THE TREATMENT OF CLOSETSThe modern architect turns out his closets so complete as to comfort and convenience, that he leaves but little to be done by the professional or amateur decorator. Each perfectly equipped bedroom suite calls for, at least, two closets: one supplied with hooks, padded hangers for coats, and covered hangers for skirts, if the closet is for a woman; or, if it is for a man, with such special requirements as he may desire. In the case of a woman's suite, one closet should consist entirely of shelves. Paint all the closets to harmonise with the suite, and let the paint on the shelves have a second coat of enamel, so that they may be easily wiped off. Supply your shelves with large and small boxes for hats, blouses, laces, veils, etc., neatly covered with paper, or chintz, to harmonise with the room.
Those who dislike too many mirrors in a room may have full length mirrors on the inside of the closet doors.
Either devote certain shelves to your boots, shoes and slippers, or have a separate shallow closet for these-shallow because it is most convenient to have but one row on a shelf.
Where economy is not an item of importance, see that electric lights are placed in all the closets, which are turned on with the action of opening the door.
The elaboration of closets, those with drawers of all sizes and depths, cedar closets for furs, etc., is merely a matter of the architect's planning to meet the specific needs of the occupants of any house.
CHAPTER XXXIII TREATMENT OF A NARROW HALLA long, narrow hall in a house, or apartment, is difficult to arrange, but there are methods of treating them which partially corrects their defects. One method is shown on Plate XIV.
The best furnishing is a very narrow console (table) with a stiff, high-backed chair on either side of it, and on the wall, over console, a tapestry, an architectural picture or a family portrait. On the console is placed merely a silver card tray.
Have a closet for wraps if possible, or arrange hooks and a table, out of right, for this purpose. Keep your walls and woodwork light in colour and in the same tone.
An idea for treatment of a narrow hall, where the practical and beautiful are combined. The hall table and candlesticks are an example of the renaissance of iron, elaborately wrought after classic designs.
The mirror over table is framed in green glass, the ornaments are of dull gold (iron gilded).
The Venetian glass jar is in opalescent green, made to hold dried rose leaves, and used here purely as an ornament which catches and reflects the light, important, as the hall is dark.
The iron of table is black touched with gold, and the marble slab dark-green veined with white.
An interesting treatment of a long narrow hall is to break its length with lattice work, which has an open arch, wide enough for one or two people to pass through, the arch surmounted by an urn in which ivy is planted. The lattice work has lines running up and downβnot crossed, as is the usual way. It is on hinges so that trunks or furniture may be carried through the hall, if necessary. The whole is kept in the same colour scheme as the hall.
CHAPTER XXXIV TREATMENT OF A VERY SHADED LIVING-ROOMBy introducing plenty of yellow and orange you can bring sunshine into a dark living-room. If your house is in a part of the country where the heat is great, a dark living-room in summer is sometimes a distinct advantage, so keep the colourings subdued in tone, and, therefore, cool looking. If, on the contrary, the living-room is in a cool house on the ocean, or a shaded mountainside, and the sun is cut off by broad porches, you will cheer up your room, and immensely improve it, by using sun-producing colours in chintzes and silks; while cut flowers or growing plants, which reproduce the same colouring, will intensify the illusion of sunshine.
Sash curtains of thin silk, in bright yellows, are always sun-producing, but if you intend using yellows in a room, be careful to do so in combination with browns, greens, greys, or carefully chosen blues, not with reds or magentas.
Try not to mix warm and cold colours when planning your walls. Grey walls call for dull blue or green curtains; white walls for red or green curtains; cream walls for yellow, brown buff or apple green curtains. If your room is too cold, warm it up by making your accessories, such as lamp shades, and sofa pillows, of rose or yellow material.
CHAPTER XXXV SERVANTS' ROOMSWhether you expect to arrange for one servant or a dozen, keep in mind the fact that efficiency is dependent upon the conditions under which your manor maid-servant rests as well as works, and that it is as important that the bedroom be attractive as that it be comfortable.
For servants' rooms it is advised that the matter of furnishing and decorating be a scheme which includes comfort, daintiness and effectiveness on the simplest, least expensive basis, no matter how elaborate the house. There is a moral principle involved here. In the case of more than one servant the colour scheme alone needs to be varied, for similar furniture will prevent jealousy among the servants, while at the same time the task of inventing is reduced to the mere multiplying of one room; even the wall paper and chintz being alike in pattern, if different in colour.
The simplest iron
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