Personal Reminiscences in Book Making by Robert Michael Ballantyne (motivational books for men TXT) 📕

to for weeks, if not months, to come. But I had pen and ink, and, by great good fortune, was in possession of a blank paper book fully an inch thick.

When, two or three years after, a printer-cousin, seeing the manuscript, offered to print it, and the well-known Blackwood, of Edinburgh, seeing the book, offered to publish it--and did publish it--my ambition was still so absolutely asleep that I did not again put pen to paper in _that_ way for eight years thereafter, although I might have been encouraged thereto by the fact that this first book--named _Hudson's Bay_--besides being a commercial success, received favourable notice from the press.

It was not until the year 1854 that my literary path was opened up. At that time I was a partner in the late publishing firm of Thomas Constable and Company of Edinburgh. Happening one day to meet with the late William Nelson, publisher, I was asked by him how I should like the idea of taking to literature as a profession. My answer I forget. It must have been vague, for I had never thought of the subject at all.

"Well," said he, "what would you think of trying to write a story?"

Somewhat amused, I replied that I did not know what to think, but I would try if he wished me to do so.

"Do so," said he, "and go to work at once,"--or words to that effect.

I went to work at once, and wrote my first story, or work of fiction. It was published in 1855 under the name of _Snowflakes and Sunbeams; or, The Young Fur-traders_. Afterwards the first part of the title was dropped, and the book is now known as _The Young Fur-traders_. From that day to this I have lived by making story-books for young folk.

From what I have said it will be seen that I have never aimed at the achieving of this position, and I hope that it is not presumptuous in me to think--and to derive much comfort from the thought--that God led me into the particular path along which I have walked for so many years.

The scene of my first story was naturally laid in those backwoods with which I was familiar, and the story itself was founded on the adventures and experiences of my companions and myself. When a second book was required of me, I stuck to the same regions, but changed the locality. While casting about in my mind for a suitable subject, I happened to meet with an old, retired "Nor'wester" who had spent an adventurous life in Rupert's Land. Among other duties he had been sent to establish an outpost of the Hudson's Bay Company at Ungava Bay, one of the most dreary parts of a desolate region. On hearing what I wanted, he sat down and wrote a long narrative of his proceedings there, which he placed at my disposal, and thus furnished me with the foundation of _Ungava, a tale of Eskimo-Land_.

But now I had reached the end of my tether, and when a third story was wanted I was compelled to seek new fields of adventure in the books of travellers. Regarding the Southern seas as the most romantic part of the world--after the backwoods!--I mentally and spiritually plunged into those warm waters, and the dive resulted in _The Coral Island_.

It now began to be borne in upon me that there was something not quite satisfactory in describing, expatiating on, and energising in, regions which one has never seen. For one thing, it was needful to be always carefully on the watch to avoid falling into mistakes geographical, topographical, natural-historical, and otherwise.

For instance, despite the utmost care of which I was capable, while studying up for _The Coral Island_, I fell into a blunder through ignorance in regard to a familiar fruit. I was under the impression that cocoa-nuts grew on their trees in the same form as that in which they are usually presented to us in grocers' windows--namely, about the size of a large fist with three spots, suggestive of a monkey's face, at one end. Learning from trustworthy books that at a certain stage of development the nut contains a delicious beverage like lemonade, I sent one of my heroes up a tree for a nut, through the shell of which he bored a hole with a penknife and drank the "lemonade"! It was not till long after the story was published that my own brother--who had voyaged in Southern seas--wrote to draw my attention to the fact that the cocoa-nut is nearly as large as a man's head, and its outer husk over an inch thick, so that no ordinary penknife could bore to its interior! Of course I should have known this, and, perhaps, should be ashamed of my ignorance--but, somehow, I'm not!

I admit that this was a slip, but such, and other slips, hardly justify the remark that some people have not hesitated to make, namely, that I have a tendency to draw the long bow. I feel almost sensitive on this point, for I have always laboured to be true to fact, and to nature, even in my wildest flights of fancy.

This reminds me of the remark made to myself once by a lady in reference to this same _Coral Island_. "There is one thing, Mr Ballantyne," she said, "which I really find it hard to believe. You make one of your three boys dive into a clear pool, go to the bottom, and then, turning on his back, look up and wink and laugh at the other two."

"No, no, Peterkin did not `_laugh_,'" said I remonstratively.

"Well, then, you make him smile."

"Ah, that is true, but there is a vast difference between laughing and smiling under water. But is it not singular that you should doubt the only incident in the story which I personally verified? I happened to be in lodgings at the seaside while writing that story, and, after penning the passage you refer to, I went down to the shore, pulled off my clothes, dived to the bottom, turned on my back, and, looking up, I smiled and winked."

The lady laughed, but I have never been quite sure, from the tone of that laugh, whether it was a laugh of conviction or of unbelief. It is not improbable that my fair friend's mental constitution may have been somewhat similar to that of the old woman who declined to believe her sailor-grandson when he told her he had seen flying-fish, but at once recognised his veracity when he said he had seen the remains of Pharaoh's chariot-wheels on the shores of the Red Sea.

Recognising, then, the difficulties of my position, I formed the resolution always to visit--when possible--the scenes in which my stories were laid, converse with the people who, under modification, were to form the _dramatis personae_ of the tales, and, generally, to obtain information in each case, as far as lay in my power, from the fountain-head.

Thus, when about to begin _The Lifeboat_, I went to Ramsgate, and, for some time, was hand and glove with Jarman, the heroic coxswain of the Ramsgate boat, a lion-like as well as lion-hearted man, who rescued hundreds of lives from the fatal Goodwin Sands during his career. In like manner, when getting up information for _The Lighthouse_, I obtained permission from the Commissioners of Northern Lights to visit the Bell Rock Lighthouse, where I hobnobbed with the three keepers of that celebrated pillar-in-the-sea for three weeks, and read Stevenson's graphic account of the building of the structure in the library, or visitor's room, just under the lantern. I was absolutely a prisoner there during those three weeks, for boats seldom visited the rock, and it need scarcely be said that ships kept well out of our way. By good fortune there came on a pretty stiff gale at the time, and Stevenson's thrilling narrative was read to the tune of whistling winds and roaring seas, many of which sent the spray right up to the lantern and caused the building, more than once, to quiver to its foundation.

In order to do justice to _Fighting the Flames_ I careered through the streets of London on fire-engines, clad in a pea-jacket and a black leather helmet of the Salvage Corps;--this, to enable me to pass the cordon of police without question--though not without recognition, as was made apparent to me on one occasion at a fire by a fireman whispering confidentially, "I know what _you_ are, sir, you're a hamitoor!"

"Right you are," said I, and moved away in order to change the subject.

It was a glorious experience, by the way, this galloping on fire-engines through the crowded streets. It had in it much of the excitement of the chase--possibly that of war--with the noble end in view of saving, instead of destroying, life! Such tearing along at headlong speed; such wild roaring of the firemen to clear the way; such frantic dashing aside of cabs, carts, 'buses, and pedestrians; such reckless courage on the part of the men, and volcanic spoutings on the part of the fires! But I must not linger. The memory of it is too enticing. _Deep Down_ took me to Cornwall, where, over two hundred fathoms beneath the green turf, and more than half-a-mile out under the bed of the sea, I saw the sturdy miners at work winning copper and tin from the solid rock, and acquired some knowledge of their life, sufferings, and toils.

In the land of the Vikings I shot ptarmigan, caught salmon, and gathered material for _Erling the Bold_. A winter in Algiers made me familiar with the _Pirate City_. I enjoyed a fortnight with the hearty inhabitants of the Gull Lightship off the Goodwin Sands, from which resulted _The Floating Light_; and went to the Cape of Good Hope, and up into the interior of the Colony, to spy out the land and hold intercourse with _The Settler and the Savage_--although I am bound to confess that, with regard to the latter, I talked to him only with mine eyes. I also went afloat for a short time with the fishermen of the North Sea, in order to be able to do justice to _The Young Trawler_.

To arrive still closer at the truth, and to avoid errors, I have always endeavoured to submit my proof-sheets, when possible, to experts and men who knew the subject well. Thus, Captain Shaw, late Chief of the London Fire Brigade, kindly read the proofs of _Fighting the Flames_, and prevented my getting off the rails in matters of detail, and Sir Arthur Blackwood, financial secretary to the General Post Office, obligingly did me the same favour in regard to _Post Haste_.

In conclusion, there are some things that I shrink from flaunting in the eyes of the public. Personal religion is one of these. Nevertheless, there are a few words which I feel constrained to write before closing this chapter.

During all the six years that I spent in Rupert's Land I was "without God." He was around me and within me, guarding me, bestowing upon me the physical and mental health by which alone I could fully enjoy a life in the wilderness, and furnishing me with much of the material that was to serve as my stock-in-trade during my subsequent career; yet--I confess it with shame--I did not recognise or think of, or care for, Him. It was not until after I had returned