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M. Ang. Buonaroti, and paintings by the most distinguished artists. We examined them all, and then walked down the nave and remarked the striking effect of the baptistery, seen in perspective through the bronze portals, which you know, I suppose, are covered with relievos of the finest workmanship. These noble valves were thrown wide open, and we passed between to examine the alabaster fount in the baptistery, constructed after the primitive ritual, and exquisitely wrought. Many palm trees appear amongst the carved work, which seems to indicate the former connections of the Pisanese with Palestine.

Our next object was the Campo Santo, which forms one side of the opening in which the cathedral is situated. The walls, and Gothic tabernacle above the entrance, rising from a level turf, appear as fresh as if built within the present century, and, preserving a neat straw colour, have the cleanest effect imaginable. Our guide unlocking the gates, we entered a spacious cloister, forming an oblong quadrangle, enclosing the sacred earth of Jerusalem, conveyed hither about the period of the crusades, in the days of Pisanese prosperity. The holy mould produces a rampant crop of weeds, but none are permitted to spring from the pavement, which is entirely composed of tombs with slabs and monumental inscriptions smoothly laid. Ranges of slender pillars, formed of the whitest marble and glistening in the sun, support the arcades, which are carved with innumerable stars and roses, partly Gothic and partly Saracenial. Strange paintings of hell and the devil, mostly taken from Dante's rhapsodies, cover the walls of these fantastic galleries, attributed to the venerable Giotto and Bufalmacco, whom Boccace mentions in his "Decamerone."

Beneath, along the base of the columns, rows of pagan sarcophagi are placed, to my no small surprise, as I could not have supposed the Pisanese sufficiently tolerant to admit profane sculptures within such consecrated precincts. However, there they are, as well as fifty other contradictory ornaments.

I was quite seized by the strangeness of the place, and paced fifty times round and round the cloisters, discovering at every time some odd novelty. When tired, I seated myself on a fair slab of giallo antico, that looked a little cleaner than its neighbours (which I only mention to identify the precise point of view), and looking through the filigreed covering of the arches, observed the domes of the cathedral, cupola of the baptistery, and roof of the leaning tower rising above the leads, and forming the strangest assemblage of pinnacles perhaps in Europe. The place is neither sad nor solemn; the arches are airy, the pillars light, and there is so much caprice, such an exotic look in the whole scene, that without any violent effort of fancy one might imagine one's self in fairyland. Every object is new, every ornament original; the mixture of antique sarcophagi with Gothic sepulchres, completes the vagaries of the prospect, to which, one day or other, I think of returning, to act a visionary part, hear visionary music, and commune with sprites, for I shall never find in the whole universe besides so whimsical a theatre. It was between ten and eleven when we entered the Campo Santo, and one o'clock struck before I could be persuaded to leave it; and 'twas the sun which then drove me away; whose heat was so powerful that all the inhabitants of Pisa showed their wisdom by keeping within doors. Not an animal appeared in the streets, except five camels laden with water, stalking along a range of garden walls and pompous mansions, with an awning before every door. We were obliged to follow their steps, at least a quarter of a mile, before we reached our inn. Ice was the first thing I sought after, and when I had swallowed an unreasonable portion, I began not to think quite so much of the deserts of Africa, as the heat and the camels had induced me a moment ago.

Early in the afternoon, we proceeded to Livourno through a wild tract of forest, somewhat in the style of our English parks. The trees in some places formed such shady arbours, that we could not resist the desire of walking beneath them, and were well rewarded; for after struggling through a rough thicket, we entered a lawn hemmed in by oaks and chestnuts, which extends several leagues along the coast and conceals the prospect of the ocean; but we heard its murmurs.

Nothing could be smoother or more verdant than the herbage, which was sprinkled with daisies and purple crocuses, as in the month of May. I felt all the genial sensations of Spring steal into my bosom, and was greatly delighted upon discovering vast bushes of myrtle in bloom. The softness of the air, the sound of the distant surges, the evening gleams, and repose of the landscape, quieted the tumult of my spirits, and I experienced the calm of my infant hours. I lay down in the open turf-walks between the shrubberies, listlessly surveyed the cattle browsing at a distance, and the blue hills that rose above the foliage, and bounded the view. During a few moments I had forgotten every care; but when I began to inquire into my happiness, I found it vanish. I felt myself without those I love most, in situations they would have warmly admired, and without them these pleasant meads and woodlands were of little avail.

We had not left this woody region far behind, when the Fanale began to lift itself above the horizon--the Fanale you have so often mentioned; the sky and ocean glowing with amber light, and the ships out at sea appearing in a golden haze, of which we have no conception in our northern climates. Such a prospect, together with the fresh gales from the Mediterranean, charmed me; I hurried immediately to the port and sat on a reef of rocks, listening to the waves that broke amongst them.


LETTER XVI


October 3rd.--I went, as you would have done, to walk on the mole as soon as the sun began to shine upon it. Its construction you are no stranger to; therefore I think I may spare myself the trouble of saying anything about it, except that the port which it embraces is no longer crowded. Instead of ten ranks of vessels there are only three, and those consist chiefly of Corsican galleys, that look as poor and tattered as their masters. Not much attention did I bestow upon such objects, but, taking my seat at the extremity of the quay, surveyed the smooth plains of ocean, the coast scattered over with watch-towers, and the rocky isle of Gorgona, emerging from the morning mists, which still lingered upon the horizon.

Whilst I was musing upon the scene, and calling up all that train of ideas before my imagination, which possessed your own upon beholding it, an ancient figure, with a beard that would have suited a sea-god, stepped out of a boat, and tottering up the steps of the quay, presented himself before me with a basket in his hand. He stayed dripping a few moments before he pronounced a syllable, and when he began his discourse, I was in doubt whether I should not have moved off in a hurry, there was something so wan and singular in his countenance. Except this being, no other was visible for a quarter of a mile at least. I knew not what strange adventure I might be upon the point of commencing, or what message I was to expect from the submarine divinities. However, after all my conjectures, the figure turned out to be no other than an old fisherman, who, having picked up a few large branches of red coral, offered them to sale. I eagerly made the purchase, and thought myself a favourite of Neptune, since he allowed me to acquire for next to nothing some of his most beautiful ornaments.

My bargain thus expeditiously finished, I ran along the quay with my basket of coral, and, jumping into a boat, was rowed back to the gate of the port. The carriage waited there; I filled it with jasmine, shut myself up in the shade of the green blinds, and was driven away at a rate that favoured my impatience. We bowled smoothly over the lawns I attempted describing in my last letter, amongst myrtles in flower, that would have done honour to the island of Juan Fernandes.

Arrived at Pisa, I scarcely allowed myself a moment to revisit the Campo Santo, but, after taking my usual portion of ice and pomegranate-seeds, hurried on to Lucca as fast as horses could carry me, threw the whole idle town into a stare by my speedy return, and gave myself up to Q. Fabio.

Next day (October 4th) was passed in running over my old haunts upon the hills, and bidding farewell to several venerable chestnuts, for which I had contracted a sort of friendship by often experiencing their protection. I could not help feeling some melancholy sensation when I turned round the last time to bid them adieu. Who knows but some dryad enclosed within them was conscious of my gratitude, and noted it down on the bark of her tree? It was late before I finished my excursion, and soon after I had walked as usual upon the ramparts the opera began.


LETTER XVII



FLORENCE, October 5th.



It was not without regret that I forced myself from Lucca. We had all the same road to go over again, that brought us to this important republic, but we broke down by way of variety. The wind was chill, the atmosphere damp and clogged with unwholesome vapours, through which we were forced to walk for a league, whilst our chaise lagged after us.

Taking shelter in a miserable cottage, we remained shivering and shaking till the carriage was in some sort of order, and then proceeded so slowly that we did not arrive at Florence till late in the evening. We found an apartment over the Arno prepared for our reception. The river, swollen with rains, roared like a mountain torrent. Throwing open my windows, I viewed its agitated course by the light of the moon, half concealed in stormy clouds, which hung above the fortress of the Belvedere, and cast a lowering gleam over the hills, which rise above the town, and wave with cypress. I sat contemplating the effect of the shadows on the bridge, on the heights of Boboli, and the mountain covered with pale olive groves, amongst which a convent is situated, till the moon sunk into the darkest quarter of the sky, and a bell began to toll. Its sullen sound filled me with sadness. I closed the casements, called for lights, ran to a harpsichord Vannini had prepared for me, and played somewhat in the strain of Jomelli's Miserere.

October 6th.--Every cloud was dispersed when I arose; the sunbeams glittered on the stream, and the purity and transparency of the tether added new charms to the woody eminences around. Such was the clearness of the air that even objects on the distant mountains were distinguishable. I felt quite revived by the exhilarating prospect, and walked in the splendour of sunshine to the porticos beneath the famous gallery; then to an ancient castle, raised in the days of the republic, which fronts the grand piazza: colossal statues and venerable terms are placed before it. On one side a fountain clung round with antique figures of bronze, by John of Bologna, so admirably wrought as to hold me

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