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For with the growth of the Church, Christianity had become encumbered with doctrines that hardened into dogmas, and by this time a controversy was raging over the rival dogmas upheld by two officers of the Church in Egypt, Athanasius and Arius. Both held that Jesus Christ was the Son of God, but Arius maintained that He had proceeded from the Father and was therefore second to the latter, while Athanasius proclaimed the absolute equality of the Father and the Son. The Council of Nicæa pronounced the latter doctrine to be orthodox and branded the Arian as heresy. The Nicene Creed, in which the orthodox was embodied, was accepted in the West, but in the East, the Arian dogma continued to be held.
Apart, however, from its bearing on this question, the Council of Nicæa was an event of profound importance. This first Œcumenical Council, or Council representative of the whole Christian world, not only was an object lesson of the widespread power of the Church, but also exalted the clergy to a high position of spiritual authority amid the temporal distractions of the time.
Constantine, upon his deathbed, accepted the Christian faith. Some fifty years later Theodosius made Christianity the sole religion of the state and the pagan temples were closed.
By degrees the spiritual power of the Church was reinforced by the temporal. The beginning of this change is sometimes dated from the act of the Frankish king, Pepin, to whom the Pope appealed to stem the attack of the Lombards, then pushing south from their possessions in Northern Italy and threatening Rome. Pepin drove them back and handed over a considerable slice of territory to the Pope, to swell the so-called “Patrimony of St. Peter.” The latter, from this time on, became a source of increasing wealth, which enabled the Popes to maintain armies and play the part of princes in the world of politics.
Meanwhile, the temporal power of the Western Church, centred in the Papacy, had been helped by Constantine’s removal of the capital of the Empire to Constantinople. Two circumstances contributed to the change. By this time the Senate had lost even the semblance of authority, and the real source of government was in the consent of the armies. Secondly, the frontiers chiefly threatened were the eastern ones. Constantine accordingly selected as the site of a Nova Roma, the ancient Greek city of Byzantium. It, too, had its seven hills, occupying a promontory between the Golden Horn and the Sea of Marmora, a spot defended, as well as beautified, by nature and already an important gateway of commerce, both by sea and land, between Europe and the East. Constantine planned the new city of Constantinople on extensive lines and set an example of magnificent building that was continued by his successors; so that Constantinople continued for a thousand years to be the Eastern bulwark of European civilisation, until it was conquered by the Moslems in 1453.
Among the results of this change of the capital was, firstly, that the Empire gradually separated into East and West; secondly, that Constantinople became the centre of culture, and, as darkness settled down upon the West, the almost sole refuge of learning and the arts. In the beginning Roman architects directed the character of the new city, but even then the artisans who executed the work were either Byzantines or Greeks, attracted to the new city from various parts of Hellas and Asia Minor. In consequence architecture and the other arts gradually became impressed with a new character, which, for convenience’ sake, is styled Byzantine. It represents, in the case of architecture, a mixture of Roman, Greek, and Oriental; and involved, as we shall see, the treatment of old principles in a new spirit of invention.
The change was encouraged by the contact of Byzantium with Eastern and African civilisation. For as the Western Empire declined in power, the Eastern grew; extending its sway in Asia, where it came into conflict with the Parthians and Persians, and along the northern littoral of Africa. The Metropolitan Bishop of Byzantium became to the Eastern Churches what the Metropolitan Bishop of Rome was to the Western; and exercised a spiritual headship over the Coptic Church in Alexandria, the Syrian Church in Antioch, the Nestorian Church in Ctesiphon, and the Armenian in Asia. Over this widely spread area religious art flourished, coloured in each locality by racial influences, all of which influences in a measure reacted upon the capital city of Byzantium.
Meanwhile, in the West, the Church was labouring to reorganise a settled condition of society by assisting the consolidation of authority. A case in point is the welding of the Frankish tribes into some semblance of a nation. By 486 they had found a great leader in Clovis, who led them across the Rhine, conquered the Romans at Soissons, and proceeded to extend his sway over Gaul. To consolidate his power he married Clotilda, a princess of the Burgundian Goths, and accepted her faith of Christianity. It chanced that she professed the orthodox belief, unlike the majority of the Burgundians and the other German tribes at this time in Gaul, who were Arians. Consequently the Roman Church threw the weight of its influence on the side of Clovis and helped him to found a monarchy in France that endured under the title of Merovingian, so called from Merovech, the grandfather of Clovis.
In time the vigour of the Merovingian kings declined, until the actual power was wielded by the steward of the royal household, the Mayor of the Palace. Gradually this office became hereditary in a dynasty of rulers known as Carolingian or Charles Dynasty. The first great Charles was Mayor Charles, surnamed Martel or the Hammer; the last, Charlemagne, or Charles the Great. The former derived his name from the crushing blows he inflicted upon his enemies, particularly the Saracens, the followers of Mohammed, who by this time (732) had replaced the Vandals along the north coast of Africa, conquered the Visigoths in Spain, and were threatening France. Charles met them at Poictiers or Tours, and in a complete victory saved Christianity to Europe.
Charles remained simply Mayor; but the title of King was assumed by his son, Pepin, who was first elected by the Franks and then anointed by the Church, thus ascending the throne with the consent of the Pope. We have already noted how he repaid the debt. He was succeeded by his son Charlemagne, whose dream was to found an empire upon the ruins of the Roman. It was fulfilled to the point that he extended Frankish sway over Germany, as far as the Elbe, and into Italy. In the last named country he conquered the Lombards and signalised the completeness of the conquest by assuming the iron crown of Lombardy. On Christmas Day, A.D. 800, as he was kneeling at prayer in the Church of St. Peter in Rome, Pope Leo III crowned him Emperor of the Romans.
It was the aim of Charlemagne to establish his government on Roman lines, to which end he reintroduced Roman laws and methods of civilisation and ordained that Latin should be the official language. The city selected as his capital was Aachen—Aix-la-Chapelle.
S. APOLLINARE NUOVO, RAVENNA
Showing Classical Columns and “Impost”: Mosaics; Arch of Triumph and Apse. P. 201
S. APOLLINARE-IN-CLASSE, RAVENNA
Exterior of Apse. Detached Campanile. P. 201
CHURCH OF KALB-LAUZEH, SYRIA
Showing Apse, Wooden Roof, Supported by Small Columns on Corbels; Round Arches on Piers. P. 200
CHURCH OF TURMANIN, SYRIA
Rudiments of Subsequent Romanesque and Gothic Treatment of West Front. P. 200
CHAPTER IIEARLY CHRISTIAN AND BYZANTINE ARCHITECTURE
When the “Peace of the Church” had been proclaimed by Constantine and Christians were able to worship openly, the age of church-building commenced, the Emperor himself setting a lead. After the edict of Theodosius, making Christianity the State religion, many of the pagan temples were adapted to the purposes of the Christian ritual, or their columns and decorative features were appropriated for the building of new churches. The former practice accounts for the preservation of the Parthenon, Erechtheion, and the Temple of Theseus at Athens. An instance of the method of conversion is to be traced in the Cathedral of Syracuse, Sicily, which occupies the site of an ancient temple. Walls were built between the Doric columns of the peristyle, while the walls of the cella were pierced so as to communicate with the peristyle, which thus served as aisles. Another instance is that of a temple in Aphrodisias, in Caria, Asia Minor, where the walls of the cella were entirely removed, and walls were built outside the peristyle to form aisles, while to increase the length of the nave the front and rear portico columns were set in line with the others.
Basilican Plan.—These changes coincided with the general adoption of the basilica plan in the case of new buildings. For the early Christian churches show very little regard for the appearance of the exterior. Attention was concentrated on the interior, in fitting it for ritual worship and in beautifying it, and to both these objects the basilica plan most readily contributed.
The earliest example in Rome of a church so planned is that of St. John Lateran, which, however, has been completely remodelled by subsequent additions. The next in point of time was the Cathedral Church of St. Peter, erected near the spot in which the saint was martyred in the circus of Nero. It was torn down in 1506 to make room for the present cathedral commenced by Julius II; but the appearance of its principal façade is known from Raphael’s mural painting “Incendio del Borgo,” in the stanze of the Vatican, and there is a record of its plan. The latter shows that the basilica building was approached by an atrium, surrounded by either colonnades or arcades, enclosing a rectangular space, open to the sky and having a fountain in the centre. With the water the worshippers sprinkled themselves, a symbol of purification still preserved in the “holy-water” vessel, placed inside the entrance of Roman Catholic churches.
The end arcade, abutting on the church proper, was used by penitents and called the narthex. The body of the church was divided, as in the basilica halls, into central nave and side aisles—the latter sometimes double. Across the end of the nave extended the bema or sanctuary, corresponding to the space raised and enclosed for litigants and lawyers in the basilica. Its ends projected beyond the line of the main building, forming rudimentary transepts, which may have been used as sacristies for the robing of the clergy and the preservation of the sacred vessels and other ritual objects. The central part of the bema was elevated and occupied by the altar which was surmounted by a baldachino or canopy, supported on four columns. Behind the altar was the apse, lined with seats; those of the Roman assessors being now occupied by the presbyters, while the centre one of the quæster or praetor became the bishop’s throne. For the transference of the latter to the side of the choir was of later date.
The officiating priest stood behind the altar, facing the congregation and the east. For as yet the main façade was not the western, a fact of interest when we recall that while the Hellenic architects built facing the four points of the compass and made the chief entrance on
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