The Grammar of English Grammars by Goold Brown (free ebook reader .txt) 📕

OBS. 3.—"Language," says Dr. Rush, "was long ago analyzed into its alphabetic elements. Wherever this analysis is known, the art of teaching language has, with the best success, been conducted upon the rudimental method." * * * "The art of reading consists in having all the vocal elements under complete command, that they may be properly applied, for the vivid and elegant delineation of the sense and sentiment of discourse."—Philosophy of the Voice, p. 346. Again, of "the pronunciation of the alphabetic elements," he says, "The least deviation from the assumed standard converts the listener into the critic; and I am surely speaking within bounds when I say, that for every miscalled element in discourse, ten succeeding words are lost to the greater part of an audience."—Ibid., p. 350. These quotations plainly imply both the practicability and the importance of teaching the pronunciation of our language analytically by means of its present orthography, and agreeably to the standard assumed by the grammarians. The first of them affirms that it has been done, "with the best success," according to some ancient method of dividing the letters and explaining their sounds. And yet, both before and afterwards, we find this same author complaining of our alphabet and its subdivisions, as if sense or philosophy must utterly repudiate both; and of our orthography, as if a ploughman might teach us to spell better: and, at the same time, he speaks of softening his censure through modesty. "The deficiencies, redundancies, and confusion, of the system of alphabetic characters in this language, prevent the adoption of its subdivisions in this essay."—Ib., p. 52. Of the specific sounds given to the letters, he says, "The first of these matters is under the rule of every body, and therefore is very properly to be excluded from the discussions of that philosophy which desires to be effectual in its instruction. How can we hope to establish a system of elemental pronunciation in a language, when great masters in criticism condemn at once every attempt, in so simple and useful a labour as the correction of its orthography!"—P. 256. Again: "I deprecate noticing the faults of speakers, in the pronunciation of the alphabetic elements. It is better for criticism to be modest on this point, till it has the sense or independence to make our alphabet and its uses, look more like the work of what is called—wise and transcendent humanity: till the pardonable variety of pronunciation, and the true spelling by the vulgar, have satirized into reformation that pen-craft which keeps up the troubles of orthography for no other purpose, as one can divine, than to boast of a very questionable merit as a criterion of education."—Ib., p. 383.

OBS. 4.—How far these views are compatible, the reader will judge. And it is hoped he will excuse the length of the extracts, from a consideration of the fact, that a great master of the "pen-craft" here ridiculed, a noted stickler for needless Kays and Ues, now commonly rejected, while he boasts that his grammar, which he mostly copied from Murray's, is teaching the old explanation of the alphabetic elements to "more than one hundred thousand children and youth," is also vending under his own name an abstract of the new scheme of "tonicks, subtonicks, and atonicks;" and, in one breath, bestowing superlative praise on both, in order, as it would seem, to monopolize all inconsistency. "Among those who have successfully laboured in the philological field, Mr. Lindley Murray stands forth in bold relief, as undeniably at the head of the list."—Kirkham's Elocution, p. 12. "The modern candidate for oratorical fame, stands on very different, and far more advantageous, ground, than that occupied by the young and aspiring Athenian; especially since a correct analysis of the vocal organs, and a faithful record of their operations, have been given to the world by Dr. James Rush, of Philadelphia—a name that will outlive the unquarried marble of our mountains."—Ibid., p. 29. "But what is to be said when presumption pushes itself into the front ranks of elocution, and thoughtless friends undertake to support it? The fraud must go on, till presumption quarrels, as often happens, with its own friends, or with itself, and thus dissolves the spell of its merits."—Rush, on the Voice, p. 405.

OBS. 5.—The question respecting the number of simple or elementary sounds in our language, presents a remarkable puzzle: and it is idle, if not ridiculous, for any man to declaim about the imperfection of our alphabet and orthography, who does not show himself able to solve it. All these sounds may easily be written in a plain sentence of three or four lines upon almost any subject; and every one who can read, is familiar with them all, and with all the letters. Now it is either easy to count them, or it is difficult. If difficult, wherein does the difficulty lie? and how shall he who knows not what and how many they are, think himself capable of reforming our system of their alphabetic signs? If easy, why do so few pretend to know their number? and of those who do pretend to this knowledge, why are there so few that agree? A certain verse in the seventh chapter of Ezra, has been said to contain all the letters. It however contains no j; and, with respect to the sounds, it lacks that of f, that of th sharp, and that of u in bull. I will suggest a few additional words for these; and then both all the letters, and all the sounds, of the English language, will be found in the example; and most of them, many times over: "'And I, even I, Artaxerxes, the king, do make a decree to all the treasurers' who 'are beyond the river, that whatsoever Ezra the priest, the scribe of the law of the God of heaven, shall require of you, it be done speedily' and faithfully, according to that which he shall enjoin." Some letters, and some sounds, are here used much more frequently than others; but, on an average, we have, in this short passage, each sound five times, and each letter eight. How often, then, does a man speak all the elements of his language, who reads well but one hour!

OBS. 6.—Of the number of elementary sounds in our language, different orthoëpists report differently; because they cannot always agree among themselves, wherein the identity or the simplicity, the sameness or the singleness, even of well-known sounds, consists; or because, if each is allowed to determine these points for himself, no one of them adheres strictly to his own decision. They may also, each for himself, have some peculiar way of utterance, which will confound some sounds which other men distinguish, or distinguish some which other men confound. For, as a man may write a very bad hand which shall still be legible, so he may utter many sounds improperly and still be understood. One may, in this way, make out a scheme of the alphabetic elements, which shall be true of his own pronunciation, and yet have obvious faults when tried by the best usage of English speech. It is desirable not to multiply these sounds beyond the number which a correct and elegant pronunciation of the language obviously requires. And what that number is, it seems to me not very difficult to ascertain; at least, I think we may fix it with sufficient accuracy for all practical purposes. But let it be remembered, that all who have hitherto attempted the enumeration, have deviated more or less from their own decisions concerning either the simplicity or the identity of sounds; but, most commonly, it appears to have been thought expedient to admit some exceptions concerning both. Thus the long or diphthongal sounds of I and U, are admitted by some, and excluded by others; the sound of j, or soft g, is reckoned as simple by some, and rejected as compound by others; so a part, if not all, of what are called the long and the short vowels, as heard in ale and ell, arm and am, all and on, isle or eel and ill, tone and tun, pule or pool and pull, have been declared essentially the same by some, and essentially different by others. Were we to recognize as elementary, no sounds but such as are unquestionably simple in themselves, and indisputably different in quality from all others, we should not have more sounds than letters: and this is a proof that we have characters enough, though the sounds are perhaps badly distributed among them.

OBS. 7.—I have enumerated thirty-six well known sounds, which, in compliance with general custom, and for convenience in teaching. I choose to regard as the oral elements of our language. There may be found some reputable authority for adding four or five more, and other authority as reputable, for striking from the list seven or eight of those already mentioned. For the sake of the general principle, which we always regard in writing, a principle of universal grammar, that there can be no syllable without a vowel, I am inclined to teach, with Brightland, Dr. Johnson, L. Murray, and others, that, in English, as in French, there is given to the vowel e a certain very obscure sound which approaches, but amounts not to an absolute suppression, though it is commonly so regarded by the writers of dictionaries. It may be exemplified in the words oven, shovel, able;[99] or in the unemphatic article the before a consonant, as in the sentence, "Take the nearest:" we do not hear it as "thee nearest," nor as "then carest," but more obscurely. There is also a feeble sound of i or y unaccented, which is equivalent to ee uttered feebly, as in the word diversity. This is the most common sound of i and of y. The vulgar are apt to let it fall into the more obscure sound of short u. As elegance of utterance depends much upon the preservation of this sound from such obtuseness, perhaps Walker and others have done well to mark it as e in me; though some suppose it to be peculiar, and others identify it with the short i in fit. Thirdly, a distinction is made by some writers, between the vowel sounds heard in hate and bear, which Sheridan and Walker consider to be the same. The apparent difference may perhaps result from the following consonant r, which is apt to affect the sound of the vowel which precedes it. Such words as bear, care, dare, careful, parent, are very liable to be corrupted in pronunciation, by too broad a sound of the a; and, as the multiplication of needless distinctions should be avoided, I do not approve of adding an other sound to a vowel which has already quite too many. Worcester, however, in his new Dictionary, and Wells, in his new Grammar, give to the vowel A six or seven sounds in lieu of four; and Dr. Mandeville, in his Course of Reading, says, "A has eight sounds."—P. 9.

OBS. 8.—Sheridan made the elements of his oratory twenty-eight. Jones followed him implicitly, and adopted the same number.[100] Walker recognized several more, but I know not whether he has anywhere told us how many there are. Lindley Murray enumerates thirty-six, and the same thirty-six that are given in the main text above. The eight sounds not counted by Sheridan are these: 1. The Italian a, as in far, father, which he reckoned but a lengthening of the a in hat; 2. The short o, as in hot, which he supposed to be but a shortening of the a in hall; 3. The diphthongal i, as in isle, which he thought but a quicker union of the sounds of the diphthong oi, but which, in my opinion, is rather a very quick union of the sounds ah and ee into ay, I;[101] 4. The long u, which is acknowledged to be equal to yu or yew, though perhaps a little different from you or yoo,[102] the sound given it by Walker; 5. The u heard in pull, which he considered but a shortening of oo; 6. The consonant w, which he conceived to be always a vowel, and equivalent to oo; 7. The consonant y, which he made equal to a short ee; 8. The consonant h, which he declared to be no letter, but a mere breathing, In all other respects, his scheme of the alphabetic elements agrees with that which is adopted in this work, and which is now most commonly taught.

OBS. 9.—The effect of Quantity in the prolation of the vowels, is a matter with which every reader ought to be experimentally acquainted. Quantity is simply the