A Mad Marriage by May Agnes Fleming (mini ebook reader .TXT) 📕
I threw off my shawl and bonnet, laughing for fear I should break down and cry, and took my seat. As I did so, there came a loud knock at the door. So loud, that Jessie nearly dropped the snub-nosed teapot.
"Good gracious, Joan! who is this?"
I walked to the door and opened it--then fell back aghast. For firelight and candlelight streamed full across the face of the lady I had seen at the House to Let.
"May I come in?"
She did not wait for permission. She walked in past me, straight to the fire, a
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Felicia—that utterly vile and abandoned creature? Is it possible you
pity her?”
“With all my heart, Gordon—more, almost, than I pity myself, and I do
pity myself,” France said, with a wistful sort of pathos in her voice.
“I was so happy—so happy!”
He stood for a moment silent—struggling, it seemed, with his own
rebellious heart. The angry glow faded from his face. In its place an
infinite sadness came.
“When did she come? Will you tell me what she said?” he asked.
“She came this afternoon—about three. It seems like a whole lifetime
ago, somehow,” France answered, in the same weary way, passing her hand
across her eyes; “and she told me she was your—your wife.”
And then suddenly her strength breaks down, her voice falters and fails,
and she clenches her hands together, and is silent.
“She is no wife of mine!” he says, fiercely. “Years ago the law freed me
from the maddest marriage ever madman made. France, why should we
sacrifice the happiness of our whole lives to her? Let us set her at
defiance. She is no more to me—and you know it—than any of the painted
women who danced with her last night. She shall not part us. She shall
not blight your life as she has mine. France, I cannot give you
up—don’t look at me like that—I tell you I will not give you up. You
shall be my wife.”
She made no struggle as he held her hands. She stood and looked at him,
in grave calm.
“Let me go, Gordon!” is all she says, and with a sort of groan, he
obeys. “I can never be your wife now, and you know it. I am sorry for
you, sorry for myself, sorrier than I can say; only if we are to part
friends, never speak to me again like that.”
He turned from her, his brows knit, his lips set.
“Forgive me,” he said, bitterly; “I will not offend again. It is easy
for you, no doubt, to give me up; I was but a doubtful prize from first
to last—no one knows it better than I; but you see it is not quite so
easy for me. I have grown to love you, in the mad and idiotic way in
which I have done most things all my life; and that woman (whom you
honor with your pity, by the way,) has made such an utter failure of the
best part of it, that now, when hope and happiness were mine once more,
it seems rather hard she should crop up to make an end of it all. I
have earned my retribution richly, I am aware—all the same, it is
bitter to bear.”
She looked down at him with eyes of sorrowful wonder and reproach. Was
this Gordon—her hero, her “man of men?”
“Easy for me!” she repeated, her lips quivering. “You were but a
‘doubtful prize’ from the first! Ah, I have not deserved that. I don’t
know whether hearts break—I suppose not, but I feel as if mine were
breaking to-night. See, Gordon! I love you so dearly—so greatly, that
there is nothing on earth I would not do for you, suffer for you,
only—commit a crime. And to marry a man whose divorced wife lives, is
to my mind one of the blackest, most heinous crimes any woman can
commit. All my life I will love you—I could not help that if I
would—all my life I will be true to you, all my life I will pray for
you. Only don’t say bitter and cynical things any more—it is hard
enough to bear without that.”
Her words, her tone, touch him strangely and tenderly. The anger, the
fierce temptation—each dies out, never to return. There is even the
shadow of a smile on his lips as he looks up.
“‘I could not love thee, dear, so much,
Loved I not honor more!’”
he murmurs. “Forgive me, France; you are right, as you always are—you
are all that is brave, and noble, and womanly. Only—that does not make
the losing you any the easier.”
And then there is silence, and both look out at the gaslit panorama
below, while the heavy minutes pass. So long the silence lasts, that
France grows frightened, and breaks it with an effort.
“You knew her last night?” she asks.
“At once,” he answers, in a dull, slow way; “the very moment she
appeared. France, do you recollect the night of Lady Dynely’s ball last
autumn? I saw her portrait that night—the vignette, you remember, on Di
Venturini’s waltzes; and I recognized the face. But I would not
believe it—it seemed too horrible to be true. It was some one who
resembled her, I said to myself—a relation, perhaps; but she was
dead—dead beyond doubt. It is easy to believe what we wish to believe.
I never thought of her again until she stood before me on the stage.”
“I knew by your face something had happened,” France says, softly, “but
I never dreamed of that.”
“How could you? Oh, my poor child, it is not alone that she spoils my
life, but to think she should have power to spoil yours! To think that
you should suffer for my sins at this late day.”
“We all suffer for the sins of others,” France says, and somehow says it
bravely. “We might all safely take the battle-cry of the strong old
Crusaders for our staff of strength, ‘God Wills It.’ It is
inevitable—don’t let us talk of it—since it is no longer a question of
talking, but endurance. You saw her this morning?”
“I did. I wished to make assurance doubly sure, as they say, before I
came to you. For I knew what you would say—that the decree of divorce,
which freed me seventeen years ago, would be no freedom in your eyes.
And, my darling, the thought of losing you was, and is, more bitter than
the bitterness of death.”
“Don’t!” she says, with a gasp, “don’t! don’t!”
“I saw her,” he went on, “and I knew all hope was at an end. The girl I
had married seventeen years ago in Canada was before me—Madame Felicia.
I lingered but a few moments—it was her hour of vengeance, and I think
even she was satisfied. And the child is with her—did she tell you
that?”
“Yes—she told me. Oh, Gordon! if she would but give her up.”
“She shall give her up,” Gordon Caryll said, his mouth setting hard
and tense beneath his beard; “if not by fair means, then by foul. She is
no fit guardian for any young girl. Terry Dennison will help me here;
and, one way or other, my daughter shall come into my keeping.”
“Terry?” Miss Forrester said, in surprise.
As briefly as possible Caryll narrated the odd manner in which Terry
had been instrumental in bringing the girl to her mother.
“Dennison can keep a secret—I know no man I would trust as I do him.
You will not mind my telling him all, France? All?”
“No,” she answered; “you may tell Terry, but—not Eric.”
“Eric!” Caryll repeated contemptuously; “Eric is a fool! And my mother
must know.”
“Your mother, of course. Ah, poor grandmamma! it will be a blow to her.”
He caught at her words.
“Must I really go, France—really and truly—and leave you and my mother
alone?”
“Gordon, you know you must.”
“I don’t know it,” he said, recklessly; “if you cannot be my wife, at
least we can be friends, and together—”
“We can never be together. You can do as you please,” her head drooping,
her voice faltering; “it is your place to stay with your mother, of
course. I will ask Lady Dynely to take me back to England at once.”
“Stay, France!” he said, rising hastily. “Forgive me once more. No, I
will go—it will be best so; and immediately—to-morrow.”
Then again silence fell, and both stood apart, neither able to speak the
words that must come next. In five minutes they must say good-by and
forever.
A carriage whirled up before the hotel. The door opened, and Eric,
looking unutterably bored by his day’s “on duty,” got out and assisted
his wife and mother to alight.
“Here they are,” Caryll exclaimed, starting back. “I cannot meet then,
any of them. Make my adieux to Lucia to-morrow; tell her, if you like, I
shall not see her again. France—”
And then he was clasping both her hands hard, and looking in her face
with that straining gaze we look on the face we love best the instant
before the coffin-lid is shut down.
“Oh, Gordon!” she cried out, “where will you go?”
“I don’t know, I don’t care—what does it matter?”
“You will write to—to your mother?”
“Yes, I will write. I will see her now and say good-by. I will see
Dennison, too, before I leave Paris. Oh, my France! my France! how can I
give you up!”
There were footsteps and voices in the hall—on the stairs. One moment
and the Dynelys would be upon them.
“Good-by, France! good-by! good-by!”
And then he was gone. And France, breathless, and white, had fallen upon
the sofa, feeling as though the whole world had come to an end.
CHAPTER X.
“IF ANY CALM, A CALM DESPAIR.”
If they would not come in, if she could be alone—that seemed the only
thought of which France was conscious, as she lay there, utterly unable
for the time being to speak or move, knowing, in a dazed sort of way,
what a ghastly face the wax-lights would show them. Oh, to be alone—to
be alone!
She had her wish. A swish of silk, a flutter of perfume, the saloon door
flung wide, and Lady Dynely’s voice saying, impatiently:
“All darkness, and coldness, and solitude. Where can they be? where is
France?”
“With Mrs. Caryll, mamma,” Crystal’s soft voice suggests. “It looks
dreary—that great, gilded saloon; let us go up to your boudoir.”
So they go, and France feels as though she had escaped some great
danger. She rises, feeling stiff and strange, and gropes her way out
through the darkness, and up to her own room. She has to pass Mrs.
Caryll’s door; she pauses a moment, while a passionate longing to enter
there, at all risks, to look on his face once more, even to bid him
stay, seizes her. Her wedding day is so near—oh, so near—and they have
been so infinitely happy together. What right has that wicked, dancing,
painted woman to come and tear them apart? For a moment she listens to
the tempter, then she clasps her hands over her eyes, and rushes up to
her room. Lights are burning here; she locks the door, and throws
herself on the bed, there to lie motionless, sleepless, all the long
night through.
The Dynelys dine alone. No one can tell, it seems, what has become of
the Carylls and Miss Forrester. Mrs. Caryll’s room is forbidden—her
mistress is ill to-night, the maid gravely tells Lady Dynely. Even she
cannot be admitted. Miss Forrester’s door is locked, and Miss Forrester
may be deaf or dead for all the attention she pays to knocks or calls.
It is really very odd, and Lady Dynely wonders about it, all through the
rather dull family dinner, to her son and daughter.
Rather dull! It is horribly dull to Eric. He forfeits a banquet at
Francetti’s this evening, with half a dozen congenial spirits, for this
“bosom-of-his-family” sort of thing, and
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