The Wisdom of Father Brown by G. K. Chesterton (inspiring books for teens .TXT) 📕

“Not so extraordinary as the answer,” remarked Father Brown rather gloomily. “Miss Carstairs, will you be at home if we call at your Fulham place in an hour and a half hence?”

The girl looked at him, and then rose and put her gloves on. “Yes,” she said, “I’ll be there”; and almost instantly left the place.

That night the detective and the priest were still talking of the matter as they drew near the Fulham house, a tenement strangely mean even for a temporary residence of the Carstairs family.

“Of course the superficial, on reflection,” said Flambeau, “would think first of this Australian brother who’s been in trouble before, who’s come back so suddenly and who’s just the man to have shabby confederates. But I can’t see how he can come into the thing by any process of thought, unless…”

“Well?” asked his companion patiently.

Flambeau lowered his voice. “Unless the girl’s lover comes in, too, and he would be the blacker villain. The Australian chap did know that Hawker wanted the coin. But I can’t see how on earth he could know that Hawker had got it, unless Hawker signalled to him or his representative across the shore.”

“That is true,” assented the priest, with respect.

“Have you noted another thing?” went on Flambeau eagerly. “this Hawker hears his love insulted, but doesn’t strike till he’s got to the soft sand-hills, where he can be victor in a mere sham-fight. If he’d struck amid rocks and sea, he might have hurt his ally.”

“That is true again,” said Father Brown, nodding.

“And now, take it from the start. It lies between few people, but at least three. You want one person for suicide; two people for murder; but at least three people for blackmail”

“Why?” asked the priest softly.

“Well, obviously,” cried his friend, “there must be one to be exposed; one to threaten exposure; and one at least whom exposure would horrify.”

After a long ruminant pause, the priest said: “You miss a logical step. Three persons are needed as ideas. Only two are needed as agents.”

“What can you mean?” asked the other.

“Why shouldn’t a blackmailer,” asked Brown, in a low voice, “threaten his victim with himself? Suppose a wife became a rigid teetotaller in order to frighten her husband into concealing his pub-frequenting, and then wrote him blackmailing letters in another hand, threatening to tell his wife! Why shouldn’t it work? Suppose a father forbade a son to gamble and then, following him in a good disguise, threatened the boy with his own sham paternal strictness! Suppose—but, here we are, my friend.”

“My God!” cried Flambeau; “you don’t mean—”

An active figure ran down the steps of the house and showed under the golden lamplight the unmistakable head that resembled the Roman coin. “Miss Carstairs,” said Hawker without ceremony, “wouldn’t go in till you came.”

“Well,” observed Brown confidently, “don’t you think it’s the best thing she can do to stop outside—with you to look after her? You see, I rather guess you have guessed it all yourself.”

“Yes,” said the young man, in an undertone, “I guessed on the sands and now I know; that was why I let him fall soft.”

Taking a latchkey from the girl and the coin from Hawker, Flambeau let himself and his friend into the empty house and passed into the outer parlour. It was empty of all occupants but one. The man whom Father Brown had seen pass the tavern was standing against the wall as if at bay; unchanged, save that he had taken off his black coat and was wearing a brown dressing-gown.

“We have come,” said Father Brown politely, “to give back this coin to its owner.” And he handed it to the man with the nose.

Flambeau’s eyes rolled. “Is this man a coin-collector?” he asked.

“This man is Mr Arthur Carstairs,” said the priest positively, “and he is a coin-collector of a somewhat singular kind.”

The man changed colour so horribly that the crooked nose stood out on his face like a separate and comic thing. He spoke, nevertheless, with a sort of despairing dignity. “You shall see, then,” he said, “that I have not lost all the family qualities.” And he turned suddenly and strode into an inner room, slamming the door.

“Stop him!” shouted Father Brown, bounding and half falling over a chair; and, after a wrench or two, Flambeau had the door open. But it was too late. In dead silence Flambeau strode across and telephoned for doctor and police.

An empty medicine bottle lay on the floor. Across the table the body of the man in the brown dressing-gown lay amid his burst and gaping brown-paper parcels; out of which poured and rolled, not Roman, but very modern English coins.

The priest held up the bronze head of Caesar. “This,” he said, “was all that was left of the Carstairs Collection.”

After a silence he went on, with more than common gentleness: “It was a cruel will his wicked father made, and you see he did resent it a little. He hated the Roman money he had, and grew fonder of the real money denied him. He not only sold the Collection bit by bit, but sank bit by bit to the basest ways of making money— even to blackmailing his own family in a disguise. He blackmailed his brother from Australia for his little forgotten crime (that is why he took the cab to Wagga Wagga in Putney), he blackmailed his sister for the theft he alone could have noticed. And that, by the way, is why she had that supernatural guess when he was away on the sand-dunes. Mere figure and gait, however distant, are more likely to remind us of somebody than a well-made-up face quite close.”

There was another silence. “Well,” growled the detective, “and so this great numismatist and coin-collector was nothing but a vulgar miser.”

“Is there so great a difference?” asked Father Brown, in the same strange, indulgent tone. “What is there wrong about a miser that is not often as wrong about a collector? What is wrong, except… thou shalt not make to thyself any graven image; thou shalt not bow down to them nor serve them, for I…but we must go and see how the poor young people are getting on.”

“I think,” said Flambeau, “that in spite of everything, they are probably getting on very well.”

The Purple Wig

MR EDWARD NUTT, the industrious editor of the Daily Reformer, sat at his desk, opening letters and marking proofs to the merry tune of a typewriter, worked by a vigorous young lady.

He was a stoutish, fair man, in his shirt-sleeves; his movements were resolute, his mouth firm and his tones final; but his round, rather babyish blue eyes had a bewildered and even wistful look that rather contradicted all this. Nor indeed was the expression altogether misleading. It might truly be said of him, as for many journalists in authority, that his most familiar emotion was one of continuous fear; fear of libel actions, fear of lost advertisements, fear of misprints, fear of the sack.

His life was a series of distracted compromises between the proprietor of the paper (and of him), who was a senile soap-boiler with three ineradicable mistakes in his mind, and the very able staff he had collected to run the paper; some of whom were brilliant and experienced men and (what was even worse) sincere enthusiasts for the political policy of the paper.

A letter from one of these lay immediately before him, and rapid and resolute as he was, he seemed almost to hesitate before opening it. He took up a strip of proof instead, ran down it with a blue eye, and a blue pencil, altered the word “adultery” to the word “impropriety,” and the word “Jew” to the word “Alien,” rang a bell and sent it flying upstairs.

Then, with a more thoughtful eye, he ripped open the letter from his more distinguished contributor, which bore a postmark of Devonshire, and read as follows:

DEAR NUTT,—As I see you’re working Spooks and Dooks at the same time, what about an article on that rum business of the Eyres of Exmoor; or as the old women call it down here, the Devil’s Ear of Eyre? The head of the family, you know, is the Duke of Exmoor; he is one of the few really stiff old Tory aristocrats left, a sound old crusted tyrant it is quite in our line to make trouble about. And I think I’m on the track of a story that will make trouble.

Of course I don’t believe in the old legend about James I; and as for you, you don’t believe in anything, not even in journalism. The legend, you’ll probably remember, was about the blackest business in English history—the poisoning of Overbury by that witch’s cat Frances Howard, and the quite mysterious terror which forced the King to pardon the murderers. There was a lot of alleged witchcraft mixed up with it; and the story goes that a man-servant listening at the keyhole heard the truth in a talk between the King and Carr; and the bodily ear with which he heard grew large and monstrous as by magic, so awful was the secret. And though he had to be loaded with lands and gold and made an ancestor of dukes, the elf-shaped ear is still recurrent in the family. Well, you don’t believe in black magic; and if you did, you couldn’t use it for copy. If a miracle happened in your office, you’d have to hush it up, now so many bishops are agnostics. But that is not the point The point is that there really is something queer about Exmoor and his family; something quite natural, I dare say, but quite abnormal. And the Ear is in it somehow, I fancy; either a symbol or a delusion or disease or something. Another tradition says that Cavaliers just after James I began to wear their hair long only to cover the ear of the first Lord Exmoor. This also is no doubt fanciful.

The reason I point it out to you is this: It seems to me that we make a mistake in attacking aristocracy entirely for its champagne and diamonds. Most men rather admire the nobs for having a good time, but I think we surrender too much when we admit that aristocracy has made even the aristocrats happy. I suggest a series of articles pointing out how dreary, how inhuman, how downright diabolist, is the very smell and atmosphere of some of these great houses. There are plenty of instances; but you couldn’t begin with a better one than the Ear of the Eyres. By the end of the week I think I can get you the truth about it.—Yours ever, FRANCIS FINN.

Mr Nutt reflected a moment, staring at his left boot; then he called out in a strong, loud and entirely lifeless voice, in which every syllable sounded alike: “Miss Barlow, take down a letter to Mr Finn, please.”

DEAR FINN,—I think it would do; copy should reach us second post Saturday.—Yours, E. NUTT.

This elaborate epistle he articulated as if it were all one word; and Miss Barlow rattled it down as if it were all one word. Then he took up another strip of proof and a blue pencil, and altered the word “supernatural” to the word “marvellous”, and the expression “shoot down” to the expression “repress”.

In such happy, healthful activities did Mr Nutt disport himself, until the ensuing Saturday found him at the same desk, dictating to the same typist, and using the same blue pencil on the first instalment of Mr Finn’s revelations. The opening was a sound piece of slashing invective about the evil secrets of princes, and despair in the high places of the