I Say No by Wilkie Collins (english novels for beginners .TXT) 📕

“Was it Sir Jervis?”

Alban hesitated.

“It looked more like the popular notion of the devil,” he said.

“Oh, Mr. Morris!”

“I give you my first impression, Miss Emily, for what it is worth. He had his high-peaked hat in his hand, to keep his head cool. His wiry iron-gray hair looked like hair standing on end; his bushy eyebrows curled upward toward his narrow temples; his horrid old globular eyes stared with a wicked brightness; his pointed beard hid his chin; he was covered from his throat to his ankles in a loose black garment, something between a coat and a cloak; and, to complete him, he had a club foot. I don’t doubt that Sir Jervis Redwood is the earthly alias which he finds convenient—but I stick to that first impression which appeared to surprise you. ‘Ha! an artist; you seem to be the sort of man I want!’ In those terms he introduced himself. Observe, if you please, that my trap caught him the moment he came my way. Who wouldn’t be an artist?”

“Did he take a liking to you?” Emily inquired.

“Not he! I don’t believe he ever took a liking to anybody in his life.”

“Then how did you get your invitation to his house?”

“That’s the amusing part of it, Miss Emily. Give me a little breathing time, and you shall hear.”

CHAPTER XXIII.

MISS REDWOOD.

“I got invited to Sir Jervis’s house,” Alban resumed, “by treating the old savage as unceremoniously as he had treated me. ‘That’s an idle trade of yours,’ he said, looking at my sketch. ‘Other ignorant people have made the same remark,’ I answered. He rode away, as if he was not used to be spoken to in that manner, and then thought better of it, and came back. ‘Do you understand wood engraving?’ he asked. ‘Yes.’ ‘And etching?’ ‘I have practiced etching myself.’ ‘Are you a Royal Academician?’ ‘I’m a drawing-master at a ladies’ school.’ ‘Whose school?’ ‘Miss Ladd’s.’ ‘Damn it, you know the girl who ought to have been my secretary.’ I am not quite sure whether you will take it as a compliment—Sir Jervis appeared to view you in the light of a reference to my respectability. At any rate, he went on with his questions. ‘How long do you stop in these parts?’ ‘I haven’t made up my mind.’ ‘Look here; I want to consult you—are you listening?’ ‘No; I’m sketching.’ He burst into a horrid scream. I asked if he felt himself taken ill. ‘Ill?’ he said—‘I’m laughing.’ It was a diabolical laugh, in one syllable—not ‘ha! ha! ha!’ only ‘ha!’—and it made him look wonderfully like that eminent person, whom I persist in thinking he resembles. ‘You’re an impudent dog,’ he said; ‘where are you living?’ He was so delighted when he heard of my uncomfortable position in the kennel-bedroom, that he offered his hospitality on the spot. ‘I can’t go to you in such a pigstye as that,’ he said; ‘you must come to me. What’s your name?’ ‘Alban Morris; what’s yours?’ ‘Jervis Redwood. Pack up your traps when you’ve done your job, and come and try my kennel. There it is, in a corner of your drawing, and devilish like, too.’ I packed up my traps, and I tried his kennel. And now you have had enough of Sir Jervis Redwood.”

“Not half enough!” Emily answered. “Your story leaves off just at the interesting moment. I want you to take me to Sir Jervis’s house.”

“And I want you, Miss Emily, to take me to the British Museum. Don’t let me startle you! When I called here earlier in the day, I was told that you had gone to the reading-room. Is your reading a secret?”

His manner, when he made that reply, suggested to Emily that there was some foregone conclusion in his mind, which he was putting to the test. She answered without alluding to the impression which he had produced on her.

“My reading is no secret. I am only consulting old newspapers.”

He repeated the last words to himself. “Old newspapers?” he said—as if he was not quite sure of having rightly understood her.

She tried to help him by a more definite reply.

“I am looking through old newspapers,” she resumed, “beginning with the year eighteen hundred and seventy-six.”

“And going back from that time,” he asked eagerly; “to earlier dates still?”

“No—just the contrary—advancing from ‘seventy-six’ to the present time.”

He suddenly turned pale—and tried to hide his face from her by looking out of the window. For a moment, his agitation deprived him of his presence of mind. In that moment, she saw that she had alarmed him.

“What have I said to frighten you?” she asked.

He tried to assume a tone of commonplace gallantry. “There are limits even to your power over me,” he replied. “Whatever else you may do, you can never frighten me. Are you searching those old newspapers with any particular object in view?”

“Yes.”

“May I know what it is?”

“May I know why I frightened you?”

He began to walk up and down the room again—then checked himself abruptly, and appealed to her mercy.

“Don’t be hard on me,” he pleaded. “I am so fond of you—oh, forgive me! I only mean that it distresses me to have any concealments from you. If I could open my whole heart at this moment, I shou ld be a happier man.”

She understood him and believed him. “My curiosity shall never embarrass you again,” she answered warmly. “I won’t even remember that I wanted to hear how you got on in Sir Jervis’s house.”

His gratitude seized the opportunity of taking her harmlessly into his confidence. “As Sir Jervis’s guest,” he said, “my experience is at your service. Only tell me how I can interest you.”

She replied, with some hesitation, “I should like to know what happened when you first saw Mrs. Rook.” To her surprise and relief, he at once complied with her wishes.

“We met,” he said, “on the evening when I first entered the house. Sir Jervis took me into the dining-room—and there sat Miss Redwood, with a large black cat on her lap. Older than her brother, taller than her brother, leaner than her brother—with strange stony eyes, and a skin like parchment—she looked (if I may speak in contradictions) like a living corpse. I was presented, and the corpse revived. The last lingering relics of former good breeding showed themselves faintly in her brow and in her smile. You will hear more of Miss Redwood presently. In the meanwhile, Sir Jervis made me reward his hospitality by professional advice. He wished me to decide whether the artists whom he had employed to illustrate his wonderful book had cheated him by overcharges and bad work—and Mrs. Rook was sent to fetch the engravings from his study upstairs. You remember her petrified appearance, when she first read the inscription on your locket? The same result followed when she found herself face to face with me. I saluted her civilly—she was deaf and blind to my politeness. Her master snatched the illustrations out of her hand, and told her to leave the room. She stood stockstill, staring helplessly. Sir Jervis looked round at his sister; and I followed his example. Miss Redwood was observing the housekeeper too attentively to notice anything else; her brother was obliged to speak to her. ‘Try Rook with the bell,’ he said. Miss Redwood took a fine old bronze hand-bell from the table at her side, and rang it. At the shrill silvery sound of the bell, Mrs. Rook put her hand to her head as if the ringing had hurt her—turned instantly, and left us. ‘Nobody can manage Rook but my sister,’ Sir Jervis explained; ‘Rook is crazy.’ Miss Redwood differed with him. ‘No!’ she said. Only one word, but there were volumes of contradiction in it. Sir Jervis looked at me slyly; meaning, perhaps, that he thought his sister crazy too. The dinner was brought in at the same moment, and my attention was diverted to Mrs. Rook’s husband.”

“What was he like?” Emily asked.

“I really can’t tell you; he was one of those essentially commonplace persons, whom one never looks at a second time. His dress was shabby, his head was bald, and his hands shook when he waited on us at table—and that is all I remember. Sir Jervis and I feasted on salt fish, mutton, and beer. Miss Redwood had cold broth, with a wine-glass full of rum poured into it by Mr. Rook. ‘She’s got no stomach,’ her brother informed me; ‘hot things come up again ten minutes after they have gone down her throat; she lives on that beastly mixture, and calls it broth-grog!’ Miss Redwood sipped her elixir of life, and occasionally looked at me with an appearance of interest which I was at a loss to understand. Dinner being over, she rang her antique bell. The shabby old man-servant answered her call. ‘Where’s your wife?’ she inquired. ‘Ill, miss.’ She took Mr. Rook’s arm to go out, and stopped as she passed me. ‘Come to my room, if you please, sir, tomorrow at two o’clock,’ she said. Sir Jervis explained again: ‘She’s all to pieces in the morning’ (he invariably called his sister ‘She’); ‘and gets patched up toward the middle of the day. Death has forgotten her, that’s about the truth of it.’ He lighted his pipe and pondered over the hieroglyphics found among the ruined cities of Yucatan; I lighted my pipe, and read the only book I could find in the dining-room—a dreadful record of shipwrecks and disasters at sea. When the room was full of tobacco-smoke we fell asleep in our chairs—and when we awoke again we got up and went to bed. There is the true story of my first evening at Redwood Hall.”

Emily begged him to go on. “You have interested me in Miss Redwood,” she said. “You kept your appointment, of course?”

“I kept my appointment in no very pleasant humor. Encouraged by my favorable report of the illustrations which he had submitted to my judgment, Sir Jervis proposed to make me useful to him in a new capacity. ‘You have nothing particular to do,’ he said, ‘suppose you clean my pictures?’ I gave him one of my black looks, and made no other reply. My interview with his sister tried my powers of self-command in another way. Miss Redwood declared her purpose in sending for me the moment I entered the room. Without any preliminary remarks—speaking slowly and emphatically, in a wonderfully strong voice for a woman of her age—she said, ‘I have a favor to ask of you, sir. I want you to tell me what Mrs. Rook has done.’ I was so staggered that I stared at her like a fool. She went on: ‘I suspected Mrs. Rook, sir, of having guilty remembrances on her conscience before she had been a week in our service.’ Can you imagine my astonishment when I heard that Miss Redwood’s view of Mrs. Rook was my view? Finding that I still said nothing, the old lady entered into details: ‘We arranged, sir,’ (she persisted in calling me ‘sir,’ with the formal politeness of the old school)—‘we arranged, sir, that Mrs. Rook and her husband should occupy the bedroom next to mine, so that I might have her near me in case of my being taken ill in the night. She looked at the door between the two rooms—suspicious! She asked if there was any objection to her changing to another room—suspicious! suspicious! Pray take a seat, sir, and tell me which Mrs. Rook is guilty of—theft or murder?’ “

“What a dreadful old woman!” Emily exclaimed. “How did you answer her?”

“I told her, with perfect truth, that I knew nothing of Mrs. Rook’s secrets. Miss Redwood’s humor took