Malcolm Sage, Detective by Herbert George Jenkins (i can read books TXT) 📕

By the time Malcolm Sage had finished his meal, the landlord was well in his stride of scandalous reminiscence. It was with obvious reluctance that he allowed so admirable a listener to depart, and it was with manifest regret that he watched Malcolm Sage's car disappear round the curve in the road.

A little way beyond the vicarage, an admonitory triangle caused Tims to slow up. Just by the bend Malcolm Sage observed a youth and a girl standing in the recess of a gate giving access to a meadow. Although they were in the shadow cast by the hedge, Malcolm Sage's quick eyes recognised in the girl the vicar's daughter. The youth looked as if he might be one of the lads of the village.

In the short space of two or three seconds Malcolm Sage noticed the change in the girl. Although he could not see her face very clearly, the vivacity of her bearing and the ready laugh were suggestive of a gaiety contrasting strangely with the tragic figure he had seen in the afternoon.

Muriel Crayne was obviously of a very mercurial temperament, he decided, as the car swung round the bend.

The next morning, in response to a telephone message, Inspector
Murdy called on Malcolm Sage.

"Well, Mr. Sage," he cried, as he shook hands, "going to have another try to teach us our job," and his blue eyes twinkled good-humouredly.

The inspector had already made up his mind. He was a man with many successes to his record, achieved as a result of undoubted astuteness in connection with the grosser crimes, such as train-murders, post-office hold-ups and burglaries. He was incapable, however, of realising that there existed a subtler form of law-breaking, arising from something more intimately associated with the psychic than the material plane.

"Did you see Mr. Blade?" enquired Malcolm Sage.

"Saw the whole blessed lot," was the cheery reply. "It's all as clear as milk," and he laughed.

"What did Mr. Blade say?" enquired Malcolm Sage, looking keenly across at the inspector.

"Just that he had nothing to say."

"His exact words. Can you remember them?" queried Malcolm Sage.

"Oh, yes!" replied the inspector. "He said, 'Inspector Murdy, I have nothing to say,' and then he shut up like a real Whitstable."

"He was away yesterday," remarked Malcolm Sage, who then told the inspector of his visit. "How about John Gray, the schoolmaster?" he queried.

"He practically told me to go to the devil," was the genial reply. Inspector Murdy was accustomed to rudeness; his profession invited it, and to his rough-and-ready form of reasoning, rudeness meant innocence; politeness guilt.

He handed to Malcolm Sage a copy of a list of people who purchased "Olympic Script" from Mr. Grainger, the local Whiteley, volunteering the information that the curate was the biggest consumer, as if that settled the question of his guilt.

"And yet the vicar would not hear of the arrest of Blade," murmured Malcolm Sage, turning the copper ash-tray round with his restless fingers.

The inspector shrugged his massive shoulders.

"Sheer good nature and kindliness, Mr. Sage," he said. "He's as gentle as a woman."

"I once knew a man," remarked Malcolm Sage, "who said that in the annals of crime lay the master-key to the world's mysteries, past, present and to come."

"A dreamer, Mr. Sage," smiled the inspector. "We haven't time for dreaming at the Yard," he added good-temperedly, as he rose and shook himself like a Newfoundland dog.

"I suppose it never struck you to look elsewhere than at the curate's lodgings for the writer of the letters?" enquired Malcolm Sage quietly.

"It never strikes me to look about for someone when I'm sitting on his chest," laughed Inspector Murdy.

"True," said Malcolm Sage. "By the way," he continued, without looking up, "in future can you let me see every letter as it is received? You might also keep careful record of how they are delivered."

"Certainly, Mr. Sage. Anything that will make you happy."

"Later I may get you to ask the vicar to seal up any subsequent anonymous letters that reach him without allowing anyone to see the contents. Do you think he would do that?"

"Without doubt if I ask him," said the inspector, surprise in his eyes as he looked down upon the cone of baldness beneath him, realising what a handicap it is to talk to a man who keeps his eyes averted.

"He must then put the letters in a place where no one can possibly obtain access to them. One thing more," continued Malcolm Sage, "will you ask Miss Crayne to write out the full story of the letters as far as she personally is acquainted with it?"

"Very well, Mr. Sage," said the inspector, with the air of one humouring a child. "Now I'll be going." He walked towards the door, then suddenly stopped and turned.

"I suppose you think I'm wrong about the curate?"

"I'll tell you later," was the reply.

"When you find the master-key?" laughed the inspector, as he opened the door.

"Yes, when I find the master-key," said Malcolm Sage quietly and, as the door closed behind Inspector Murdy, he continued to finger the copper ashtray as if that were the master-key.

Malcolm Sage was seated at a small green-covered table playing solitaire. A velvet smoking-jacket and a pair of wine-coloured morocco slippers suggested that the day's work was done.

Patience, chess, and the cinema were his unfailing sources of inspiration when engaged upon a more than usually difficult case. He had once told Sir James Walton that they clarified his brain and coordinated his thoughts, the cinema in particular. The fact that in the surrounding darkness were hundreds of other brains, vital and active, appeared to stimulate his own imagination.

Puffing steadily at a gigantic meerschaum, he moved the cards with a deliberation which suggested that his attention rather than his thoughts was absorbed in the game.

Nearly a month had elapsed since he had agreed to take up the enquiry into the authorship of the series of anonymous letters with which Gylston and the neighbourhood had been flooded; yet still the matter remained a mystery.

A celebrated writer of detective stories had interested himself in the affair, with the result that the Press throughout the country had "stunted" Gylston as if it had been a heavy-weight championship, or a train murder.

For a fortnight Malcolm Sage had been on the Continent in connection with the theft of the Adair Diamonds. Two days previously, after having restored the famous jewels to Lady Adair, he had returned to London, to find that the Gylston affair had developed a new and dramatic phase. The curate had been arrested for an attempted assault upon Miss Crayne and, pleading "not guilty," had been committed for trial.

The incident that led up to this had taken place on the day that Malcolm Sage left London. Late that afternoon Miss Crayne had arrived at the vicarage in a state bordering on collapse. On becoming more collected, she stated that on returning from paying a call, and when half-way through a copse, known locally as "Gipsies Wood," Blade had sprung out upon her and violently protested his passion. He had gripped hold of her wrists, the mark of his fingers was to be seen on the delicate skin, and threatened to kill her and himself. She had been terrified, thinking he meant to kill her. The approach of a farm labourer had saved her, and the curate had disappeared through the copse.

This story was borne out by Joseph Higgins, the farm labourer in question. He had arrived to find Miss Crayne in a state of great alarm and agitation, and he had walked with her as far as the vicarage gate. He did not, however, actually see the curate.

On the strength of this statement the police had applied for a warrant, and had subsequently arrested the curate. Later he appeared before the magistrates, had been remanded, and finally committed for trial, bail being allowed.

Blade protested his innocence alike of the assault and the writing of the letters; but two hand-writing experts had testified to the similarity of the handwriting of the anonymous letters with that of the curate. Furthermore, they were all written upon "Olympic Script," the paper that Blade used for his sermons.

Malcolm Sage had just started a new deal when the door opened, and Rogers showed in Robert Freynes. With a nod, Malcolm Sage indicated the chair opposite. His visitor dropped into it and, taking a pipe from his pocket, proceeded to fill and light it.

Placing his meerschaum on the mantelpiece, Malcolm Sage produced a well-worn briar from his pocket, which, having got into commission, he proceeded once more with the game.

"It's looking pretty ugly for Blade," remarked Freynes, recognising by the substitution of the briar for the meerschaum that Malcolm Sage was ready for conversation.

"Tell me."

"It's those damned handwriting experts," growled Freynes. "They're the greatest anomaly of our legal system. The judge always warns the jury of the danger of accepting their evidence; yet each side continues to produce them. It's an insult to intelligence and justice."

"To hang a man because his 's' resembles that of an implicating document," remarked Malcolm Sage, as he placed a red queen on a black knave, "is about as sensible as to imprison him because he has the same accent as a foot-pad."

"Then there's Blade's astonishing apathy," continued Freynes. "He seems quite indifferent to the gravity of his position. Refuses to say a word. Anyone might think he knew the real culprit and was trying to shield him," and he sucked moodily at his pipe.

"The handwriting expert," continued Malcolm Sage imperturbably, "is too concerned with the crossing of a 't,' the dotting of an 'i,' or the tail of a 'g,' to give time and thought to the way in which the writer uses, for instance, the compound tenses of verbs. Blade was no more capable of writing those letters than our friend Murdy is of transliterating the Rosetta Stone."

"Yes; but can we prove it?" asked Freynes gloomily, as with the blade of a penknife he loosened the tobacco in the bowl of his pipe. "Can we prove it?" he repeated and, snapping the knife to, he replaced it in his pocket.

"Blade's sermons," Malcolm Sage continued, "and such letters of his as you have been able to collect, show that he adopted a very definite and precise system of punctuation. He frequently uses the colon and the semicolon, and always in the right place. In a parenthetical clause preceded by the conjunction 'and,' he uses a comma after the 'and,' not before it as most people do. Before such words as 'yet' and 'but,' he without exception uses a semicolon. The word 'only,' he always puts in its correct place. In short, he is so academic as to savour somewhat of the pomposity of the eighteenth century."

"Go on," said Freynes, as Malcolm Sage paused, as if to give the other a chance of questioning his reasoning.

"Turning to the anonymous letters," continued Malcolm Sage, "it must be admitted that the handwriting is very similar; but there all likeness to Blade's sermons and correspondence ends. Murdy has shown me nearly all the anonymous letters, and in the whole series there is not one instance of the colon or the semicolon being used. The punctuation is of the vaguest, consisting largely of the dash, which after all is a literary evasion.

"In these letters the word 'but' frequently appears without any punctuation mark before it. At other times it has a comma, a dash, or a full stop."

He paused and for the next two minutes devoted himself to the game before him. Then he continued:

"Such phrases as 'If only you knew,' 'I should have loved to have been,' 'different than,' which appear in these letters, would have been absolutely impossible to a man of Blade's meticulous literary temperament."

As Malcolm Sage spoke, Robert Freynes's brain had been working rapidly. Presently he brought his hand down with a smack upon his knee.

"By heavens, Sage!" he cried, "this is a new pill for the handwriting expert. I'll put you in the box. We've got a fighting chance after all."

"The most curious factor in the whole case," continued Malcolm Sage, "is the way in which the letters were delivered. One was thrown into a fly on to Miss Crayne's lap, she tells us, when she and her father were driving home after dining at the Hall. Another was discovered in the vicarage garden. A third was thrown through