The Man Who Knew Too Much by G. K. Chesterton (beach read book txt) đź“•
March thought of asking him what he was looking for; but, feeling unequalto a technical discussion at least as deep as the deep-sea fishes,he returned to more ordinary topics.
"Delightful sort of hole this is," he said. "This little delland river here. It's like those places Stevenson talks about,where something ought to happen."
"I know," answered the other. "I think it's because the place itself,so to speak, seems to happen and not merely to exist.Perhaps that's what old Picasso and some of the Cubists are tryingto express by angles and jagged lines. Look at that wall likelow cliffs that juts forward just at right angles to the slopeof turf sweeping up to it. That's like a silent collision.It's like a breaker and the back-wash of a wave."
March looked at the low-browed crag overhanging the greenslope and nodded. He was interested in a man who turnedso easily from the technicalities of science to those of art;and asked him if he admired the new angular art
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“Could he have thrown down the statue after he’d stripped the corpse?” asked March.
“And why?” asked Prince, sharply. “If he’d killed his man and got his papers, he’d be away like the wind. He wouldn’t potter about in a garden excavating the pedestals of statues. Besides—Hullo, who’s that up there?”
High on the ridge above them, drawn in dark thin lines against the sky, was a figure looking so long and lean as to be almost spidery. The dark silhouette of the head showed two small tufts like horns; and they could almost have sworn that the horns moved.
“Archer!” shouted Herries, with sudden passion, and called to him with curses to come down. The figure drew back at the first cry, with an agitated movement so abrupt as almost to be called an antic. The next moment the man seemed to reconsider and collect himself, and began to come down the zigzag garden path, but with obvious reluctance, his feet falling in slower and slower rhythm. Through March’s mind were throbbing the phrases that this man himself had used, about going mad in the middle of the night and wrecking the stone figure. just so, he could fancy, the maniac who had done such a thing might climb the crest of the hill, in that feverish dancing fashion, and look down on the wreck he had made. But the wreck he had made here was not only a wreck of stone.
When the man emerged at last on to the garden path, with the full light on his face and figure, he was walking slowly indeed, but easily, and with no appearance of fear.
“This is a terrible thing,” he said. “I saw it from above; I was taking a stroll along the ridge.”
“Do you mean that you saw the murder?” demanded March, “or the accident? I mean did you see the statue fall?”
“No,” said Archer, “I mean I saw the statue fallen.”
Prince seemed to be paying but little attention; his eye was riveted on an object lying on the path a yard or two from the corpse. It seemed to be a rusty iron bar bent crooked at one end.
“One thing I don’t understand,’ he said, “is all this blood. The poor fellow’s skull isn’t smashed; most likely his neck is broken; but blood seems to have spouted as if all his arteries were severed. I was wondering if some other instrument … that iron thing, for instance; but I don’t see that even that is sharp enough. I suppose nobody knows what it is.”
“I know what it is,” said Archer in his deep but somewhat shaky voice. “I’ve seen it in my nightmares. It was the iron clamp or prop on the pedestal, stuck on to keep the wretched image upright when it began to wabble, I suppose. Anyhow, it was always stuck in the stonework there; and I suppose it came out when the thing collapsed.”
Doctor Prince nodded, but he continued to look down at the pools of blood and the bar of iron.
“I’m certain there’s something more underneath all this,” he said at last. “Perhaps something more underneath the statue. I have a huge sort of hunch that there is. We are four men now and between us we can lift that great tombstone there.”
They all bent their strength to the business; there was a silence save for heavy breathing; and then, after an instant of the tottering and staggering of eight legs, the great carven column of rock was rolled away, and the body lying in its shirt and trousers was fully revealed. The spectacles of Doctor Prince seemed almost to enlarge with a restrained radiance like great eyes; for other things were revealed also. One was that the unfortunate Hewitt had a deep gash across the jugular, which the triumphant doctor instantly identified as having been made with a sharp steel edge like a razor. The other was that immediately under the bank lay littered three shining scraps of steel, each nearly a foot long, one pointed and another fitted into a gorgeously jeweled hilt or handle. It was evidently a sort of long Oriental knife, long enough to be called a sword, but with a curious wavy edge; and there was a touch or two of blood on the point.
“I should have expected more blood, hardly on the point,” observed Doctor Prince, thoughtfully, “but this is certainly the instrument. The slash was certainly made with a weapon shaped like this, and probably the slashing of the pocket as well. I suppose the brute threw in the statue, by way of giving him a public funeral.”
March did not answer; he was mesmerized by the strange stones that glittered on the strange sword hilt; and their possible significance was broadening upon him like a dreadful dawn. It was a curious Asiatic weapon. He knew what name was connected in his memory with curious Asiatic weapons. Lord James spoke his secret thought for him, and yet it startled him like an irrelevance.
“Where is the Prime Minister?” Herries had cried, suddenly, and somehow like the bark of a dog at some discovery.
Doctor Prince turned on him his goggles and his grim face; and it was grimmer than ever.
“I cannot find him anywhere,” he said. “I looked for him at once, as soon as I found the papers were gone. That servant of yours, Campbell, made a most efficient search, but there are no traces.”
There was a long silence, at the end of which Herries uttered another cry, but upon an entirely new note.
“Well, you needn’t look for him any longer,” he said, “for here he comes, along with your friend Fisher. They look as if they’d been for a little walking tour.”
The two figures approaching up the path were indeed those of Fisher, splashed with the mire of travel and carrying a scratch like that of a bramble across one side of his bald forehead, and of the great and gray-haired statesman who looked like a baby and was interested in Eastern swords and swordmanship. But beyond this bodily recognition, March could make neither head nor tail of their presence or demeanor, which seemed to give a final touch of nonsense to the whole nightmare. The more closely he watched them, as they stood listening to the revelations of the detective, the more puzzled he was by their attitude—Fisher seemed grieved by the death of his uncle, but hardly shocked at it; the older man seemed almost openly thinking about something else, and neither had anything to suggest about a further pursuit of the fugitive spy and murderer, in spite of the prodigious importance of the documents he had stolen. When the detective had gone off to busy himself with that department of the business, to telephone and write his report, when Herries had gone back, probably to the brandy bottle, and the Prime Minister had blandly sauntered away toward a comfortable armchair in another part of the garden, Horne Fisher spoke directly to Harold March.
“My friend,” he said, “I want you to come with me at once; there is no one else I can trust so much as that. The journey will take us most of the day, and the chief business cannot be done till nightfall. So we can talk things over thoroughly on the way. But I want you to be with me; for I rather think it is my hour.”
March and Fisher both had motor bicycles; and the first half of their day’s journey consisted in coasting eastward amid the unconversational noise of those uncomfortable engines. But when they came out beyond Canterbury into the flats of eastern Kent, Fisher stopped at a pleasant little public house beside a sleepy stream; and they sat down to cat and to drink and to speak almost for the first time. It was a brilliant afternoon, birds were singing in the wood behind, and the sun shone full on their ale bench and table; but the face of Fisher in the strong sunlight had a gravity never seen on it before.
“Before we go any farther,” he said, “there is something you ought to know. You and I have seen some mysterious things and got to the bottom of them before now; and it’s only right that you should get to the bottom of this one. But in dealing with the death of my uncle I must begin at the other end from where our old detective yarns began. I will give you the steps of deduction presently, if you want to listen to them; but I did not reach the truth of this by steps of deduction. I will first of all tell you the truth itself, because I knew the truth from the first. The other cases I approached from the outside, but in this case I was inside. I myself was the very core and center of everything.”
Something in the speaker’s pendent eyelids and grave gray eyes suddenly shook March to his foundations; and he cried, distractedly, “I don’t understand!” as men do when they fear that they do understand. There was no sound for a space but the happy chatter of the birds, and then Horne Fisher said, calmly:
“It was I who killed my uncle. If you particularly want more, it was I who stole the state papers from him.”
“Fisher!” cried his friend in a strangled voice.
“Let me tell you the whole thing before we part,” continued the other, “and let me put it, for the sake of clearness, as we used to put our old problems. Now there are two things that are puzzling people about that problem, aren’t there? The first is how the murderer managed to slip off the dead man’s coat, when he was already pinned to the ground with that stone incubus. The other, which is much smaller and less puzzling, is the fact of the sword that cut his throat being slightly stained at the point, instead of a good deal more stained at the edge. Well, I can dispose of the first question easily. Horne Hewitt took off his own coat before he was killed. I might say he took off his coat to be killed.”
“Do you call that an explanation?” exclaimed March. “The words seem more meaningless, than the facts.”
“Well, let us go on to the other facts,” continued Fisher, equably. “The reason that particular sword is not stained at the edge with Hewitt’s blood is that it was not used to kill Hewitt.
“But the doctor,” protested March, “declared distinctly that the wound was made by that particular sword.”
“I beg your pardon,” replied Fisher. “He did not declare that it was made by that particular sword. He declared it was made by a sword of that particular pattern.”
“But it was quite a queer and exceptional pattern,” argued March; “surely it is far too fantastic a coincidence to imagine—”
“It was a fantastic coincidence,” reflected Horne Fisher. “It’s extraordinary what coincidences do sometimes occur. By the oddest chance in the world, by one chance in a million, it so happened that another sword of exactly the same shape was in the same garden at the same time. It may be partly explained, by the fact that I brought them both into the garden myself … come, my dear fellow; surely you can see now what it means. Put those two things together; there were two duplicate swords and he took off his coat for himself. It may assist your speculations to recall the fact that I am not exactly an assassin.”
“A duel!” exclaimed March, recovering himself. “Of course I ought to have thought of that. But who was the spy who stole the papers?”
“My uncle was the spy
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