At the Villa Rose by A. E. W. Mason (literature books to read TXT) 📕

to its burdens—as the poor girl believed she surely would have to do—no, that would be impossible! Not this time would she turn away from the Seine, because it was so terrible and cold. If she had had the courage to tell him yesterday, he would have forgiven, surely he would! The tears gathered in her eyes and rolled down her cheeks. What would become of her now? She was in pain besides. The cords about her arms and ankles tortured her. And she feared—yes, desperately she feared the effect of the exposure upon Mme. Dauvray. She had been treated as a daughter; now she was in return to rob Mme. Dauvray of the belief which had become the passion of her life.

"Let us take our seats at the table," she heard Mme. Dauvray say. "Helene, you are by the switch of the electric light. Will you turn it off?" And upon that Helene whispered, yet so that the whisper reached to Celia and awakened hope:

"Wait! I will see what she is doing."

The curtains opened, and Helene Vauquier slipped to the girl's side.

Celia checked her tears. She smiled imploringly, gratefully.

"What shall I do?" asked Helene, in a voice so low that the movement of her mouth rather than the words made the question clear.

Celia raised her head to answer. And then a thing incomprehensible to her happened. As she opened her lips Helene Vauquier swiftly forced a handkerchief in between the girl's teeth, and lifting the scarf from her shoulders wound it tightly twice across her mouth, binding her lips, and made it fast under the brim of her hat behind her head. Celia tried to scream; she could not utter a sound. She stared at Helene with incredulous, horror-stricken eyes. Helene nodded at her with a cruel grin of satisfaction, and Celia realised, though she did not understand, something of the rancour and the hatred which seethed against her in the heart of the woman whom she had supplanted. Helene Vauquier meant to expose her to-night; Celia had not a doubt of it. That was her explanation of Helene Vauquier's treachery; and believing that error, she believed yet another—that she had reached the terrible climax of her troubles. She was only at the beginning of them.

"Helene!" cried Mme. Dauvray sharply. "What are you doing?"

The maid instantly slid back into the room.

"Mademoiselle has not moved," she said.

Celia heard the women settle in their chairs about the table.

"Is madame ready?" asked Helene; and then there was the sound of the snap of a switch. In the salon darkness had come.

If only she had not been wearing her gloves, Celia thought, she might possibly have just been able to free her fingers and her supple hands from their bonds. But as it was she was helpless. She could only sit and wait until the audience in the salon grew tired of waiting and came to her. She closed her eyes, pondering if by any chance she could excuse her failure. But her heart sank within her as she thought of Mme. Rossignol's raillery. No, it was all over for her. ...

She opened her eyes, and she wondered. It seemed to her that there was more light in the recess than there had been when she closed them. Very likely her eyes were growing used to the darkness. Yet—yet—she ought not to be able to distinguish quite so clearly the white pillar opposite to her. She looked towards the glass doors and understood. The wooden shutters outside the doors were not quite closed. They had been carelessly left unbolted. A chink from lintel to floor let in a grey thread of light. Celia heard the women whispering in the salon, and turned her head to catch the words.

"Do you hear any sound?"

"No."

"Was that a hand which touched me?"

"No."

"We must wait."

And so silence came again, and suddenly there was quite a rush of light into the recess. Celia was startled. She turned her head back again towards the window. The wooden door had swung a little more open. There was a wider chink to let the twilight of that starlit darkness through. And as she looked, the chink slowly broadened and broadened, the door swung slowly back on hinges which were strangely silent. Celia stared at the widening panel of grey light with a vague terror. It was strange that she could hear no whisper of wind in the garden. Why, oh, why was that latticed door opening so noiselessly? Almost she believed that the spirits after all... And suddenly the recess darkened again, and Celia sat with her heart leaping and shivering in her breast. There was something black against the glass doors—a man. He had appeared as silently, as suddenly, as any apparition. He stood blocking out the light, pressing his face against the glass, peering into the room. For a moment the shock of horror stunned her. Then she tore frantically at the cords. All thought of failure, of exposure, of dismissal had fled from her. The three poor women—that was her thought—were sitting unwarned, unsuspecting, defenceless in the pitch-blackness of the salon. A few feet away a man, a thief, was peering in. They were waiting for strange things to happen in the darkness. Strange and terrible things would happen unless she could free herself, unless she could warn them. And she could not. Her struggles were mere efforts to struggle, futile, a shiver from head to foot, and noiseless as a shiver. Adele Rossignol had done her work well and thoroughly. Celia's arms, her waist, her ankles were pinioned; only the bandage over her mouth seemed to be loosening. Then upon horror, horror was added. The man touched the glass doors, and they swung silently inwards. They, too, had been carelessly left unbolted. The man stepped without a sound over the sill into the room. And, as he stepped, fear for herself drove out for the moment from Celia's thoughts fear for the three women in the black room. If only he did not see her! She pressed herself against the pillar. He might overlook her, perhaps! His eyes would not be so accustomed to the darkness of the recess as hers. He might pass her unnoticed—if only he did not touch some fold of her dress.

And then, in the midst of her terror, she experienced so great a revulsion from despair to joy that a faintness came upon her, and she almost swooned. She saw who the intruder was. For when he stepped into the recess he turned towards her, and the dim light struck upon him and showed her the contour of his face. It was her lover, Harry Wethermill. Why he had come at this hour, and in this strange way, she did not consider. Now she must attract his eyes, now her fear was lest he should not see her.

But he came at once straight towards her. He stood in front of her, looking into her eyes. But he uttered no cry. He made no movement of surprise. Celia did not understand it. His face was in the shadow now and she could not see it. Of course, he was stunned, amazed. But—but—he stood almost as if he had expected to find her there and just in that helpless attitude. It was absurd, of course, but he seemed to look upon her helplessness as nothing out of the ordinary way. And he raised no hand to set her free. A chill struck through her. But the next moment he did raise his hand and the blood flowed again, at her heart. Of course, she was in the darkness. He had not seen her plight. Even now he was only beginning to be aware of it. For his hand touched the bandage over her mouth—tentatively. He felt for the knot under the broad brim of her hat at the back of her head. He found it. In a moment she would be free. She kept her head quite still, and then—why was he so long? she asked herself. Oh, it was not possible! But her heart seemed to stop, and she knew that it was not only possible—it was true: he was tightening the scarf, not loosening it. The folds bound her lips more surely. She felt the ends drawn close at the back of her head. In a frenzy she tried to shake her head free. But he held her face firmly and finished his work. He was wearing gloves, she noticed with horror, just as thieves do. Then his hands slid down her trembling arms and tested the cord about her wrists. There was something horribly deliberate about his movements. Celia, even at that moment, even with him, had the sensation which had possessed her in the salon. It was the personal equation on which she was used to rely. But neither Adele nor this—this STRANGER was considering her as even a human being. She was a pawn in their game, and they used her, careless of her terror, her beauty, her pain. Then he freed from her waist the long cord which ran beneath the curtain to Adele Rossignol's foot. Celia's first thought was one of relief. He would jerk the cord unwittingly. They would come into the recess and see him. And then the real truth flashed in upon her blindingly. He had jerked the cord, but he had jerked it deliberately. He was already winding it up in a coil as it slid noiselessly across the polished floor beneath the curtains towards him. He had given a signal to Adele Rossignol. All that woman's scepticism and precaution against trickery had been a mere blind, under cover of which she had been able to pack the girl away securely without arousing her suspicions. Helene Vauquier was in the plot, too. The scarf at Celia's mouth was proof of that. As if to add proof to proof, she heard Adele Rossignol speak in answer to the signal.

"Are we all ready? Have you got Mme. Dauvray's left hand, Helene?"

"Yes, madame," answered the maid.

"And I have her right hand. Now give me yours, and thus we are in a circle about the table."

Celia, in her mind, could see them sitting about the round table in the darkness, Mme. Dauvray between the two women, securely held by them. And she herself could not utter a cry—could not move a muscle to help her.

Wethermill crept back on noiseless feet to the window, closed the wooden doors, and slid the bolts into their sockets. Yes, Helene Vauquier was in the plot. The bolts and the hinges would not have worked so smoothly but for her. Darkness again filled the recess instead of the grey twilight. But in a moment a faint breath of wind played upon Celia's forehead, and she knew that the man had parted the curtains and slipped into the room. Celia let her head fall towards her shoulder. She was sick and faint with terror. Her lover was in this plot—the lover in whom she had felt so much pride, for whose sake she had taken herself so bitterly to task. He was the associate of Adele Rossignol, of Helene Vauquier. He had used her, Celia, as an instrument for his crime. All their hours together at the Villa des Fleurs—here to-night was their culmination. The blood buzzed in her ears and hammered in the veins of her temples. In front of her eyes the darkness whirled, flecked with fire. She would have fallen, but she could not fall. Then, in the silence, a tambourine jangled. There was to be a seance to-night, then, and the seance had begun. In a dreadful suspense she heard Mme. Dauvray speak.

CHAPTER XIX HELENE EXPLAINS

And what she heard made her blood run cold.

Mme. Dauvray spoke in a hushed, awestruck voice.

"There is a presence in the room."

It was horrible to Celia that the poor woman was speaking the jargon which she herself had taught to her.

"I