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of the wooden cross; but it is all about Catholics, and you are a Protestant.”

“That, Mother Martha, does not make it at all less interesting to me.”

“Does it not, indeed?” exclaimed the nun, innocently. “What a strange man you are! and what a remarkable religion yours must be! What do your priests say about ours? Are they learned men, your priests?”

I felt that my chance of hearing Mother Martha’s story would be a poor one indeed, if I allowed her to begin a fresh string of questions. Accordingly, I dismissed the inquiries about the clergy of the Established Church with the most irreverent briefness, and recalled her attention forthwith to the subject of the wooden cross.

“Yes, yes,” said the good-natured nun; “surely you shall hear all I can tell you about it; but—” she hesitated timidly, “but I must ask the Mother Superior’s leave first.”

Saying these words, she summoned the portress, to my great amusement, to keep guard over the inestimable Correggio in her absence, and left the room. In less than five minutes she came back, looking quite happy and important in her innocent way.

“The Mother Superior,” she said, “has given me leave to tell all I know about the wooden cross. She says it may do you good, and improve your Protestant opinion of us Catholics.”

I expressed myself as being both willing and anxious to profit by what I heard; and the nun began her narrative immediately.

She related it in her own simple, earnest, minute way; dwelling as long on small particulars as on important incidents; and making moral reflections for my benefit at every place where it was possible to introduce them. In spite, however, of these drawbacks in the telling of it, the story interested and impressed me in no ordinary degree; and I now purpose putting the events of it together as skillfully and strikingly as I can, in the hope that this written version of the narrative may appeal as strongly to the reader’s sympathies as the spoken version did to mine.

THE NUN’S STORY

OF

GABRIEL’S MARRIAGE

CHAPTER I.

One night, during the period of the first French Revolution, the family of Francois Sarzeau, a fisherman of Brittany, were all waking and watching at a late hour in their cottage on the peninsula of Quiberon. Francois had gone out in his boat that evening, as usual, to fish. Shortly after his departure, the wind had risen, the clouds had gathered; and the storm, which had been threatening at intervals throughout the whole day, burst forth furiously about nine o’clock. It was now eleven; and the raging of the wind over the barren, heathy peninsula still seemed to increase with each fresh blast that tore its way out upon the open sea; the crashing of the waves on the beach was awful to hear; the dreary blackness of the sky terrible to behold. The longer they listened to the storm, the oftener they looked out at it, the fainter grew the hopes which the fisherman’s family still strove to cherish for the safety of Francois Sarzeau and of his younger son who had gone with him in the boat.

There was something impressive in the simplicity of the scene that was now passing within the cottage.

On one side of the great, rugged, black fireplace crouched two little girls; the younger half asleep, with her head in her sister’s lap. These were the daughters of the fisherman; and opposite to them sat their eldest brother, Gabriel. His right arm had been badly wounded in a recent encounter at the national game of the Soule, a sport resembling our English football; but played on both sides in such savage earnest by the people of Brittany as to end always in bloodshed, often in mutilation, sometimes even in loss of life. On the same bench with Gabriel sat his betrothed wife—a girl of eighteen—clothed in the plain, almost monastic black-and-white costume of her native district. She was the daughter of a small farmer living at some little distance from the coast. Between the groups formed on either side of the fireplace, the vacant space was occupied by the foot of a truckle-bed. In this bed lay a very old man, the father of Francois Sarzeau. His haggard face was covered with deep wrinkles; his long white hair flowed over the coarse lump of sacking which served him for a pillow, and his light gray eyes wandered incessantly, with a strange expression of terror and suspicion, from person to person, and from object to object, in all parts of the room. Whenever the wind and sea whistled and roared at their loudest, he muttered to himself and tossed his hands fretfully on his wretched coverlet. On these occasions his eyes always fixed themselves intently on a little delf image of the Virgin placed in a niche over the fireplace. Every time they saw him look in this direction Gabriel and the young girls shuddered and crossed themselves; and even the child, who still kept awake, imitated their example. There was one bond of feeling at least between the old man and his grandchildren, which connected his age and their youth unnaturally and closely together. This feeling was reverence for the superstitions which had been handed down to them by their ancestors from centuries and centuries back, as far even as the age of the Druids. The spirit warnings of disaster and death which the old man heard in the wailing of the wind, in the crashing of the waves, in the dreary, monotonous rattling of the casement, the young man and his affianced wife and the little child who cowered by the fireside heard too. All differences in sex, in temperament, in years, superstition was strong enough to strike down to its own dread level, in the fisherman’s cottage, on that stormy night.

Besides the benches by the fireside and the bed, the only piece of furniture in the room was a coarse wooden table, with a loaf of black bread, a knife, and a pitcher of cider placed on it. Old nets, coils of rope, tattered sails, hung, about the walls and over the wooden partition which separated the room into two compartments. Wisps of straw and ears of barley drooped down through the rotten rafters and gaping boards that made the floor of the granary above.

These different objects, and the persons in the cottage, who composed the only surviving members of the fisherman’s family, were strangely and wildly lit up by the blaze of the fire and by the still brighter glare of a resin torch stuck into a block of wood in the chimney-corner. The red and yellow light played full on the weird face of the old man as he lay opposite to it, and glanced fitfully on the figures of the young girl, Gabriel, and the two children; the great, gloomy shadows rose and fell, and grew and lessened in bulk about the walls like visions of darkness, animated by a supernatural specter-life, while the dense obscurity outside spreading before the curtainless window seemed as a wall of solid darkness that had closed in forever around the fisherman’s house. The night scene within the cottage was almost as wild and as dreary to look upon as the night scene without.

For a long time the different persons in the room sat together without speaking, even without looking at each other. At last the girl turned and whispered something into Gabriel’s ear:

“Perrine, what were you saying to Gabriel?” asked the child opposite, seizing the first opportunity of breaking the desolate silence—doubly desolate at her age—which was preserved by all around her.

“I was telling him,” answered Perrine, simply, “that it was time to change the bandages on his arm; and I also said to him, what I have often said before, that he must never play at that terrible game of the Soule again.”

The old man had been looking intently at Perrine and his grandchild as they spoke. His harsh, hollow voice mingled with the last soft tones of the young girl, repeating over and over again the same terrible words, “Drowned! drowned! Son and grandson, both drowned! both drowned!”

“Hush, grandfather,” said Gabriel, “we must not lose all hope for them yet. God and the Blessed Virgin protect them!” He looked at the little delf image, and crossed himself; the others imitated him, except the old man. He still tossed his hands over the coverlet, and still repeated, “Drowned! drowned!”

“Oh, that accursed Soule!” groaned the young man. “But for this wound I should have been with my father. The poor boy’s life might at least have been saved; for we should then have left him here.”

“Silence!” exclaimed the harsh voice from the bed. “The wail of dying men rises louder than the loud sea; the devil’s psalm-singing roars higher than the roaring wind! Be silent, and listen! Francois drowned! Pierre drowned! Hark! Hark!”

A terrific blast of wind burst over the house as he spoke, shaking it to its center, overpowering all other sounds, even to the deafening crash of the waves. The slumbering child awoke, and uttered a scream of fear. Perrine, who had been kneeling before her lover binding the fresh bandages on his wounded arm, paused in her occupation, trembling from head to foot. Gabriel looked toward the window; his experience told him what must be the hurricane fury of that blast of wind out at sea, and he sighed bitterly as he murmured to himself, “God help them both—man’s help will be as nothing to them now!”

“Gabriel!” cried the voice from the bed in altered tones—very faint and trembling.

He did not hear or did not attend to the old man. He was trying to soothe and encourage the young girl at his feet.

“Don’t be frightened, love,” he said, kissing her very gently and tenderly on the forehead. “You are as safe here as anywhere. Was I not right in saying that it would be madness to attempt taking you back to the farmhouse this evening? You can sleep in that room, Perrine, when you are tired—you can sleep with the two girls.”

“Gabriel! brother Gabriel!” cried one of the children. “Oh, look at grandfather!”

Gabriel ran to the bedside. The old man had raised himself into a sitting position; his eyes were dilated, his whole face was rigid with terror, his hands were stretched out convulsively toward his grandson. “The White Women!” he screamed. “The White Women; the grave-diggers of the drowned are out on the sea!”

The children, with cries of terror, flung themselves into Perrine’s arms; even Gabriel uttered an exclamation of horror, and started back from the bedside.

Still the old man reiterated, “The White Women! The White Women! Open the door, Gabriel! lookout westward, where the ebb-tide has left the sand dry. You’ll see them bright as lightning in the darkness, mighty as the angels in stature, sweeping like the wind over the sea, in their long white garments, with their white hair trailing far behind them! Open the door, Gabriel! You’ll see them stop and hover over the place where your father and your brother have been drowned; you’ll see them come on till they reach the sand, you’ll see them dig in it with their naked feet and beckon awfully to the raging sea to give up its dead. Open the door, Gabriel—or, though it should be the death of me, I will get up and open it myself!”

Gabriel’s face whitened even to his lips, but he made a sign that he would obey. It required the exertion of his whole strength to keep the door open against the wind while he looked out.

“Do you see them, grandson Gabriel? Speak the truth, and tell me if you see them,” cried the old man.

“I see nothing but darkness—pitch darkness,” answered

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