No More Parades by Ford Madox Ford (top 10 books to read TXT) 📕
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No More Parades is the second in Ford Madox Ford’s Parade’s End series. The book, released just a few years after the close of the war, is based on Ford’s combat experiences as an enlisted man in World War I, and continues the story first begun in Some Do Not ….
Christopher Tietjens, after recovering from the shell shock he suffered in Some Do Not …, has returned to the edge of the war as a commanding officer in charge of preparing draft troops for deployment to the front. As the “last true Tory,” Tietjens demonstrates talent bordering on genius as he struggles against the laziness, incompetence, and confusion of the army around him—but his troubles only begin when his self-centered and scandalous wife Sylvia appears at his base in Rouen for a surprise visit.
Unlike Some Do Not …, which was told in a highly modernist series of flash-backs and flash-forwards, Parade’s End is a much more straightforward narrative. Despite this, the characters continue to be realized in an incredibly complex and nuanced way. Tietjens, almost a caricature of the stiff, honorable English gentleman, stoically absorbs the problems and suffering of those around him. Ford simultaneously paints him as an almost Christlike character and an immature, idealistic schoolboy, eager to keep up appearances despite the ruination it causes the people around him. Sylvia, his wife, has had her affairs and scandals, and is clearly a selfish and trying personality; but her powerful charm, and her frustration with both her almost comically stiff-lipped husband and the war’s interruption of civilization, lends her a not-unsympathetic air. The supporting cast of conscripts and officers is equally well-realized, with each one protraying a separate aspect of war’s effect on regular, scared people simply doing their best.
The novel was extremely well-reviewed in its time, and it and the series it’s a part of remain one of the most important novels written about World War I.
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- Author: Ford Madox Ford
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By Ford Madox Ford.
Table of Contents Titlepage Imprint To William Bird No More Parades Part I I II III IV Part II I II Part III I II Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
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To William BirdMy dear Bird—
I have always held—and I hold as strongly now as ever—that a novel should have no preface. It should have no preface for aesthetico-moral reasons, and because prefatory matter takes away from the reality of, and therefore damages, a book. A dedicatory letter is subterfuge. That subterfuge I feel forced to adopt, and must take the consequences.
The reason is this: All novels are historical, but all novels do not deal with such events as get on to the pages of history. This No More Parades does. It becomes, therefore, necessary to delimit what, in it, is offered as, on the author’s responsibility, observed event.
State, underline and emphasize the fact how you will it is impossible to get into the heads of even intelligent public critics the fact that the opinions of a novelist’s characters as stated in any novel are not of necessity the opinions of the novelist. It cannot be done. How it may be with one’s public one has no means of knowing. Perhaps they read one with more generosity and care. Presumably they do, for they have either spent money on, or taken some trouble to obtain, the volume.
In this novel the events, such as it treats of, are vouched for by myself. There was in France, at the time covered by this novel, an immense base camp, unbelievably crowded with men whom we were engaged in getting up the line, working sometimes day and night in the effort. That immense army was also extremely depressed by the idea that those who controlled it overseas would—I will not use the word “betray,” since that implies volition—but “let us down.” We were oppressed, ordered, counter-ordered, commanded, countermanded, harassed, strafed, denounced—and, above all, dreadfully worried. The never-ending sense of worry, in fact, far surpassed any of the “exigencies of troops actually in contact with enemy forces,” and that applied not merely to the bases, but to the whole field of military operations. Unceasing worry!
We took it out in what may or may not have been unjust suspicions of the all-powerful ones who had our lives in their hands—and seemed indifferent enough to the fact. So this novel recounts what those opinions were: it does not profess to dictate whether those opinions were or were not justified. There is, I think, not one word in it which records any opinions or words of mine as being my words or opinions. I believe I may say that, as to the greater part of such public matters as are here discussed, I have no opinions at all. After seven or eight years I have been unable to form any. I present therefore only what I observed or heard.
Few writers can have engaged themselves as combatants in what, please God, will yet prove to be the war that ended war, without the intention of aiding with their writings, if they survived, in bringing about such a state of mind as should end wars as possibilities.
This obviously is a delicate task. If you overstate horrors you induce in your reader a state of mind such as, by reaction, causes the horrors to become matters of indifference. If you overstate heroisms you induce indifference to heroisms—of which the late war produced, heaven knows, plenty enough, so that to be indifferent to them is villainy. Casting about, then, for a medium through which to view this spectacle, I thought of a man—by then dead—with whom i had been very intimate and with whom—as with yourself—I had at one time discussed most things under the sun. He was the English Tory.
Even then—it must have been in September, 1916, when I was in a region called the Salient, and I remember the very spot where the idea came to me—I said to myself: “How would all this look in the eyes of X⸺”—already dead, along with all English Tories? For, as a medium through which to view struggles that are after all in the end mostly emotional struggles—since as a rule for every twenty minutes of actual fighting you were alone with your emotions, which, being English, you did not express, for at least a month!—as a medium, what could be better than the sceptical, not ungenerous, not cold, not unconvincible eyes of an extinct frame of mind? For by the time of my relative youth when I knew X⸺ so intimately, Toryism had gone beyond the region of any practising political party. It said for a year or two: “A plague on all your houses,” and so expired.
To this determination—to use my friend’s eyes as a medium—I am adhering in this series of books. Some Do Not …—of which this one is not so much a continuation as
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