Notre-Dame de Paris by Victor Hugo (e reader for manga txt) ๐
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Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeaconโs bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugoโs tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that werenโt being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to โThe Hunchback of Notre Dame,โ shifting attention to the bellringer, but Hugoโs focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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By Victor Hugo.
Translated by Isabel F. Hapgood.
Table of Contents Titlepage Imprint Preface Notre-Dame de Paris Book I I: The Grand Hall II: Pierre Gringoire III: Monsieur the Cardinal IV: Master Jacques Coppenole V: Quasimodo VI: Esmeralda Book II I: From Charybdis to Scylla II: The Place de Grรจve III: Kisses for Blows IV: The Inconveniences of Following a Pretty Woman Through the Streets in the Evening V: Result of the Dangers VI: The Broken Jug VII: A Bridal Night Book III I: Notre-Dame II: A Birdโs-Eye View of Paris Book IV I: Good Souls II: Claude Frollo III: Immanis Pecoris Custos, Immanior Ipse IV: The Dog and His Master V: More About Claude Frollo VI: Unpopularity Book V I: Abbas Beati Martini II: This Will Kill That Book VI I: An Impartial Glance at the Ancient Magistracy II: The Rat-Hole III: History of a Leavened Cake of Maize IV: A Tear for a Drop of Water V: End of the Story of the Cake Book VII I: The Danger of Confiding Oneโs Secret to a Goat II: A Priest and a Philosopher Are Two Different Things III: The Bells IV: แผฮฝฮฌฮณฮบฮท V: The Two Men Clothed in Black VI: The Effect Which Seven Oaths in the Open Air Can Produce VII: The Mysterious Monk VIII: The Utility of Windows Which Open on the River Book VIII I: The Crown Changed Into a Dry Leaf II: Continuation of the Crown Which Was Changed Into a Dry Leaf III: End of the Crown Which Was Turned Into a Dry Leaf IV: Lasciate Ogni SperanzaโLeave All Hope Behind, Ye Who Enter Here V: The Mother VI: Three Human Hearts Differently Constructed Book IX I: Delirium II: Hunchbacked, One-Eyed, Lame III: Deaf IV: Earthenware and Crystal V: The Key to the Red Door VI: Continuation of the Key to the Red Door Book X I: Gringoire Has Many Good Ideas in Succession.โRue des Bernardins II: Turn Vagabond III: Long Live Mirth IV: An Awkward Friend V: The Retreat in Which Monsieur Louis of France Says His Prayers VI: Little Sword in Pocket VII: Chรขteaupers to the Rescue Book XI I: The Little Shoe II: โLa Creatura Bella Bianco Vestitaโ III: The Marriage of Phoebus IV: The Marriage of Quasimodo Note Endnotes Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
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PrefaceA few years ago, while visiting or, rather, rummaging about Notre-Dame, the author of this book found, in an obscure nook of one of the towers, the following word, engraved by hand upon the wall:โ โ
ฮฮรฮฮฮ.
These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic caligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply.
He questioned himself; he sought to divine who could have been that soul in torment which had not been willing to quit this world without leaving this stigma of crime or unhappiness upon the brow of the ancient church.
Afterwards, the wall was whitewashed or scraped down, I know not which, and the inscription disappeared. For it is thus that people have been in the habit of proceeding with the marvellous churches of the Middle Ages for the last two hundred years. Mutilations come to them from every quarter, from within as well as from without. The priest whitewashes them, the archdeacon scrapes them down; then the populace arrives and demolishes them.
Thus, with the exception of the fragile memory which the author of this book here consecrates to it, there remains today nothing whatever of the mysterious word engraved within the gloomy tower of Notre-Dameโ โnothing of the destiny which it so sadly summed up. The man who wrote that word upon the wall disappeared from the midst of the generations of man many centuries ago; the word, in its turn, has been effaced from the wall of the church; the church will, perhaps, itself soon disappear from the face of the earth.
It is upon this word that this book is founded.
March, 1831.
Notre-Dame de Paris Book I I The Grand HallThree hundred and forty-eight years, six months, and nineteen days ago today, the Parisians awoke to the sound of all the bells in the triple circuit of the city, the university, and the town ringing a full peal.
The sixth of January, 1482, is not, however,
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