Main Street by Sinclair Lewis (ink book reader .TXT) 📕
Description
Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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Carol’s head ached with the riddle.
She saw the prairie, flat in giant patches or rolling in long hummocks. The width and bigness of it, which had expanded her spirit an hour ago, began to frighten her. It spread out so; it went on so uncontrollably; she could never know it. Kennicott was closeted in his detective story. With the loneliness which comes most depressingly in the midst of many people she tried to forget problems, to look at the prairie objectively.
The grass beside the railroad had been burnt over; it was a smudge prickly with charred stalks of weeds. Beyond the undeviating barbed-wire fences were clumps of goldenrod. Only this thin hedge shut them off from the plains—shorn wheat-lands of autumn, a hundred acres to a field, prickly and gray nearby but in the blurred distance like tawny velvet stretched over dipping hillocks. The long rows of wheat-shocks marched like soldiers in worn yellow tabards. The newly plowed fields were black banners fallen on the distant slope. It was a martial immensity, vigorous, a little harsh, unsoftened by kindly gardens.
The expanse was relieved by clumps of oaks with patches of short wild grass; and every mile or two was a chain of cobalt slews, with the flicker of blackbirds’ wings across them.
All this working land was turned into exuberance by the light. The sunshine was dizzy on open stubble; shadows from immense cumulus clouds were forever sliding across low mounds; and the sky was wider and loftier and more resolutely blue than the sky of cities … she declared.
“It’s a glorious country; a land to be big in,” she crooned.
Then Kennicott startled her by chuckling, “D’ you realize the town after the next is Gopher Prairie? Home!”
IIIThat one word—home—it terrified her. Had she really bound herself to live, inescapably, in this town called Gopher Prairie? And this thick man beside her, who dared to define her future, he was a stranger! She turned in her seat, stared at him. Who was he? Why was he sitting with her? He wasn’t of her kind! His neck was heavy; his speech was heavy; he was twelve or thirteen years older than she; and about him was none of the magic of shared adventures and eagerness. She could not believe that she had ever slept in his arms. That was one of the dreams which you had but did not officially admit.
She told herself how good he was, how dependable and understanding. She touched his ear, smoothed the plane of his solid jaw, and, turning away again, concentrated upon liking his town. It wouldn’t be like these barren settlements. It couldn’t be! Why, it had three thousand population. That was a great many people. There would be six hundred houses or more. And—The lakes near it would be so lovely. She’d seen them in the photographs. They had looked charming … hadn’t they?
As the train left Wahkeenyan she began nervously to watch for the lakes—the entrance to all her future life. But when she discovered them, to the left of the track, her only impression of them was that they resembled the photographs.
A mile from Gopher Prairie the track mounts a curving low ridge, and she could see the town as a whole. With a passionate jerk she pushed up the window, looked out, the arched fingers of her left hand trembling on the sill, her right hand at her breast.
And she saw that Gopher Prairie was merely an enlargement of all the hamlets which they had been passing. Only to the eyes of a Kennicott was it exceptional. The huddled low wooden houses broke the plains scarcely more than would a hazel thicket. The fields swept up to it, past it. It was unprotected and unprotecting; there was no dignity in it nor any hope of greatness. Only the tall red grain-elevator and a few tinny church-steeples rose from the mass. It was a frontier camp. It was not a place to live in, not possibly, not conceivably.
The people—they’d be as drab as their houses, as flat as their fields. She couldn’t stay here. She would have to wrench loose from this man, and flee.
She peeped at him. She was at once helpless before his mature fixity, and touched by his excitement as he sent his magazine skittering along the aisle, stooped for their bags, came up with flushed face, and gloated, “Here we are!”
She smiled loyally, and looked away. The train was entering town. The houses on the outskirts were dusky old red mansions with wooden frills, or gaunt frame shelters like grocery boxes, or new bungalows with concrete foundations imitating stone.
Now the train was passing the elevator, the grim storage-tanks for oil, a creamery, a lumberyard, a stockyard muddy and trampled and stinking. Now they were stopping at a squat red frame station, the platform crowded with unshaven farmers and with loafers—unadventurous people with dead eyes. She was here. She could not go on. It was the end—the end of the world. She sat with closed eyes, longing to push past Kennicott, hide somewhere in the train, flee on toward the Pacific.
Something large arose in her soul and commanded, “Stop
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