Queen Victoria by Lytton Strachey (sites to read books for free TXT) 📕
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The publication of Lytton Strachey’s Eminent Victorians in 1918 was a tremendous success. In it, Strachey looked at four iconic figures of the Victorian Age and punctured the hagiographical illusions surrounding them. It seems only fitting that he should follow up in 1921 with a similarly unsentimental but fair biography of the person at the pinnacle of that era, Queen Victoria herself.
Thoroughly researched, with his references documented in hundreds of footnotes, Strachey looks at the life of the young woman who, when she was born, was by no means certain to become the British monarch. He also spends considerable time on her consort, Prince Albert, who, in Strachey’s telling, develops from a careless youth to becoming a truly remarkable and effective figure in British society, while continuing to be generally perceived as an outsider.
Strachey’s sardonic and witty style makes this account of Queen Victoria and Prince Albert an entertaining and very informative read.
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- Author: Lytton Strachey
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But her mother’s sight was by no means an easy thing to escape. Morning and evening, day and night, there was no relaxation of the maternal vigilance. The child grew into the girl, the girl into the young woman; but still she slept in her mother’s bedroom; still she had no place allowed her where she might sit or work by herself.40 An extraordinary watchfulness surrounded her every step: up to the day of her accession, she never went downstairs without someone beside her holding her hand.41 Plainness and regularity ruled the household. The hours, the days, the years passed slowly and methodically by. The dolls—the innumerable dolls, each one so neatly dressed, each one with its name so punctiliously entered in the catalogue—were laid aside, and a little music and a little dancing took their place. Taglioni came, to give grace and dignity to the figure,42 and Lablache, to train the piping treble upon his own rich bass. The Dean of Chester, the official preceptor, continued his endless instruction in Scripture history, while the Duchess of Northumberland, the official governess, presided over every lesson with becoming solemnity. Without doubt, the Princess’s main achievement during her schooldays was linguistic. German was naturally the first language with which she was familiar; but English and French quickly followed; and she became virtually trilingual, though her mastery of English grammar remained incomplete. At the same time, she acquired a working knowledge of Italian and some smattering of Latin. Nevertheless, she did not read very much. It was not an occupation that she cared for; partly, perhaps, because the books that were given her were all either sermons, which were very dull, or poetry, which was incomprehensible. Novels were strictly forbidden. Lord Durham persuaded her mother to get her some of Miss Martineau’s tales, illustrating the truths of Political Economy, and they delighted her; but it is to be feared that it was the unaccustomed pleasure of the story that filled her mind, and that she never really mastered the theory of exchanges or the nature of rent.43
It was her misfortune that the mental atmosphere which surrounded her during these years of adolescence was almost entirely feminine. No father, no brother, was there to break in upon the gentle monotony of the daily round with impetuosity, with rudeness, with careless laughter and wafts of freedom from the outside world. The Princess was never called by a voice that was loud and growling; never felt, as a matter of course, a hard rough cheek on her own soft one; never climbed a wall with a boy. The visits to Claremont—delicious little escapes into male society—came to an end when she was eleven years old and Prince Leopold left England to be King of the Belgians. She loved him still; he was still “il mio secondo padre or, rather, solo padre, for he is indeed like my real father, as I have none;” but his fatherliness now came to her dimly and indirectly, through the cold channel of correspondence. Henceforward female duty, female elegance, female enthusiasm, hemmed her completely in; and her spirit, amid the enclosing folds, was hardly reached by those two great influences, without which no growing life can truly prosper—humour and imagination. The Baroness Lehzen—for she had been raised to that rank in the Hanoverian nobility by George IV before he died—was the real centre of the Princess’s world. When Feodora married, when Uncle Leopold went to Belgium, the Baroness was left without a competitor. The Princess gave her mother her dutiful regards; but Lehzen had her heart. The voluble, shrewd daughter of the pastor in Hanover, lavishing her devotion on her royal charge, had reaped her reward in an unbounded confidence and a passionate adoration. The girl would have gone through fire for her “precious Lehzen,” the “best and truest friend,” she declared, that she had had since her birth. Her journal, begun when she was thirteen, where she registered day by day the small succession of her doings and her sentiments, bears on every page of it the traces of the Baroness and her circumambient influence. The young creature that one sees there, self-depicted in ingenuous clarity, with her sincerity, her simplicity, her quick affections and pious resolutions, might almost have been the daughter of a German pastor herself. Her enjoyments, her admirations, her engouements were of the kind that clothed themselves naturally in underlinings and exclamation marks. “It was a delightful ride. We cantered a good deal. Sweet little Rosy went beautifully!! We came home at a ¼ past 1 … At 20 minutes to 7 we went out to the Opera … Rubini came on and sang a song out of Anna Boulena quite beautifully. We came home at ½ past 11.”44 In her comments on her readings, the mind of the Baroness is clearly revealed. One day, by some mistake, she was allowed to take up a volume of memoirs by Fanny Kemble. “It is certainly very pertly and oddly written. One would imagine by the style that the authoress must be very pert, and not well bred; for there are so many vulgar expressions in it. It is a great pity that a person endowed with so much talent, as Mrs. Butler really is, should turn it to so little account and publish a book which is so full of trash and
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