Yama by Aleksandr Kuprin (best ereader for pdf TXT) 📕

sniffs angrily and answers, speaking through her nose, in a bass which comes as a surprise from one of her stature:

“There are no tapeworms in me. It’s you that’s got the tapeworms, that’s why you are so skinny.”

And she imperturbably continues to eat, and after dinner feels herself sleepy, like a boa constrictor, eructs loudly, drinks water, hiccups, and, by stealth, if no one sees her, makes the sign of the cross over her mouth, through an old habit.

But already the ringing voice of Zociya can be heard through the corridors and rooms:

“Get dressed, ladies, get dressed. There’s no use in sitting around⁠ ⁠… To work⁠ ⁠…”

After a few minutes in all the rooms of the establishment there are smells of singed hair, boric-thymol soap, cheap eau-de-cologne. The girls are dolling-up for the evening.

IV

The late twilight came on, and after it the warm, dark night, but for long, until very midnight, did the deep crimson glow of the sky still smoulder. Simeon, the porter of the establishment, has lit all the lamps along the walls of the drawing room, and the lustre, as well as the red lantern over the stoop. Simeon was a spare, stocky, taciturn and harsh man, with straight, broad shoulders; dark-haired, pockmarked, with little bald spots on his eyebrows and moustaches from smallpox, and with black, dull, insolent eyes. By day he was free and slept, while at night he sat without absenting himself in the front hall under the reflector, in order to help the guests with their coats and to be ready in case of any disorder.

The pianist came⁠—a tall, elegant young man, with white eyebrows and eyelashes, and a cataract in his right eye. In the interim before the coming of the guests, he and Isaiah Savvich quietly rehearsed “The Cake-Walk,” a dance at that time coming into vogue. For every dance ordered by the guests, they received thirty kopecks for an easy dance, and a half rouble for a quadrille. But one-half of this price was taken out by the proprietress, Anna Markovna; the other, however, the musicians divided evenly. In this manner the pianist received only a quarter of the general earnings, which, of course, was unjust, since Isaiah Savvich played as one self-taught and was distinguished for having no more ear for music than a piece of wood. The pianist was constantly compelled to drag him on to new tunes, to correct and cover his mistakes with loud chords. The girls said of their pianist to the guests, with a certain pride, that he had been in the conservatory and always ranked as the first pupil, but since he is a Jew, and in addition to that his eyes had begun to trouble him, he had not succeeded in completing the course. They all treated him carefully and considerately, with some sort of solicitous, somewhat mawkish commiseration, which chimes so well with the inner, backstage customs of houses of ill-fame, where underneath the outer coarseness and the flaunting of obscene words dwells the same sweetish, hysterical sentimentality as in female boarding schools, and, so they say, in penal institutions.

In the house of Anna Markovna everybody was already dressed and ready for the reception of the guests, and languishing from inaction and expectation. Despite the fact that the majority of the women experienced toward men⁠—with the exception of their lovers⁠—a complete, even somewhat squeamish, indifference, before every evening dim hopes came to life and stirred within their souls; it was unknown who would choose them, whether something unusual, funny and alluring might not happen, whether a guest would not astonish with his generosity, whether there would not be some miracle which would overturn the whole life⁠ ⁠… In these presentiments and hopes was something akin to those emotions which the accustomed gamester experiences when counting his ready money before starting out for his club. Besides that, despite their asexuality, they still had not lost the chiefest instinctive aspiration of women⁠—to please.

And, in truth, altogether curious personages came into the house at times and ludicrous, motley events arose. The police would appear suddenly together with disguised detectives and arrest some seemingly respectable, irreproachable gentlemen and lead them off, pushing them along with blows in the neck. At times brawls would spring up between the drunken, trouble-making company and the porters of all the establishments, who had gathered on the run for the relief of a fellow porter⁠—a brawl, during which the windowpanes and the decks of grand-pianos were broken, when the legs of the plush chairs were wrenched out for weapons, blood ran over the parquet floor of the drawing room and the steps of the stairs, and people with pierced sides and broken heads fell down into the dirt near the street entrance, to the feral, avid delight of Jennka, who, with burning eyes, with happy laughter, went into the thickest of the melee, slapped herself on the hips, swore and sicked them on, while her mates were squealing from fear and hiding under the beds.

There were occurrences when there would arrive, with a pack of parasites, some member of a workingmen’s association or a cashier, long since far gone in an embezzlement of many thousands through gambling at cards and hideous orgies, and now, in a drunken, senseless delirium, tossing the last money after the other, before suicide or the prisoner’s box. Then the doors and windows of the house would be tightly closed, and for two days and nights at a stretch a Russian orgy would go on⁠—nightmarish, tedious, savage, with screams and tears, with revilement over the body of woman; paradisaical nights were gotten up, during which naked, drunken, bowlegged, hairy, potbellied men, and women with flabby, yellow, pendulous thin bodies hideously grimaced to the music; they drank and guzzled like swine, on the beds and on the floor, amidst the stifling atmosphere, permeated with spirits, befouled with human respiration and the exhalations of unclean skins.

Occasionally, there would appear a circus athlete, creating in the low-ceiled quarters