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of new Japan; and the growth of this class is one of the surest signs that the present state of the laws and customs concerning marriage and divorce is so unsatisfactory to the women that it must eventually be remedied, if the educated and intelligent of the men care to take for their wives, and for the mothers of their children, any but the less educated and less intelligent of the women of their own nation.
Footnotes:

[11] The Japanese standard of female beauty differs in many respects from our own, so that it is almost impossible for a foreigner visiting Japan to comprehend the judgments of the Japanese in regard to the beauty of their own women, and even more impossible for the untraveled Japanese to discover the reasons for a foreigner's judgments upon either Japanese or foreign beauties. To the Japanese, the ideal female face must be long and narrow; the forehead high and narrow in the middle, but widening and lowering at the sides, conforming to the outline of the beloved Fuji, the mountain that Japanese art loves to picture. The hair should be straight and glossy black, and absolutely smooth. Japanese ladies who have the misfortune to have any wave or ripple in their hair, as many of them do, are at as much pains to straighten it in the dressing as American ladies are to simulate a natural curl, when Nature has denied them that charm. The eyes should be long and narrow, slanting upward at the outer corners; and the eyebrows should be delicate lines, high above the eye itself. The distinctly aquiline nose should be low at the bridge, the curve outward beginning much lower down than upon the Caucasian face; and the eye-socket should not be outlined at all, either by the brow, the cheek, or by the nose. It is this flatness of the face about the eyes that gives the mildness of expression to all young people of Mongolian type that is so noticeable a trait always in their physiognomy. The mouth of an aristocratic Japanese lady must be small, and the lips full and red; the neck, a conspicuous feature always when the Japanese dress is worn, should be long and slender, and gracefully curved. The complexion should be light,β€”a clear ivory-white, with little color in the cheeks. The blooming country girl style of beauty is not admired, and everything, even to color in the cheeks, must be sacrificed to gain the delicacy that is the sine qua non of the Japanese beauty. The figure should be slender, the waist long, but not especially small, and the hips narrow, to secure the best effect with the Japanese dress. The head and shoulders should be carried slightly forward, and the body should also be bent forward slightly at the waist, to secure the most womanly and aristocratic carriage. In walking, the step should be short and quick, with the toes turned in, and the foot lifted so slightly that either clog or sandal will scuff with every step. This is necessary for modesty, with the narrow skirt of the Japanese dress.

Contrast with this type the fair, curling hair, the round blue eyes, the rosy cheeks, the erect, slim-waisted, large-hipped figures of many foreign beauties,β€”the rapid, long, clean-stepping walk, and the air of almost masculine strength and independence, which belongs especially to English and American women,β€”and one can see how the Japanese find little that they recognize as beauty among them. Blue eyes, set into deep sockets, and with the bridge of the nose rising as a barrier between them, impart a fierce grotesqueness to the face, that the untraveled Japanese seldom admire. The very babies will scream with horror at first sight of a blue-eyed, light-haired foreigner, and it is only after considerable familiarity with such persons that they can be induced to show anything but the wildest fright in their presence. Foreigners who have lived a great deal among the Japanese find their standards unconsciously changing, and see, to their own surprise, that their countrywomen look ungainly, fierce, aggressive, and awkward among the small, mild, shrinking, and graceful Japanese ladies.

[12] The present from the groom is usually a piece of handsome silk, used for the obi or girdle. This takes the place of the conventional engagement ring of Europe and America.[*] From the family of the bride, silk, such as is made up into men's dresses, is sent.

[13] Many women still blacken their teeth after marriage, after the manner universal in the past; but this custom is, fortunately, rapidly going out of fashion.

[14] "As early as 1870 an edict was published by which official notice and approbation were made necessary preliminaries to every matrimonial contract. In the following year the class-limitations upon freedom of marriage were abolished, and two years later the right of suing for a divorce was conceded to the wife."β€”Rein's Japan, p. 425.

CHAPTER IV.

WIFE AND MOTHER.[*]

The young wife, when she enters her husband's home, is not, as in our own country, entering upon a new life as mistress of a house, with absolute control over all of her little domain. Should her husband's parents be living, she becomes almost as their servant, and even her husband is unable to defend her from the exactions of her mother-in-law, should this new relative be inclined to make full use of the power given her by custom. Happy is the girl whose husband has no parents. Her comfort in life is materially increased by her husband's loss, for, instead of having to serve two masters, she will then have to serve only one, and that one more kind and thoughtful of her strength and comfort than the mother-in-law.

In Japan the idea of a wife's duty to her husband includes no thought of companionship on terms of equality. The wife is simply the housekeeper, the head of the establishment, to be honored by the servants because she is the one who is nearest to the master, but not for one moment to be regarded as the master's equal. She governs and directs the household, if it be a large one, and her position is one of much care and responsibility; but she is not the intimate friend of her husband, is in no sense his confidante or adviser, except in trivial affairs of the household. She appears rarely with him in public, is expected always to wait upon him and save him steps, and must bear all things from him with smiling face and agreeable manners, even to the receiving with open arms into the household some other woman, whom she knows to bear the relation of concubine to her own husband.

In return for this, she has, if she be of the higher classes, much respect and honor from those beneath her. She has, in many cases the real though often inconsiderate affection of her husband. If she be the mother of children, she is doubly honored, and if she be endowed with a good temper, good manners, and tact, she can render her position not only agreeable to herself, but one of great usefulness to those about her. It lies with her alone to make the home a pleasant one, or to make it unpleasant. Nothing is expected of the husband in this direction; he may do as he likes with his own, and no one will blame him; but if his home is not happy, even through his own folly or bad temper, the blame will fall upon his wife, who should by management do whatever is necessary to supply the deficiencies caused by her husband's shortcomings. In all things the husband goes first, the wife second. If the husband drops his fan or his handkerchief the wife picks it up. The husband is served first, the wife afterwards, and so on through the countless minutiæ of daily life. It is not the idea of the strong man considering the weak woman, saving her exertion, guarding and deferring to her; but it is the less important waiting upon the more important, the servant deferring to her master.

But though the present position of a Japanese wife is that of a dependent who owes all she has to her protector, and for whom she is bound to do all she can in return, the dependence is in many cases a happy one. The wife's position, especially if she be the mother of children, is often pleasant, and her chief joy and pride lies in the proper conduct of her house and the training of her children. The service of her parents-in-law, however, must remain her first duty during their lifetime. She must make it her care to see that they are waited upon and served with what they like at meals, that their clothes are carefully and nicely made, and that countless little attentions are heaped upon them. As long as her mother-in-law lives, the latter is the real ruler of the house; and though in many cases the elder lady prefers freedom from responsibility to the personal superintendence of the details of housekeeping, she will not hesitate to require of her daughter-in-law that the house be kept to her satisfaction. If the maiden's lot is to be the first daughter-in-law in a large family, she becomes simply the one of the family from whom the most drudgery is expected, who obtains the fewest favors, and who is expected to have always the pleasantest of tempers under circumstances not altogether conducive to repose of spirit. The wife of the oldest son has, however, the advantage that, when her mother-in-law dies or retires, she becomes the mistress of the house and the head lady of the family, a position for which her apprenticeship to the old lady has probably exceptionally well fitted her.

Next to her parents-in-law, her duty is to her husband. She must herself render to him the little services that a European expects of his valet. She must not only take care of his clothing, but must bring it to him and help him put it on, and must put away with care whatever he has taken off; and she often takes pride in doing with her own hands many acts of service which might be left to servants, and which are not actually demanded of her, unless she has no one under her to do them. In the poorer families all the washing, sewing, and mending that is required is always done by the wife; and even the Empress herself is not exempt from these duties of personal service, but must wait upon her husband in various ways.

When the earliest beams of the sun shine in at the cracks of the dark wooden shutters which surround the house at night, the young wife in the family softly arises, puts out the feeble light of the andon,[15] which has burned all night, and, quietly opening one of the sliding doors, admits enough light to make her own toilet. She dresses hastily, only putting a few touches here and there to her elaborate coiffure, which she has not taken down for her night's rest.[16] Next she goes to arouse the servants, if they are not already up, and with them prepares the modest breakfast. When the little lacquer tables, with rice bowls, plates, and chopsticks are arranged in place, she goes softly to see whether her parents and husband are awake, and if they have hot water, charcoal fire, and whatever else they may need for their toilet. Then with her own hands, or with the help of

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